This is a bibliography covering the various aspects of the Claimed From Stationers’ Hall music research project.  The pdf version reached its 8th edition in January 2020, but the network is no longer funded, and additions will only be made online.  Suggestions for further additions are nonetheless warmly welcomed!   This bibliography also includes the majority of citations made by authors represented in Brio Vol.56 no.2 (Autumn-Winter 2019), a special issue dedicated to the Claimed From Stationers’ Hall project.

NB blank headings have been left for documentation about the institutions themselves, as well as about their libraries.  So much information was accumulated about the University of St Andrews, that it seemed prudent to leave space for any similar material in connection with the other legal deposit libraries.  Headings cover the following topics:-

  • Copyright and Legal Deposit, & Publishing History (General)
  • Copyright and Legal Deposit, & Publishing History (Music)
  • Libraries
  • Individual Institutions and Their Libraries:
    • British Library
    • Lambeth Palace (Sion College holdings)
    • National Library of Scotland
    • Trinity College Dublin [currently blank]
    • Trinity College Dublin University Library
    • University of Aberdeen [currently blank]
    • Aberdeen University Library
    • University of Cambridge [currently blank]
    • Cambridge University Library
    • University of Edinburgh
    • Edinburgh University Library
    • University of Glasgow [currently blank]
    • Glasgow University Library
    • University of Oxford [currently blank]
    • Bodleian Library
    • University of St Andrews
    • St Andrews University Library
  • Overseas legal deposit
  • Cultural History: Reading, Music, Dance etc.
  • Bibliography
  • Digital Humanities

CFSH Bibliography 8th edition January 2020 (pdf)  but please note, subsequent additions will appear only online below.

Bibliography: Legal Deposit Music Claimed From Stationers’ Hall (AHRC Research Network)

compiled by Karen E McAulay, Royal Conservatoire of Scotland

SH Stamps fabricCopyright and Legal Deposit, & Publishing History (General)

Adam Matthew Digital, Literary Print Culture: The Stationers’ Company Archive, 1554-2007 http://www.literaryprintculture.amdigital.co.uk/ [accessed 12 October 2017].

Alexander, Isabella, Copyright Law and the Public Interest in the Nineteenth Century (Oxford ; Portland, Or.: Hart, 2010).

Alexander, Isabella, and H. Tomás Gómez-Arostegui, Research Handbook on the History of Copyright Law (Cheltenham: Edward Elgar Publishing, 2016).

Arber, Edward, A List, Based on the Registers of the Stationers Company, of 837 London Publishers … between 1553 and 1640. (Birm., 1890)

Arber, Edward, A Transcript of the Registers of the Company of Stationers of London, 1554-1640 A.D ([New York]: [P. Smith], 1950)

Beavan, Iain, The Nineteenth-Century Book Trade in Aberdeen, with Primary Reference to Lewis Smith ([Aberdeen: Robert Gordon University, 1992)

Bell, Maureen, ‘Entrance in the Stationers’ Register’, The Library, VI.16 (1994), 50–54

Bently, Lionel Bently and Martin Kretschmer, Primary Sources on Copyright http://www.copyrighthistory.org/cam/index.php [accessed 4 November 2018].

Bergel, Giles, ‘Ballad Trade – Literary Print Culture’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/GilesBergel [accessed 2 March 2018].

Cornish, Graham, ‘Copyright: Evolution or Extinction?’, Information Professional, 2018.

Deazley, Ronan, ‘Commentary on Dramatic Literary Property Act 1833’, \Primary Sources on Copyright (1450-1900), 2015. http://www.copyrighthistory.org/cam/tools/request/showRecord?id=commentary_uk_1833 [accessed 4 December 2019]

Deazley, Ronan, On the Origin of the Right to Copy : Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695-1775) (Oxford ; Portland, Or.: Hart Publishing, 2004)

Deazley, Ronan, Martin Kretschmer and Lionel Bently, Privilege and Property : Essays on the History of Copyright (OpenBook, 2010) http://books.openedition.org/obp/1087 [accessed 21 February 2018].

Eliot, Simon, ‘“Mr Greenhill, Whom You Cannot Get Rid Of”: Copyright, Legal Deposit and the Stationers’ Company in the Nineteenth Century’, in Libraries and the Book Trade, ed. by Robin. Myers, Michael Harris, and Giles Mandelbrote (New Castle, DE.: Oak Knoll Press, 2000), pp. 51–84

Feather, John, ‘The Significance of Copyright History for Publishing History and Historians (Chapter 14)’, in Deazley, Kretschmer, Bently, Privilege and Property: Essays on the History of Copyright (2010)

Frith, Simon and and Lee Marshall, Music and Copyright, 2nd ed. (Routledge, 2013)

Glasgow, Eric, ‘Publishers in Victorian England’, Library Review, 47.8 (2013), 395–400.  https://doi.org/10.1108/00242539810239561

Gooding, Paul, Melissa Terras, and Linda Berube, Towards User-Centric Evaluation of UK Non-Print Legal Deposit. a Digital Library Futures White Paper (Glasgow, 2019) http://eprints.gla.ac.uk/186755/1/186755.pdf

Great Britain. Parliament, An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of Such Copies, during the Times Therein Mentioned. (London: printed by the assigns of Thomas Newcomb, and Henry Hills, deceas’d; printers to the Queens most excellent Majesty, 1710). [‘The Statute of Anne’]

Great Britain. Parliament, Legal Deposit Libraries Act 2003 (Statute Law Database, 2003) <http://www.legislation.gov.uk/ukpga/2003/28/contents&gt; [accessed 12 September 2019].

Great Britain. Parliament, The Legal Deposit Libraries (Non-Print Works) Regulations 2013 (Queen’s Printer of Acts of Parliament, 2013) http://www.legislation.gov.uk/uksi/2013/777/contents/made [accessed 12 September 2019].

Great Britain. Parliament. House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Placed in their Respective Libraries, and how otherwise disposed of, House of Commons Parliamentary Papers, 1818 http://parlipapers.chadwyck.co.uk/saveditems/myArchive.do [accessed 22 March 2016]

Great Britain. Parliament, House of Commons, A List of Publications Entered at Stationers’ Hall, since the Passing of the Late Act Respecting Copyright, &c.; July 29, 1814. ([London]: [s.n.], 1815).

Great Britain. Royal Commission on Copyright, 1876, Report and Minutes of Evidence. The Royal Commissions and the Report of the Commissioners. Minutes of Evidence, Together with an Appendix, Preceded by Tables of the Witnesses and of the Contents of the Appendix. v, 40 ([S.l.]: H.M.S.O., 1878)

Jefferies, Janis and Sarah Kember, eds., Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity (Open Book Publishers, 2019)

Kretschmer, Martin and Friedemann Kawohl, ‘The History and Philosophy of Copyright’, in Music and Copyright, ed. Frith and Marshall, 2013, pp. 21–53.

MacDougall, Warren, ’Smugglers, Reprinters, and Hot Pursuers: The Irish-Scottish Book Trade, and Copyright Prosecutions in the Late Eighteenth Century’, in The Stationers’ Company and the Book Trade 1550-1990, 1997, p. pp.151-183.

Myers, Robin, Michael Harris and Giles Mandelbrote, Libraries and the Book Trade (New Castle, Del.: Oak Knoll Press, 2000)

Myers, Robin, Records of the Worshipful Company of Stationers 1554-1920, microfilm reels (London, 1985)

Myers, Robin, ‘The Records of the Stationers’ Company; Their History, Importance and Use – Literary Print Culture – Adam Matthew Digital’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/RobinMyers [accessed 2 March 2018].

Myers, Robin, and Worshipful Company of Stationers, The Stationers’ Company Archive : An Account of the Records, 1554-1984 (Winchester: St. Paul’s Bibliographies, 1990)

Myers, Robin, and Michael Harris, eds, The Stationers’ Company and the Book Trade, 1550-1990 (New Castle, Del. : Oak Knoll Press, 1997)

Myers, Robin, Michael Harris and Giles Mandelbrote, The London Book Trade : Topographies of Print in the Metropolis from the Sixteenth Century (New Castle, DE : Oak Knoll, 2003)

The National Archives, The National Archives – Homepage http://www.nationalarchives.gov.uk/help-with-your-research/research-guides/copyright-records-stationers-hall/ [accessed 31 January 2018]

National Library of Scotland, ‘Scottish Book Trade Index (SBTI)’, 2015 https://data.cerl.org/sbti/_search [accessed 12 September 2019].

Parkinson, John A., ‘Pirates and Publishers’, Performing Right, 1972, 20–22.

Partridge, Robert C. Barrington and F. G. (Frederic George) Kenyon, The History of the Legal Deposit of Books throughout the British Empire. (London: Library Association, 1938)

Purday, Charles H. (Charles Henry), Copyright: A Sketch of Its Rise and Progress, the Acts of Parliament and Conventions with Foreign Nations Now in Force : With Suggestions on the Statutory Requirements for the Disposal and Security of a Copyright, Literary, Musical, and Artistic. (London: W. Reeves., 1877)

Ransom, Harry Hunt, The First Copyright Statute : An Essay on An Act for the Encouragement of Learning, 1710. (Austin: University of Texas Press, 1956)

Raven, James, The Business of Books : Booksellers and the English Book Trade, 1450-1850 (New Haven ; London: Yale University Press, 2007).

Raven, James, Publishing Business in Eighteenth-Century England (Suffolk, England: The Boydell Press, 2014)

Sage Publishing, ‘Adam Matthew Digital Publishes The Stationers’ Company Archive, 1554-2007 | SAGE Publications Ltd’, 2017, Online [Press release] https://uk.sagepub.com/en-gb/eur/press/adam-matthew-digital-publishes-the-stationers’-company-archive-1554-2007 [accessed 12 October 2017].

Stationers’ Company, Index of titles and proprietors of books entered in the book of registry of the Stationers’ company … from 28th April 1710 to 30th Dec. 1773. (London, 1910)

University of Cambridge Centre for Intellectual Property and Information Law, ‘Primary Sources on Copyright – Home’ http://www.copyrighthistory.org/cam/ [accessed 31 January 2018]

Copyright and Legal Deposit, & Publishing SH Stamps fabricHistory (Music)

Albinsson, Staffan, ‘Early Music Copyrights: Did They Matter for Beethoven and Schumann?’, International Review of the Aesthetics and Sociology of Music, 43.2 (2012), 265–302 https://www.jstor.org/stable/23342823 [accessed 12 January 2019].

Barron, Anne, ‘Copyright Law’s Musical Work’, Social and Legal Studies, 15 (2006), 101–27.

C., T.C., ‘Musical Proprietorship’, The Quarterly Musical Magazine and Review, Vol.3, 1820, pp. 151–54 [by ” T.C.C.”] https://archive.org/stream/bub_gb_WAUVAAAAQAAJ#page/n173/mode/2up [accessed 5 February 2019].

Carroll, Charles Michael, ‘Musical Borrowing: Grand Larceny or Great Art?’, College Music Symposium, 18.1 (1978), 11–18 https://www.jstor.org/stable/40373912 [accessed 12 January 2019].

Cathcart, Cynthia, ‘Pirates of the Middle Cs: Edward Bunting and the Pirated Editions of His 1796 Collection’, Bulletin of the Historical Harp Society, 24.3 (2014), 14–22.

Cooper, Paul, Paul Cooper, ‘Copyright Disputes between London’s Dance Publishers, 1810s’ https://www.regencydances.org/paper032.php [accessed 5 February 2019].

Cooper, Paul, Paul Cooper, ‘White v. Gerock, 1818 (of Country Dances & Copyright)’ https://www.regencydances.org/paper014.php [accessed 5 February 2019].

Coover, James, Music Publishing, Copyright and Piracy in Victorian England : A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period (London: Mansell Publishing Limited, 1985)

‘Copyright Question: Leader and Another v. Purday’, Musical World, 1849, p. Vol.22, Supplement, pp.741–44

Frith, Simon, and Lee. Marshall, Music and Copyright, 2nd ed. ([s.l.]: Routledge, 2013)

Holmes, Martin and Karen E. McAulay, ‘Editorial: Brio, Vol.56 No.2’, Brio, 56.2 (2019), 1-2.

Hunter, David, ‘Review: Music Publishing, Copyright and Piracy in Victorian England: A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period by James Coover’, Notes, 45.1 (1988), 64–65  https://www.jstor.org/stable/941396 [accessed 21 October 2015].

Hunter, David, ‘Music Copyright in Britain to 1800’, Music & Letters, 67.3 (1986), 269–82 https://www.jstor.org/stable/735889 [accessed 21 October 2015].

Hunter, David, ‘Music [Chapter41]’, in The Cambridge History of The Book in Britain, Vol.5, 1695-1830, Ed. by Michael F. Suarez, S.J. and Michael L. Turner, 2009, pp. 750–61.

Hunter, David, ‘Review: Music Entries at Stationers’ Hall 1710-1818 by Michael Kassler’, Notes, 2nd Series, 61.4 (2005), 993–94 https://www.jstor.org/stable/4487489 [accessed 20 October 2015]

Jones, Margaret, ‘A Case of Piracy?’, Musicb3 Blog, 2010 https://musicb3.wordpress.com/2010/09/08/a-case-of-piracy/ [accessed 4 December 2019].

Jones, Margaret, ‘Skulduggery in St. Martin’s Lane: A Nasty Case of Piracy?’, Brio, 56.2 (2019), 62–76.

Kassler, Michael, Music Entries at Stationers’ Hall, 1710-1818 : From Lists Prepared for William Hawes, D.W. Krummel, and Alan Tyson and from Other Sources / Compiled by Michael Kassler. (Aldershot, Hants : Ashgate, 2004)

Kassler, Michael, The Music Trade in Georgian England (Farnham: Ashgate, 2011)

Krummel, Donald William and International Association of Music Libraries. Commission for Bibliographical Research., Guide for Dating Early Published Music : A Manual of Bibliographical Practices (Hackensack, N.J.: J. Boonin, 1974)

Krummel, Donald William English Music Printing 1553-1700, (London: The Bibliographical Society, 1975)

Krummel, Donald William and Stanley Sadie, Music Printing and Publishing, 1st American ed. (Basingstoke: W.W. Norton, 1990)

Langley, Leanne, ‘Regent’s Harmonic Institution’, Oxford Music Online, 2001.

Leader and Cock v. Purday, [court-case] 1849.

Lockhart, William, ‘Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain’, Music & Letters, 93.2 (May) (2011), 191–221 https://www.jstor.org/stable/41684166 [accessed 31 January 2018]

London Record Society, ‘Pleadings, 1784-1785: Nos 272-301 | British History Online’, British History Online, 2000 https://www.british-history.ac.uk/london-record-soc/vol35/pp117-127#h3-0028 [Attorney Charles Rennett, three music copyright lawsuits; accessed 4 October 2018].

McAulay, Karen E., Claimed From Stationers’ Hall: Research Network Blog, 2017-

McAulay, Karen E., ‘Review: Kassler, The Music Trade in Georgian England’, Fontes Artis Musicae Vol.59 no.1, 67-69 https://www.jstor.org/stable/42765555

McAulay, Karen E., ‘Review of, Marshall, Lee, Bootlegging: Romanticism an Copyright in the Music Industry’, Brio, 56.2 (2019), 106–9.

Mace, Nancy A., ‘Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights’, Journal of the Royal Musical Association (Taylor & Francis, Ltd. Royal Musical Association, 2004), 1–23 https://www.jstor.org/stable/3557487

Mace, Nancy A., ‘Haydn and the London Music Sellers: Forster V. Longman & Broderip’, Music & Letters, 527–41 https://www.jstor.org/stable/737804

Mace, Nancy A., ‘Litigating the Musical Magazine: The Definition of British Music Copyright in the 1780s.’, Book History, 2 (1999), 122–45

Mace, Nancy A., ‘The Market for Music in the Late Eighteenth Century and the Entry Books of the Stationers’ Company’, The Library, 10.2 (2009), 157–87 http://dx.doi.org/10.1093/library/10.2.157

Mace, Nancy A. and Adam Matthew Digital, ‘Printed Music, Copyright, and the Stationers’ Company Archives in the Late Eighteenth and Early Nineteenth Centuries’, Literary Print Culture: The Stationers’ Company, 1554-2007 [database], 2018

Marshall, Lee, Bootlegging : Romanticism and Copyright in the Music Industry (London: SAGE Publications, 2005)

Marshall, Lee, ‘Losing One’s Mind: Bootlegging and the Sociology of Copyright’ (unpublished doctoral thesis, University of Warwick, 2001

McAulay, Karen E., ‘Review: Miller, Derek, Copyright and the Value of Performance, 1770-1911’, Brio, 56.2 (2019), 99–101.

Miller, Derek, Copyright and the Value of Performance, 1770–1911 (Cambridge University Press, 2018) https://doi.org/10.1017/9781108349284.

Monahan, Mark, Mark Monahan, ‘You Can’t Copyright Silence – There’s Too Much of It About’, The Telegraph, 28 September 2002 https://www.telegraph.co.uk/culture/music/rockandjazzmusic/3583315/You-cant-copyright-silence-theres-too-much-of-it-about.html.

Music Publishing & Collecting : Essays in Honor of Donald W. Krummel (Champaign, Ill.: Graduate School of Library and Information Science, University of Illinois at Urbana-Champaign, 1994), ed. David Hunter

Neighbour, Oliver, ‘Review on JSTOR: Kassler, Michael, Com. Music Entries at Stationers’ Hall, 1710-1818. From Lists Prepared for William Hawes, D. W. Krummel, and Alan Tyson and from Other Sources, with a Foreword by D. W. Krummel … (2004)’, The Papers of the Bibliographical Society of America, 2005, pp.159–61 https://www.jstor.org/stable/24295856 [accessed 7 September 2017].

Neighbour, Oliver W. and Alan Tyson, ‘English Plate Numbers’, Musical Times, 106.1471 (1965), 683 https://www.jstor.org/stable/954181 [accessed 20 October 2015]

Nelson, Claire, ‘George Thomson and the ‘fraudulent’ Activities of Joseph Dale’, paper given at 17th Congress of the International Musicological Society (2002). [Conference paper, only this abstract is available. 17th International Musicological Society Congress, Leuven, 2002. However, the paper subsequently formed the basis of a chapter in the author’s thesis (2003).]

Rabin, Ronald J. and Steven Zohn, ‘Arne, Handel, Walsh, and Music as Intellectual Property: Two Eighteenth-Century Lawsuits’, Journal of the Royal Musical Association, 120.1 (1995), 112–45.

Radsken, Jill, ‘Lurking in Your Favorite Song, the Law : Harvard’s Derek Miller Explains How Copyright Affects Creativity’, Harvard Gazette, 2018  https://news.harvard.edu/gazette/story/2018/11/harvards-derek-miller-explains-how-copyright-affects-creativity/ [accessed 5 December 2018].

Rice, Albert R., ‘A Selection of Instrumental and Vocal Tutors and Treatises Entered at Stationers’ Hall from 1789 to 1818’, The Galpin Society Journal, 41 (1988), 16-23.

Robertson-Kirkland, Brianna E., [guest blogpost], ‘Venanzio Rauzzini (1746-1810): Castrato, Composer and Copyright Obsessed?’, Claimed From Stationers’ Hall Blog, 2017. https://claimedfromstationershall.wordpress.com/2017/11/24/venanzio-rauzzini-1746-1810-castrato-composer-and-copyright-obsessed/ [accessed 13 February 2019].

Rodriguez, Eva Moreda, [guest blogpost], ‘The Wonders of the Spanish Legal Deposit, or: What Can Theatrical and Musical Plays Tell Us about Cultural Attitudes to the Phonograph?’, Claimed From Stationers Hall Blog, 2018. https://claimedfromstationershall.wordpress.com/2018/06/14/the-wonders-of-the-spanish-legal-deposit-or-what-can-theatrical-and-musical-plays-tell-us-about-cultural-attitudes-to-the-phonograph/ [accessed 13 February 2019].

Rooley, Anthony, Musical Turning Points : Entre’d at Stationers’ Hall ; the Pivotal Role of Stationers’ Hall in English Music 1600, 1700, 1800 (London: Worshipful Company of Stationers and Newspaper Makers, 2006).

Roper, Amelie, ‘From print to digital: First steps in collecting digital music publications in UK legal deposit libraries’. Alexandria: The Journal of National and International Library and Information Issues, 2020, 1-22

Rowland, David, ‘Clementi as Publisher’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, 2011), pp. 159–91.

Rowland, David, ‘Clementi’s Music Business’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, Ltd., 2011), pp. 125–57.

Sepko, Delaina, ‘Curating Music Curation’ (University of Glasgow, 2015) http://theses.gla.ac.uk/6357/ [accessed 24 January 2017].

Seymour, David M., ‘This Is the Piece That Everyone Here Has Come to Experience : The Challenges to Copyright of John Cage’s 4′33″’, Legal Studies, 33.04 (2013), 532–48 https://doi.org/10.1111/j.1748-121X.2012.00262.x.

Small, John, ‘J. C. Bach goes to law’, The Musical Times, 126.1711 (1985), 526 https://dx.doi.org/10.2307/964456

Small, John, ‘The Development of Musical Copyright’, in The Music Trade in Georgian England, ed. Michael Kassler, 2011, pp. 233–386.

Tyson, Alan, The Authentic English Editions of Beethoven (London: Faber and Faber, 1963).

University of Cambridge. Centre for Intellectual and Information Law, ‘Primary Sources on Copyright 1450-1900’ http://www.copyrighthistory.org/cam/ [accessed 23 March 2016].

van Allen Russell, Ann, ‘“For Instruments Not Intended”: The Second J. C. Bach Lawsuit on JSTOR’, Music & Letters, 83.1 (2002), 3–29

Wood v. Boosey and Another, [court-case] 1867, 2 L.R.340 [referenced by Lockhart, ‘Trial by Ear’]

Wood v. Boosey and Another, [court-case] 1868, 3 L.R.223. [referenced by Lockhart, ‘Trial by Ear’]

Universities (collectively)SH Stamps fabric

Commissioners for Visiting the Universities and Colleges of Scotland., Evidence, Oral and Documentary, Taken and Received by the Commissioners Appointed by His Majesty George IV, July 23rd 1826, and Re-Appointed by His Majesty William IV, October 12th 1830, for Visiting the Universities of Scotland. (London: H.M.S.O., 1837)

Golding, Rosemary, Music and Academia in Victorian Britain (Farnham, Surrey, England ; Burlington, VT: Ashgate, 2013).

House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Place, House of Commons Parliamentary Papers, 1818 https://parlipapers.chadwyck.co.uk

Libraries (collectively)SH Stamps fabric

Brown, A., A Catalogue of the Aberdeen Musical Circulating Library, Comprising an Extensive Collection of Vocal and Instrumental Music, by the Most Eminent Composers, Antient and Modern. (Aberdeen: A. Brown, 1805)

Dibdin, Thomas Frognall, A Bibliographical, Antiquarian and Picturesque Tour in the Northern Counties of England and in Scotland. (London: Printed for the Author, 1838)

King, Alexander Hyatt, ‘The History of Music Libraries in the United Kingdom’, Fontes, 25.3 (1978), 201–4 https://www.jstor.org/stable/23505247 [accessed 26 April 2017]

King, Alexander Hyatt, ‘Music Circulating Libraries in Britain’, Musical Times, 1978, 134–38. https://www.jstor.org/stable/960610

Lenneberg, Hans, ‘“Early Circulating Libraries and the Dissemination of Music”’, Library Quarterly, 52 (1982), 122–30

Lenneberg, Hans, ‘Music Circulating Libraries’, The Musical Times, 122.1666 (1981), 806  https://www.jstor.org/stable/961241

Lenneberg, Hans, ‘Response to “Early Circulating Libraries and the Dissemination of Music”’, The Library Quarterly, 53.1 (1983), 103–103 https://www.jstor.org/stable/961241

McAulay, Karen E., ‘National Airs in Georgian Libraries’, in Old Songs, New Discoveries:Selected Papers from the 2018 Folk Song Conference, ed. Steve Roud and David Atkinson, pp.104-114. (London: The Ballad Partners, 2019) ISBN: 9781916142411.

McDonald, W. R., ‘Circulating Libraries in the North-East of Scotland in the 18th Century’, Bibliothek 5, 1968, 119–37.

Sherrington, Unity and Guy Oldham, Music Libraries and Instruments. Papers Read at the Joint Congress, Cambridge, 1959 of the International Association of Music Libraries and the Galpin Society …, 1st edn (London: Hinrichsen Edition, 1961).

Squire, William Barclay, ‘Libraries and Music Collections’, in Grove’s Dictionary of Music and Musicians, ed. by J. A. (John Alexander) Fuller-Maitland (London: Macmillan, 1906), p. 704.

Squire, William Barclay Squire, ‘Musical Libraries and Catalogues’, Proceedings of the Musical Association, 45.1 (1918), 97–111 https://www.jstor.org/stable/765605

Stam, David H. (ed.), International Dictionary of Library Histories (Fitzroy Dearborn Publishers, 2001).

Turbet, Richard, et al, Music Librarianship in the United Kingdom : Fifty Years of the United Kingdom Branch of the International Association of Music Libraries, Archives and Document Centres (Aldershot, Hants: Ashgate, 2003)

Individual Institutions and their LibrariesSH Stamps fabric

2018-06-23 09.10.04

British Library

Arundell James Kennedy Esdaile, The British Museum Library, a Short History and Survey (Westport, Conn.: Greenwood Press, 1979)

British Library (London), Robin C. Alston and Anne Gilbert, The British Library : Past, Present, Future (London: British Library, 1989)

Chesser, Richard, ‘Music in the British Library: The Present and the Future’, Fontes Artis Musicae, 58.3 (2011), 325–32.

Chesser, Richard, and Rupert Ridgewell, ‘Non-Print Legal Deposit and Music in the UK: A Progress Report’, Brio, 56.2 (2019), 87–95.

Cummings, William H.s, ‘The Formation of a National Musical Library’, Proceedings of the Musical Association, 4.1 (1877), 13–26. https://www.jstor.org/stable/765279

Deliot, Corine, and British Library Collection Metadata Data Services, ‘Downloads’. British Library Music (The British Library, 2018) http://www.bl.uk/bibliographic/download.html#csvmusic

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music’, The Musical Times, 48.778 (1907), 777 https://www.jstor.org/stable/904355

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Continued)’, The Musical Times, 49.779 (1908), 11-18. https://www.jstor.org/stable/904535

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Concluded)’, The Musical Times, 49.780 (1908), 82–88. https://www.jstor.org/stable/904901

Esdaile, A, The British Museum Library : A Short History and Survey, With an Introduction by Sir Frederic G. Kenyon (London: George Allen & Unwin, 1946)

Great Britain. Parliament, [Parliamentary Papers on the British Museum.]. ([London,]) [Select Committee on Acts respecting Copyright of Books Minutes of Evidence 1818]

Harris, Philip Rowland and British Library, The Library of the British Museum : Retrospective Essays on the Department of Printed Books (London: British Library, 1991).

Harris, P. R. (Philip Rowland), ‘Writing a History of the British Museum Library’, Library History, 1998.

King, Alexander Hyatt, ‘Music in the British Library’, Fontes, 1976, 101–2.

King, Alexander Hyatt, ‘The Music Room of the British Museum 1753-1953. Its History and Organization on JSTOR’, Proceedings of the Royal Musical Association, 1952, pp. 65–79. https://www.jstor.org/stable/766212 [accessed 26 April 2017]

King, Alexander Hyatt, Printed Music in the British Museum : An Account of the Collections, the Catalogues, and Their Formation up to 1920 (London: C. Bingley, 1979).

King, Alexander Hyatt, A Wealth of Music in the Collections of the British Library (Reference Division) and the British Museum (London: C. Bingley, 1983)

King, Alexander Hyatt, ‘William Barclay Squire, 1855–1927, Music Librarian’, The Library, 12.1 (1957), 10–11

Mazzucco, Elias and British Library, Digital Sheet Music Publishing in the United Kingdom: Implementation of the Non-Print Legal Deposit Regulations, 2018. [Report cited by Rupert Ridgewell]

Oliphant, Thomas, ‘Memorandum Respecting the Music in the British Museum’, in [Antonio Panizzi], Panizzi Papers 1849-50, 1850, p. fols 294-5. [British Library DH1/1-15]

Patterson, Andra and British Library, Acquiring, Ingesting, Describing and Providing Access to Digital Sheet Music at the British Library, 2014. [Report cited by Rupert Ridgewell]

Scobie, Christopher, ‘Ephemeral Music?: – The “Secondary Music” Collection at the British Library’, Fontes Artis Musicae, 63.1, 21–32.

Turner, Malcolm and Arthur Searle, ‘The Music Collections of the British Library Reference Division’, Notes, 38.3 (1982), 499. https://www.jstor.org/stable/939552

Turner, Malcolm, ‘Waving or Drowning? — the Growth of the Music Catalogues in the British Library on JSTOR’, Fontes Artis Musicae, 1989, pp. 297–304. https://www.jstor.org/stable/23507489 [accessed 26 April 2017]

2017-12-13 11.55.21Lambeth Palace (holds Sion College holdings)

Mandelbrote, Giles, ‘Proposals for Printing a Catalogue of Sion College Library (1721)’, Library and Information History, 32.1–2 (2016), 20–33

Museum Libraries Archives Council, Sion College Collections: Access for All, folded brochure, n.d.

Palmer, Richard and Lambeth Palace Library, Catalogues, Shelf Marks and Other Evidence for the History of Lambeth Palace Library 1610-1785 : Lambeth Palace Library Research Guide, (London: Lambeth Palace Library, 2016) http://www.lambethpalacelibrary.org/files/library_records_1610-1785_part_a_1.pdf (The first of five parts covering up to 1952. See http://www.lambethpalacelibrary.org/content/libraryhistory)

King’s Inns, Dublin Busby_4

McAulay, Karen E. and Sile O’Shea, ‘The Ones That Got Away: Sion College and King’s Inns’, Brio, 56.2 (2019), 60–61.

2017-12-06 15.27.56

National Library of Scotland

Boehme, Almut, ‘Early Music Legal Deposit (1710-1836) in the National Library of Scotland and Its Predecessor Library, the Library of the Faculty of Advocates’, Brio, 56.2 (2019), 16–30.

Boehme, Almut, ‘Music in the National Library of Scotland’, Fontes Artis Musicae, 58.3 (2011), 308–16

Brown, Alexander and Thomas. Ruddiman, A Catalogue of the Library of the Faculty of Advocates, Edinburgh. [Pt. 1 by T. Ruddiman and W. Goodall; Pt. 2, Etc. by A. Brown.] (Edinburgh, 1742).

Cadell, Patrick and Ann Matheson, For the Encouragement of Learning : Scotland’s National Library 1689-1989 (Edinburgh: HMSO, 1989).

Duce, Roger, ‘The National Library of Scotland: Music Manuscripts and Special Collections of Printed Music / Roger Duce et Al’, Fontes Artis Musicae, 47.1 (2000), 3–9 https://www.jstor.org/stable/23509032 [accessed 25 November 2015].

National Library of Scotland, ‘Advocates Library Shelfmarks, Stamps and Inscriptions’ https://www.nls.uk/collections/rare-books/collections/advocates [accessed 5 December 2019]

National Library of Scotland, ‘Digital Gallery. Special Collections of Printed Music’ https://digital.nls.uk/special-collections-of-printed-music/archive/97135480 [accessed 31 January 2018].

National Library of Scotland and Advocates Library, Misc Papers Including Music, 1830-33. Shelfmark: F.R.339e/51, 1833.

2018-11-07 14.13.33Trinity College Dublin

Parker, Lisa, ‘The Expansion and Development of the Music Degree Syllabus at Trinity College Dublin during the Nineteenth Century’, in Music and Institutions in Nineteenth-Century Britain, ed. Paul Rodmell (Ashgate, 2012), pp. 143–60.

Trinity College Dublin University Library

Fox, Peter, ‘The Librarians of Trinity College’, in Anne Walsh and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000).

Fox, Peter, Trinity College Library Dublin : A History (Cambridge ; New York: Cambridge University Press, 2014).

‘Legal Deposit – Collection Management : The Library of Trinity College Dublin: Trinity College Dublin, the University of Dublin, Ireland’ website https://www.tcd.ie/Library/collection-man/legal-deposit.php [accessed 27 January 2016].

Stanley, Roy, ‘(Dis)Claimed from Stationers’ Hall – the Case of Trinity College Dublin’, Brio, 56.2 (2019), 54–59.

Stanley, Roy, ‘Music Collections at Trinity College Dublin’, Brio, 39.2 (2002), 32–37.

Walsh, Anne and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000)

Sir Duncan Rice Library Aberdeen looking down from top floorUniversity of Aberdeen

Aberdeen University Library

Aberdeen University Library Catalogue – Search Results for Stationers Hall Music https://aulib.abdn.ac.uk/F/?func=find-c&ccl_term=SHE=SH Mus [accessed 26 January 2016].

Anon, ‘[Anon Letter]’, Aberdeen Censor, 2 (1826), 263.

Beavan, Iain and others, The Library and Archive Collections of the University of Aberdeen : An Introduction and Description (Manchester: Manchester University Press with the University of Aberdeen, 2011).

Beavan, Iain, ‘Marischal College Library, Aberdeen, in the Nineteenth Century: An Overview’, Library & Information History, 31 (2015), 258–79. https://www.tandfonline.com/doi/full/10.1080/17583489.2016.1145858145858

Cooper, Barry, ‘Catalogue of Early Printed Music in Aberdeen Libraries’, RMA Research Chronicle, 1978, 2–138. https://www.jstor.org/stable/25099342

Cooper, Barry, and Richard Turbet, ‘Catalogue of Early Printed Music in Aberdeen Libraries Supplement, 1979-1988’, RMA Research Chronicle, 33.1 (1990), 151–52. https://www.jstor.org/stable/25099411

Pirie, Jane, ‘Stationers’ Hall Music at Aberdeen’, Brio, 56.2 (2019), 50–53.

Scottish Universities Commission (1826), Report Relative to the University and King’s College of Aberdeen. (London: H.M.S.O., 1830).

Turbet, Richard, ‘Music Deposited by Stationers’ Hall at the Library of the University and King’s College of Aberdeen, 1753-96’, RMA Research Chronicle, 30 (1997), 139–62  https://www.jstor.org/stable/25099459

Turbet, Richard Turbet, ‘Catalogue of Early Music in Aberdeen Libraries: Supplement, 1989-2000’, RMA Research Chronicle, 33.1 (2000), 151–52. https://www.jstor.org/stable/25099477.

University of Cambridge

Cambridge 33 bookshelvesCambridge University Library

Cambridge University Library, Annual Report for the Year 2000-2001 (Cambridge, 2001) https://www.lib.cam.ac.uk/files/ann_report_00-01.pdf [accessed 5 December 2019]

Cambridge University Library, ‘Tall Tales: Secrets of the Tower’, 2018. https://www.cam.ac.uk/TallTales [accessed 9 January 2019].

Carr, Reginald Philip, ‘Music Collections in the University Library’, Staff Bulletin, 1985.

Great Britain. Parliament. House of Commons, Return to an order of the Honourable House of Commons, dated 2d April 1818; for a return of the manner in which the books received under the Copyright Act, 54 Geo. 3, c. 156, and stated by a return made to an order of this House, dated 20th February 1818, as not placed in the public library of the University of Cambridge, have been disposed of. House of Commons Parliamentary Papers, 1818. [Paper no.168. Available via database, UK Parliamentary Papers (ProQuest)].

University of Edinburgh

2018-12-17 16.57.52  Grant, Alexander, The Story of the University of Edinburgh During Its First Three Hundred Years (London: Longmans, Green, and Co., 1884).

Edinburgh Reid Concert Hall 3

Edinburgh University Library

Edinburgh University Library Guardbook Catalogue, 1580-1984. ([Edinburgh: The University, 1984).

Gál, Hans, Catalogue of Manuscripts, Printed Music and Books on Music up to 1850 : In the Library of the Music Department at the University of Edinburgh (Reid Library) (Edinburgh: Oliver and Boyd, 1941).

Guild, Jean R. and Alexander Law, Edinburgh University Library, 1580-1980 : A Collection of Historical Essays (Edinburgh: Edinburgh University Library, 1982).

Hall, J. T. D., Edinburgh University Library : 1580-1980 : A Commemorative Exhibition. (Edinburgh: University Library, 1980).

Hancock, P. D., A Short History of Edinburgh University Library : Compiled from Various Sources (Edinburgh University Library, 1980).

‘Edinburgh University Library’, in, Handbuch Der Historischen Buchbestande in Deutschland, Osterreich Und Europa. (Fabian-Handbuch) Online http://fabian.sub.uni-goettingen.de/fabian?Edinburgh_University_Library [accessed 17 May 2017].

Macdonald, Alastair and Elizabeth Quarmby-Lawrence, ‘From General Reid to DCRM(M): Cataloguing the Music Collections of Edinburgh University Library. Part 1, The Early Reid Professors and the First Catalogues, 1807-1941’, Brio, 55.2 (2018), 27–49.

Macdonald, Alastair, and Elizabeth Quarmby-Lawrence, ‘From General Reid to DCRM(M): Cataloguing the Music Collections of Edinburgh University Library. Part 2, Professional Librarians and Automation, 1947-2019.’, Brio, 56.1 (2019), 62–83.

Marshall, Joseph, Directory of Collections, the University of Edinburgh (London: Third Millennium Publishing, 2016).

Simpson, S. M., ‘An Early Copyright List in Edinburgh University Library’, The Bibliothek: A Scottish Journal of Bibliography and Allied Topics, 4.5 (1965), 202–7.

University of Edinburgh. Centre for Research Collections, and Nathalie Bertaud, Research Guide: Early Library Records, [Edinburgh: Edinburgh University Library, 2017).

University of Edinburgh. Centre for Research Collections, Reid Music Library, [Shelflists to download: Music Collection Mus.CRC shelflist, and Reid Music Library Cupboard Sequence (Excel spreadsheets)] https://www.ed.ac.uk/information-services/library-museum-gallery/crc/collections/rare-books-manuscripts/rare-books-directory-section/reid-music [accessed 13 February 2019].

University Library : 1580-1980 : A Commemorative Exhibition (Edinburgh: University Library, 1980).

University of Glasgow Oct 2012University of Glasgow

Glasgow University Library

Arthur, Archibald, Catalogus Impressorum Librorum in Bibliotheca Universitatis Glasguensis  secundum Literarum Ordinem Dispositus. (Glasguae: In aedibus academicis excudebat A. Foulis, Academiae Typographus., 1791)

Davies, Peter V. and others, The University of Glasgow Library : Friendly Shelves (Glasgow: The Friends of Glasgow University Library in association with the University Library, 2016).

Dickson, William Purdie, The Glasgow University Library : Notes on Its History, Arrangements, and Aims (Glasgow: James MacLehose & Sons, 1888).

Fleming, William, A Supplement to the Catalogue of Books in the University Library, Glasgow. (Glasgow: Printed by A. and J.M. Duncan, printers to the University, 1825)

Hoare, Peter, ‘The Librarians of Glasgow University over 350 Years: 1641-1991’, Library Review, 1991, 27–43.

Khull, Edward and William Park, A Second Supplement to the Catalogue of Books in the University Library, Glasgow. (Glasgow: Printed at the University Press, by Edward Khull, 1836)

Maclean, Robert, ‘Legal Deposit Music at University of Glasgow Library, 1710–1836’, Brio, 56.2 (2019), 31–37.

Miller, Christine M., ‘The Effect of the Loss of Copyright Privilege on Glasgow University Library, 1790-1858’, Library History, 7.2 (1985), 47–48.

Nairn, Audrey, ‘A 1731 Copyright List from Glasgow University Archives’, The Bibliotheck; a Scottish Journal of Bibliography and Allied Topics, (1959) 2.1; 30–34. [Describes the legal deposit process but music is unmentioned.]

Rawles, Stephen, ‘The 1691 Shelf Catalogue – a Snapshot of an Academic Library at the End of the Seventeenth Century’, in The University of Glasgow Library: Friendly Shelves, Ed. Peter V. Davies et Al, 2016.

University of OxfordThe 'Old' Bodleian

Shaw, H. Watkins, ‘“The Oxford University Chair of Music, 1627-1947, with Some Account of Oxford Degrees in Music from 1856”’, Bodleian Library Record, 16.3 (1998), 233–70.

Bodleian Library

The Bodleian Library in the 17th and 18th Centuries : The Lyell Lectures, Oxford 1980-81 (Oxford: Clarendon Press, 1983)

Bodley, Thomas, and George William. Wheeler, Letters of Sir Thomas Bodley to Thomas James, First Keeper of the Bodleian Library. Edited with an Introduction by G. W. Wheeler. (Oxford: Clarendon Press, 1926)

Bodley, Thomas, The Life of Sr Thomas Bodley, the Honourable Founder of the Publique Library in the Vniversity of Oxford. Written by Himselfe. (Oxford: Henry Hall, 1647)

Boorman, Theodora, and Oliver House, ‘Bodleian Library Records’, Bodleain Library Special Collections, 2016. http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/1500-1900/lib-recs/lib-recs.html#d2e27125 [accessed 11 January 2018].

Chalmers, John P., ‘Bodleian Copyright Deposit Survivors of the First Sixteen Years of the Copyright Act of Queen Anne, 10 April 1710 to 25 March 1726 – University of Oxford’, B.Litt Thesis (University of Oxford, 1974).

Clapinson, Mary, A Brief History of the Bodleian Library (Oxford: Bodleian Library, University of Oxford, 2015)

Craster, Edmund, History of the Bodleian Library, 1845-1945 (Oxford: At the Clarendon Press, 1952)

Crum, Margaret, ‘Early Lists of the Oxford Music School Collection’, Music & Letters, 48.1 (1967), 23–34, https://www.jstor.org/stable/733149

Heaney, Michael. Heaney and Catriona Cannon, Transforming the Bodleian (Berlin: De Gruyter Saur, 2012).

Holmes,Martin, ‘“Neither Exhaustive nor Selective”: Legal Deposit, Sir Thomas Bodley, and the Growth of the Music Collections at His Library in Oxford’, Brio, 56.2 (2019), 6–15.

Macray, William Dunn, Annals of the Bodleian Library, Oxford, 1598-1867 … (London, 1868).

Macray, William Dunn, Annals of the Bodleian Library : With a Notice of the Earlier Library of the University (Richmond, Surrey: Tiger of the Stripe, 2013).

Mountford, Gregory Piers [G. P. M.], Bodleian Library. and others, The Bodleian Library : A Subject Guide to the Collections (Oxford: Bodleian Library, 2004).

University of St AndrewsUniversity Gates St Andrews

Smart, Robert N., Biographical Register of the University of St Andrews 1747-1897, (St Andrews: University of St Andrews Library, 2004).

Smart, Robert N., St Andrews University Library Digital Humanities and Research Computing Teams and Alice Crawford, ‘Biographical Register 1747-1897’ https://arts.st-andrews.ac.uk/biographical-register/ [accessed 18 October 2017].

The Matriculation Roll of the University of St. Andrews, 1747-1897 (Edinburgh ; London: W. Blackwood and Sons, 1905).

St Andrews University Library

Ardagh, Philip, ‘St Andrews University Library and the Copyright Acts’, Edinburgh Bibliographical Society Transactions, 3 (948-55 (1957), 179–211.

Catalogus Librorum in Bibliotheca Universitatis Andreanae, Secundum Literarum Ordinem Dispositus. ([Saint Andrews, Fife]: Impensis Academiae Andreanae : Typis Roberti Tullis, Academiae Typographi, 1826).

Davie, Cedric Thorpe and University of St Andrews, Catalogue of the Finzi Collection in St. Andrews University Library (St. Andrews: University Library, 1982).

‘Davie, Cedric Thorpe (1913-1983) | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/archives/themanuscriptcollections/personal/daviecedricthorpe1913-1983/ [accessed 4 May 2015].

Frame, Elizabeth Ann, ‘The Copyright Collection of Music in the University Library, St Andrews: A Brief Account’, Edinburgh Bibliographical Society Transactions, 5.4 (1985), 1–9.

Harding, Briony, Elizabeth Henderson, and Karen E. McAulay, ‘Discovering Copyright Music in the University of St Andrews Library’, Brio, 56.2 (2019), 38–49.

Lambert, Elizabeth, Music Catalogue [in 2 Volumes, Compiled by Miss Lambert in 1826] (St Andrews, 1826) [Produced by Miss Elizabeth Lambert, later married name Williams. Now in Special Collections, St Andrews University Library. UYLY108/1, Music Catalogue, 1826, vol. 1-2.]

McAulay, Karen E, [guest blogpost] ‘Claimed from Stationers’ Hall: St Andrews Copyright Music Collection, Echoes from the Vault https://standrewsrarebooks.wordpress.com/2016/08/18/claimed-from-stationers-hall-st-andrews-copyright-music-collection/ [accessed 12 October 2017].

McAulay, Karen E, [guest blogpost] ‘Claimed from Stationer’s Hall – Update’ Echoes from the Vault https://standrewsrarebooks.wordpress.com/2016/12/01/claimed-from-stationers-hall-update/ [accessed 12 October 2017].

Sangster, Matthew, ‘Copyright Literature and Reading Communities in Eighteenth-Century St Andrews’, The Review of English Studies, New Series (2017), 1–23. http://dx.doi.org/10.1093/res/hgx024

Sangster, Matthew and University of St Andrews Special Collections, ‘“William French Is a Damned Bragging, Lying B****”: Book Use and Marginal Contentions in Eighteenth-Century St Andrews, Part One, Echoes from the Vault [Blog] (2017). https://standrewsrarebooks.wordpress.com/2017/01/27/william-french-is-a-damned-bragging-lying-b-book-use-and-marginal-contentions-in-eighteenth-century-st-andrews-part-one/ [accessed 1 February 2017].

Matthew Simpson, ‘St Andrews University Library in the Eighteenth Century : Scottish Education and Print-Culture’, PhD thesis, (The University of St Andrews, 1999) https://research-repository.st-andrews.ac.uk/handle/10023/1848 [accessed 23 February 2015].

University of St Andrews. University Library, ‘Cedric Thorpe Davie | University of St Andrews’ https://www.st-andrews.ac.uk/music/ctd/ [accessed 11 February 2015].

University of St Andrews. University Library, ‘Cedric Thorpe Davie 1913-1983: Catalogue of Works and Index to Correspondence, 1988’ https://www.st-andrews.ac.uk/media/special-collections/documents/Cedric_Thorpe_Davie_catalogue.pdf.

University of St Andrews. University Library, ‘Stationers’ Hall Registers | St Andrews Digital Collections’ https://arts.st-andrews.ac.uk/digitalhumanities/fedora/repository/digitalcollections%3A5500 [accessed 12 October 2017].

University of St Andrews. University Library. Special Collections, ‘Playfair Papers | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/archives/projects/playfairpapers/ [accessed 22 May 2016].

University of St Andrews. University Library, Special Collections, ‘Copyright Deposit Collection | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/rarebooks/named/copyrightdepositcollection/ [accessed 13 May 2014].

University of St Andrews. University Library. Special Collections, ‘Echoes from the Vault | a Blog from the Special Collections of the University of St Andrews’ https://standrewsrarebooks.wordpress.com/ [accessed 31 August 2017].

University of St Andrews. University Library. Special Collections, ‘Records of the Library of the University of St Andrews’ (Archives Hub entry – consult handlist for detailed breakdown of library catalogues, loan and accession records etc) https://archiveshub.jisc.ac.uk/search/archives/d07b9e3e-2202-3706-9ad2-b6c93753ec29 [accessed 18 October 2017].

OverseasSH Stamps fabric

Archives New Zealand https://archives.govt.nz/ [accessed 11 December 2019].

Atkinson, Benedict, The True History of Copyright : The Australian Experience 1905-2005 (Sydney: Sydney University Press, 2007).

Binns, Georgina (ed.), Bibliographical Society of Australia and New Zealand, Music Printing & Publishing in Australia : Papers from the History of the Book in Australia Seminar, Monash University, November 2000 / Edited by Georgina Binns. – Version Details – Trove, 2002 https://trove.nla.gov.au/work/16531416?selectedversion=NBD24100032 [accessed 24 October 2017].

Library of Congress, American Memory. Mission and History [digital collection] http://memory.loc.gov/ammem/about/index.html

Library of Congress, Early American Sheet Music [digital collection] https://www.loc.gov/collections/early-american-sheet-music/

Library of Congress, Music for the Nation: American Sheet Music, Ca. 1820 to 1860 [digital collection] https://www.loc.gov/collections/american-sheet-music-1820-to-1860/

National Library of Australia, ‘Trove’, http://trove.nla.gov.au/ [accessed 26 October 2017].

Nichol, Elizabeth, ‘New Zealand’s Published Music 1850-1913’, PhD thesis (University of Auckland, 2017) https://researchspace.auckland.ac.nz/handle/2292/35499.

Robertson-Kirkland, Brianna E., ‘Library of Congress: Early American Sheet Music’, Royal Musical Association Research Chronicle, 2018, 1–9. http://dx.doi.org/10.1080/14723808.2018.1500810.

Sepko, Delaina, ‘Curating Music Curation’ (University of Glasgow, 2015) http://theses.gla.ac.uk/6357/ [Library of Congress legal deposit] [accessed 24 January 2017].

Skinner, Graeme, ‘Australharmony – A Checklist of Australian Sheet Music Prints, 1834-c.1850’ [Page under construction] http://sydney.edu.au/paradisec/australharmony/checklist-sheet-music-1834-c1850.php [accessed 11 February 2019].

Skinner, Graeme, ‘Toward a General History of Australian Musical Composition: First National Music 1788-c.1860’ (PhD thesis, Sydney Conservatorium of Music, 2011).

Cultural History: Book History, Reading, SH Stamps fabricMusic, Dance etc

Allan, David, A Nation of Readers : The Lending Library in Georgian England (London: British Library, 2008).

Baldwin, Olive and Thelma Wilson, ‘250 Years of Roast Beef’, The Musical Times, 126.1706 (1985), 203. https://www.jstor.org/stable/962179.

Bell, Bill, The Edinburgh History of the Book in Scotland Volume 3, Ambition and Industry 1800-80 (Edinburgh University Press, 2007).

Blake, Andrew, The Land without Music : Music, Culture and Society in Twentieth-Century Britain (Manchester ; New York: Manchester University Press, 1997).

Book Parts, ed. Dennis Duncan and Adam Smyth. Oxford: Oxford University Press, 2019, xxi, 320 p.  ISBN 9780198812463

Bridge, Dominic, ‘Exhibition Review. “Two Last Nights!”: Show Business in Georgian Britain [at] The Foundling Museum’, Brio, 56.2 (2019), 96–98.

Brooks, Jeanice, ‘Historiography and Invisible Musics: Domestic Chamber Music in Nineteenth-Century Britain’, Journal of the American Musicological Society, 63.2 (2010), 291–360.

Brooks, Jeanice, ‘In Search of Austen’s “Missing Songs”’, The Review of English Studies, 67.282 (2016), 914–45.

Brooks, Jeanice, Jonathan Wainwright and Katrina Faulds, ‘Sound Heritage | Sound-Heritage.soton.ac.uk’, https://sound-heritage.soton.ac.uk/ [accessed 3 August 2017].

Brown, Stephen W., Warren McDougall and Bill Bell, The Edinburgh History of the Book in Scotland. Vol. 2, Enlightenment and Expansion, 1707-1800 (Edinburgh: Edinburgh University Press, 2012).

Burden, Michael and Christopher Chowrimootoo, ‘A Moveable Feast: The Aria in the Italian Libretto in London before 1800’, Eighteenth Century Music, 4.2 (2007), 285–89.

Butt, John, ‘Playing with History Again: The Historical Approach to Musical Performance’, Dunedin Consort Website, 2016 https://www.dunedin-consort.org.uk/blog/playing-with-history-again/. [Accessed 4 December 2019]

Christensen, Thomas, ‘Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception’, Journal of the American Musicological Society, 52 (1999), 255–98.

Christensen, Thomas, ‘Public Music in Private Space: Piano-Vocal Scores and the Domestication of Opera’, in Music and the Cultures of Print, ed. Kate Van Orden, 2000, pp. 67–93.

Cooper, Paul, Nathaniel Gow (1763-1831) & John Gow (1764-1826), Band Leaders & Publishers’ (Paper 22) https://www.regencydances.org/paper022.php [accessed 1 April 2017].

Coover, James, ‘Choosing What Not to Preserve’, Harvard Library Bulletin, 2.1 (1991).

Coover, James, ‘Musical Ephemera: Some Thoughts about Types, Controls, Access’, Music Reference Services Quarterly, 2.3–4 (1993), 351.

Cowgill, Rachel and Peter Holman, Music in the British Provinces, 1690-1914 (Aldershot: Ashgate, 2007).

Daub, Adrian, Four-Handed Monsters : Four-Hand Piano Playing and Nineteenth-Century Culture (New York : Oxford University Press, [2014])

Dubois, Music in the Georgian Novel (Cambridge ; New York: Cambridge University Press, 2015).

Dunagin, Amy, ‘The Land without Music: Satirizing Song in Eighteenth-Century England’, 2017. https://walpole.library.yale.edu/programs/exhibitions/past-exhibitions.

Edinburgh Bibliographical Society [website] http://www.edinburghbibliographicalsociety.org.uk/

Ehrlich, Cyril, et al, Music and British Culture, 1785-1914 : Essays in Honour of Cyril Ehrlich (Oxford University Press, 2000)

Ehrlich, Cyril, and Dave Russell, ‘Victorian Music: A Perspective’, Journal of Victorian Culture (Edinburgh University Press), 3.1 (1998), 111.

Eliot, Simon, ‘Some Trends in British Book Production, 1800-1919’, in Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices, ed. by John O. Jordan and Robert L. Patten (Cambridge, 1995), pp. 20–21.

Eydmann, Stuart, ‘Balls in St Andrews and Other Strange Matters’, in Edinburgh University blog, The Fiddle in the Scottish Folk Music Revival, 2015 https://www.blogs.hss.ed.ac.uk/revival-fiddle/2015/07/02/balls-in-st-andrews-and-other-strange-matters/ [accessed 31 January 2018].

Farmer, Henry George, Music Making in the Olden Days. The Story of the Aberdeen Concerts, 1748-1801 … With … Plates. (London: Peters-Hinrichsen Edition, 1950)

Fife Herald, British Newspaper Archive https://www.britishnewspaperarchive.co.uk/

Ford, Elizabeth Cary and Brianna E. Robertson-Kirkland, ‘EAERN: Eighteenth-Century Arts Education Research Network’, https://eaern.wordpress.com/ [accessed 4 December 2019].

Goehr, Lydia, and Richard. Taruskin, The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music, Rev. ed. (Oxford ; New York: Oxford University Press, 2007).

Golby, David, Instrumental Teaching in Nineteenth-Century Britain (Routledge, 2018).

Gregory, E. David, Victorian Songhunters : The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883 (Lanham, Md. ; Oxford: Scarecrow, 2006).

Gustar, Andrew, ‘Statistics as a Tool in Researching Women Composer Populations’, 2018 https://www.musichistorystats.com/rma18/#comment-65.

The Harmonicon : A Journal of Music (Farnborough: Gregg, 1971).

Holman, Peter, ‘Eighteenth Century Music: Past, Present, Future’, in Music in Eighteenth-Century Britain, 2000, pp. 1–13.

Hook, Andrew, ‘The Eighteenth Century – Enlightenment Emerges’, in The University of Glasgow Library: Friendly Shelves, Ed. Peter V. Davies et Al, 2016, pp. 46–71.

Hunter, David, English Opera and Song Books, 1703-1726 : Their Contents, Publishing, Printing, and Bibliographical Description (Ann Arbor, Michigan: UMI, 1996).

Hunter, David, Chapter 41, ‘Music’, 750-61, in The Cambridge History of The Book in Britain, Vol.5, 1695-1830, ed. Michael F. Suarez, S.J. and Michael L. Turner (Cambridge: Cambridge University Press, 2009).

Jensen, Oskar Cox, Napoleon and British Song, 1797-1822 (New York: Palgrave Macmillan, 2015).

Jones, David Wyn (ed.), Music in Eighteenth-Century Britain (Taylor & Francis, 2000).

Kassler, Michael, ‘The Remarkable Story of Maria Hinckesman’, Musicology Australia, 29.1 (2007), 43–67. https://www.tandfonline.com/doi/abs/10.1080/08145857.2007.10416588

Kloss, Jurgen, ‘…Humming A Diff’rent Tune: From Calcutta to Tübingen – Thomas Moore’s “All That’s Bright Must Fade” (1818)’, 2016. https://hummingadifferenttune.blogspot.com/2016/02/from-calcutta-to-tubingen-thomas-moores.html [accessed 6 February 2019].

Kloss, Jurgen, ‘…Humming A Diff’rent Tune: “Melodies of Different Nations”: Anthologies of International “National Airs” in Britain 1800-1830 – Pt. 1’, Humming a Diff’rent Tune [Blog], 2015. https://hummingadifferenttune.blogspot.com/2015/09/melodies-of-different-nations.html [accessed 6 February 2019].

Kloss, Jurgen, Jurgen Kloss, …‘…Humming A Diff’rent Tune: “Melodies of Different Nations”: Anthologies of International “National Airs” in Britain 1800-1830 – Pt. 2’, … … Humming a Diff’rent Tune [Blog], 2016. https://hummingadifferenttune.blogspot.com/2015/09/melodies-of-different-nations_11.html [accessed 6 February 2019].

Kloss, Jurgen, .‘…Humming A Diff’rent Tune: “This, after All, Is Music of the Heart” Thomas Moore’s “Hark! The Vesper Hymn Is Stealing” (1818)’, … … Humming a Diff’rent Tune [Blog], 2016. https://hummingadifferenttune.blogspot.com/2016/03/this-after-all-is-music-of-heart-thomas.html [accessed 6 February 2019].

Langley, Leanne, Leanne Langley, ‘The Life and Death of “The Harmonicon”: An Analysis on JSTOR’, Royal Musical Association Research Chronicle, 22 (1989), 137–63. https://www.jstor.org/stable/25099401 [accessed 30 October 2018].

Langley, Leanne, ‘Leanne Langley – Taking Stock’ http://www.leannelangley.com/projects/taking-stock/ [accessed 18 December 2018].

Lockhart, William, ‘Listening to the Domestic Music Machine: Keyboard Arrangement in the Nineteenth Century’ (Humboldt-Universität zu Berlin, 2012). https://edoc.hu-berlin.de/handle/18452/17298  [accessed 8 February 2018].

McAulay, Karen E. and Brianna E. Robertson-Kirkland, ‘My Love to War Is Going’, Trafalgar Chronicle, New Series (2018), 202–12.

McAulay, Karen E., ‘Review of, Book Parts, Ed. Dennis Duncan and Adam Smyth’, Brio, 56.2 (2019), 101–3.

Music in Eighteenth-Century Britain, ed. David Wyn Jones (Taylor & Francis, 2000).

National Trust (Australia),Education and Interpretation – Dowling Songbook’, 2017 https://www.nationaltrust.org.au/education-and-interpretation-dowling-songbook/ [accessed 5 December 2019]

Nineteenth Century British Music Studies, 1, ed. Bennett. Zon and Simon. Society for the Study of Music in Nineteenth-Century Britain. (Aldershot: Ashgate, 1999).

Nineteenth Century British Music Studies, 2, ed. Rachel Cowgill and Simon McVeigh, (Aldershot: Ashgate, 2002).

Nineteenth Century British Music Studies, 3, ed. Peter Horton and Bennett Zon, (Aldershot: Ashgate, 2003).

Pearson, David, Provenance Research in Book History : A Handbook (Oxford: Bodleian Library, 2019)

Perthshire Courier, British Newspaper Archive https://www.britishnewspaperarchive.co.uk/

Quarmby-Lawrence,Elizabeth, ‘Book Review: David Pearson, Provenance Research in Book History: A Handbook. New and Revised Edition’, Brio, 56.2 (2019), 104–6.

Queen’s University, Belfast, Special Collections & Archives, ‘The Dissemination of Thomas Moore’s National Airs in Nineteenth-Century Europe’ http://omeka.qub.ac.uk/exhibits/show/the-dissemination-of-thomas-mo [accessed 4 February 2019].

Queen’s University, Belfast, Special Collections & Archives, ‘London and the Irish Melodies · Moore’s Irish Melodies in Europe’ http://omeka.qub.ac.uk/exhibits/show/moore-irish-melodies-in-europe/london-and-the-irish-melodies [accessed 4 February 2019].

Rainbow, Bernarr, The Land without Music. Musical Education in England, 1800-1860, and Its Continental Antecedents. (London: Novello & Co., 1967).

Raven, James, What Is the History of the Book? (Cambridge: Polity Press, 2017).

Rivers, Isabel, and James Raven, ‘Books and Their Readers in Eighteenth-Century England’ [Electronic Resource] : New Essays (London : Continuum, 2001).

Robertson-Kirkland, Brianna E., ‘Music-Making: A Fundamental or a Vain Accomplishment?’, Women’s History, 2:10 (2018), 30–34.

Robertson-Kirkland, Brianna E., ‘Performance Potential of Stationers’ Hall Collections’, Brio, 56.2 (2019), 77–86.

Rodmell, Paul, Music and Institutions in Nineteenth-Century Britain (Routledge, 2016).

Scott, Derek B., The Singing Bourgeois : Songs of the Victorian Drawing Room and Parlour, 2nd ed. (Aldershot: Ashgate, 2001).

Sommer, Susan, ‘Music Librarians as Custodians of Cultural History, Question and Discussion, in “Music Librarianship in America”’, Harvard Library Bulletin, 2.1 (1991), 37.

St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2007).

Stephens, Matthew and Sydney Living Museums, ‘Songs and Scandal Uncovered: The Dowling Music Project’, Sydney Living Museums Website, 2016 https://sydneylivingmuseums.com.au/stories/songs-and-scandal-uncovered-dowling-music-project [accessed 4 December 2019]

Stephens, Matthew,‘The Dowling Songbook Project’, 2017 https://www.youtube.com/watch?v=Cdbg8noE1CE [accessed 4 December 2019]

Suarez, Michael Felix and Michael Lawrence Turner, The Cambridge History of the Book in Britain. Vol.5, 1695-1830 (Cambridge: Cambridge University Press, 2009).

Sydney Living Museums, ‘Songs of Home’, https://sydneylivingmuseums.com.au/exhibitions/songs-home [accessed 5 December 2019]

Temperley, Nicholas, Bound for America : Three British Composers (Urbana, Ill.: University of Illinois Press, 2003).

Temperley, Nicholas, ‘Xenophilia in British Musical History’, in Nineteenth Century British Music Studies 1, 2009, 3–19.

Towsey, Mark R. M., ‘Reading the Scottish Enlightenment: Libraries, Readers and Intellectual Culture in Provincial Scotland c.1750-C.1820’, PhD thesis, (University of St Andrews, 2007) https://research-repository.st-andrews.ac.uk/bitstream/handle/10023/412/MarkRMTowseyPhDThesis.pdf [accessed 21 April 2017].

Van Orden, Kate, Music and the Cultures of Print (New York: Routledge, 2018)

Weber, William, ‘The Intellectual Origins of Musical Canon in Eighteenth-Century England’, Journal of the American Musicological Society, 47.3 (1994), 488–520. http://jams.ucpress.edu/content/47/3/488.

Williams, Kelsey Jackson, [guest blogpost], ‘The Origins of Scottish Copperplate Engraving (Musical and Otherwise)’, Claimed From Stationers’ Hall’, Claimed From Stationers’ Hall Blog, 2017. https://claimedfromstationershall.wordpress.com/2017/12/05/the-origins-of-scottish-copperplate-engraving-musical-and-otherwise/ [accessed 13 February 2019].

Yale University. Lewis Walpole Library, ‘Lewis Walpole Library, Past Exhibitions : Global Encounters and the Archives: Britain’s Empire in the Age of Horace Walpole (October 20, 2017-March 2, 2018)’, 2017. https://walpole.library.yale.edu/programs/exhibitions/past-exhibitions [accessed 12 December 2018].

BibliographySH Stamps fabric

Alston, R. C. (Robin Carfrae), Order and Connexion : Studies in Bibliography and Book History : Selected Papers from the Munby Seminar, Cambridge, July 1994 (Woodbridge, Suffolk, U.K. ; D.S. Brewer, 1997).

Bowers, Fredson, Principles of Bibliographical Description (St. Paul’s Bibliographies, 1986).

Cawelti, Andrea, [Guest blogpost], ‘The Stationers’ Company to 1775: Tempting Course in Philadelphia’, Claimed From Stationers’ Hall blog, 2019. https://claimedfromstationershall.wordpress.com/2019/01/10/the-stationers-company-to-1775-guest-blog-warmly-endorses-philadelphia-event/ [accessed 13 February 2019].

Cobbe, Hugh, ‘RISM A/II: The United Kingdom Contribution’, Journal of the Royal Musical Association (Taylor & Francis, Ltd., Royal Musical Association, 1988), 146–48. https://www.jstor.org/stable/766276.

Gaskell, Philip, A New Introduction to Bibliography (Winchester, UK: St. Paul’s Bibliographies, 1995).

Krummel, Donald William, Bibliographies, Their Aims and Methods (London ; New York: Mansell, 1984).

Krummel, Donald William, The Literature of Music Bibliography : An Account of the Writings on the History of Music Printing & Publishing (Berkeley: Fallen Leaf Press, 1992).

Parkinson, John A.,Victorian Music Publishers : An Annotated List, (Detroit Studies in Music Bibliography), (Warren, Mich.: Harmonie Park Press, 1990).

Quarmby-Lawrence, Elizabeth and Historic Libraries Forum, ‘Cataloguing Printed Music, Especially of the Hand-Press Period. Notes for the Occasional Music Cataloguer’, 2011. http://www.historiclibrariesforum.org.uk/hlf/Guides/CataloguingMusic.pdf [accessed 3 October 2018].

Repertoire International de la Presse Musicale [‘RIPM’], ‘Répertoire International de La Presse Musicale / Retrospective Index to Music Periodicals’, https://www.ripm.org/ [accessed 28 November 2018].

Repertoire International des Sources Musicales [‘RISM’] http://www.rism.info/home.html [accessed 11 February 2019].

RIPM see Repertoire International de la Presse Musicale

RISM see Repertoire International des Sources Musicales

Schnapper, Edith Betty, The British Union-Catalogue of Early Music Printed before the Year 1801 : A Record of the Holdings of over One Hundred Libraries throughout the British Isles (London: Butterworths, 1957).

Snigurowicz, Diana, University of Maryland at College Park. Center for Studies in Nineteenth-Century Music., and National Information Services Corporation., The Harmonicon, 1823-1833 (Baltimore, Md.: NISC, 1989).

Solow, Linda and D. W. (Donald William) Krummel, An Index to Publishers, Engravers, and Lithographers and a Bibliography of the IAML Guide for Dating Early Published Music (Kassel, 1977).

Tanselle, G. Thomas, ‘A Description of Descriptive Bibliography’, Studies in Bibliography (Bibliographical Society of the University of Virginia), (1992) Vol.45, 1–30. https://www.jstor.org/stable/40371955. [Accessed 11 December 2019].

Yee, Martha M., Cataloguing compared to descriptive bibliography, abstracting and indexing services, and metadata, https://escholarship.org/uc/item/18g6j3nb [accessed 26 December 2018].

Digital HumanitiesSH Stamps fabric

Adam Matthew Digital, ‘Literary Print Culture: Digitising the Stationers’ Company Archive – YouTube’ https://www.youtube.com/watch?v=00-u4W126uo [accessed 22 February 2018].

Bayerische Staatsbibliothek, ‘RISM Musik Opac’ (Die Bayerische Staatsbibliothek, 2010) https://opac.rism.info/index.php?id=8&L=1 [accessed 22 June 2016].

‘A Big Data History of Music’, British Library Music Blog, http://britishlibrary.typepad.co.uk/music/2014/04/a-big-data-history-of-music.html [accessed 26 March 2016].

CREATe Support Stationers’ Register Online Project, CREATe Blog, 2017 https://www.create.ac.uk/blog/2017/02/24/create-support-stationers-register-online-project/ [accessed 24 February 2017].

Cummings, James Cummings, ‘SRO: Stationers’ Register Online | In My 〈element/〉’ https://blogs.it.ox.ac.uk/jamesc/projects/sro-stationers-register-online/ [accessed 12 October 2017].

Donaldson, Fiona, ‘Reid Concerts Database’, http://www.reidconcerts.music.ed.ac.uk/content/home [accessed 26 October 2017].

McAulay, Karen E, ‘ASW 2015: The Bigger, the Better – A Big Data History of Music’, IAML (UK and Ireland) Blog, 2015 https://iamlukirl.wordpress.com/2015/04/17/asw-2015-the-bigger-the-better-a-big-data-history-of-music/

RISM United Kingdom, ed., British Library, Royal Holloway University of London, http://www.rism.org.uk/ [accessed 31 January 2018].

Rose, Stephen, ‘RISM in the Digital Age’, Early Music, 41.1 (2013), 158–60. https://www.jstor.org/stable/43306826 [accessed 13 February 2019].

Rose, Stephen, Sandra Tuppen and Loukia Drosopoulou, ‘Writing a Big Data History of Music’, Early Music, 43.4 (2015), 649–60.

Sage Publishing, ‘Adam Matthew Digital Publishes The Stationers’ Company Archive, 1554-2007 | SAGE Publications  (2017), https://uk.sagepub.com/en-gb/eur/press/adam-matthew-digital-publishes-the-stationers’-company-archive-1554-2007 [accessed 12 October 2017].

Tuppen, Sandra, Stephen Rose and Loukia Drosopoulou, ‘Library Catalogue Records as a Research Resource: Introducing “A Big Data History of Music”’, Fontes Artis Musicae, 63.2 (2016), 67–88. https://www.jstor.org/stable/26354479 [accessed 13 February 2019].

Weedon, Alexis, ‘Digital Resources and Quantitative Research’, Journal of Victorian Culture, 15.2 (2010), 287–91. https://doi.org/10.1080/13555502.2010.491666 [accessed 13 February 2019].