I Met Her, Take my Word for it

Posted on by Dr Karen E McAulay

‘You’ll be home for lunch’, He said. It was halfway between a query and a command. ‘You have four hours …’

Three, once I got to the library. Two, allowing for a coffee and my return journey.

The Authoress

Nonetheless, I held in my hands the two very poetry books that the author (‘authoress’, in those days) had donated to the city library service back in 1881, not that long after they moved from Lanark to Glasgow.  I’ll never know if she handed them in personally, but I think it’s reasonable to assume that she handled those copies at some point. 

I can’t show you them.  (I signed a library form, which said that I couldn’t share my photos on the internet.) But you can picture two small volumes, one dark green and one purple, a little over six inches tall, with gold-edged leaves, and a little gold-embossed lyre on the front cover of each. Slightly different in design, but very similar.

A bit like this unrelated, non-library book

These books are by the mother of one of the women I wrote about in my recent RMA Research Chronicle article.*  Only one has been digitized, but I wanted to see them both. I was enchanted to find she had written a poem about ‘my’ heroine, Rose, when Rose was just a small child.  It was worth the trip for that in itself.  Not that it really added any hard facts to her biography, but still a lovely thing to find.

Anyway, there we were.  Me, Mary Ann’s books, and a poem about wee Rose (amongst lots more poetry – I’m not writing here about everything I found!) – so yes, I think I can safely say I came as close as is possible to ‘meeting’ Mary Ann today. But as I said, you’ll just have to take my word for it.

I handed the books back – it was a bit of a wrench, but hey, that’s what happens in a library – and the curtains of time softly closed behind me, leaving Mary Ann in 1881, and myself here in 2026.  I may be back – she and I could have more to talk about!

Book Image by Ruslan Sikunov from Pixabay

Clock Image by StockSnap from Pixabay

* Article, ‘Women Pursuing Musical Careers: Finding Opportunities in Late 19th- and Early 20th-Century Scottish Music Publishing Circles’, Royal Musical Association Research Chronicle , Volume 56, April 2025 [this date is correct], pp. 97 – 118

Technology! And into the 21st Century …

Posted on by Dr Karen E McAulay

In my summer holidays, as a child, I would occasionally go to the grammar school with my father, who was Head of Modern Languages there. The school had a ‘language laboratory’ with multiple desks hiding tape-recorders, and a control desk at the front of the classroom. I’m not sure exactly what Dad had to do on these expeditions, but there was much winding of tapes, and whirring spindles, before he declared that everything was now satisfactory – and then we went home. Decades later, my mother’s recollection was that Dad really wasn’t very technically-minded at all, which came as a surprise to me. My hero had surely been at the very forefront of technological advances with this complicated, hi-tech studio?

When I got a cassette recorder, it seemed even more modern. No reel-to-reel tapes for this up-to-date teenager. It also seemed perfectly straightforward. But I really had very little need to record anything by the time the cassette recorder was discarded. I did get a tiny wee recording device a few years ago, but I hardly ever used it. Eventually I chucked it out. I think it got wet at some point – anyway, it wasn’t exactly trustworthy, and the recordings were awful.  I can record on my phone, sure. Or my laptop. Isn’t that enough?

For my new research project, however, I do need reliable, good-quality recordings. To that end, I got a Zoom portable recorder last month, and I must confess that I’ve waited until I had total solitude and no pressing tasks for a couple of hours, before looking at it.  (I couldn’t contemplate working it out whilst decorators tramped through the house – or family members grumped about the sheer inconvenience of what we were being put through in the name of renovation – or sundry other distractions, all challenging my concentration!)  Anyway, I started setting it up this morning. 

Now, I was shown a different model before Christmas, and was told about a similar one in January.  But it transpires that a new portable recorder in the hand is a very different kettle of fish to someone else’s already-set up gadget.

Right On!

A couple of helpful YouTube videos proved instructive. The first – aimed at school students, but I’m not proud – ended with a triumphantly American, ‘Right On!’ Right.

Mr Watson Rocks!

Followed by, on-screen, the caption, ‘Mr Watson rocks!’  Indeed you do, Sir.

Zoom H5 Basics

I may still need a couple more sessions studying this wonderful piece of wizardry … can I find any more Mr Watson?

The Road and the Miles to Dundee (Cappuccino Concert Today, Research Later)

Posted on by Dr Karen E McAulay

Today takes me to a Cappuccino Concert in the Wighton Heritage Centre at Dundee Central Library.

As Honorary Friends of Wighton Librarian, I like to show my face as often as I can, especially when the concert sounds exciting!

But I hope that whilst I’m there,  I’ll also be able to chat to friends about my new research project – Silver and Gold Leng Medal Memories. You may recall that I blogged about the project a couple of days ago.

My research is made possible with the support of an Athenaeum Award from the Royal Conservatoire of Scotland.

Already, several people have been in touch, and I’ll be responding next week.  I can’t wait to hear everyone’s stories, and it’s clear there are hundreds of people out there who participated in this competition!

Would you like to help me?  If so, I’d be very grateful if you could fill in a very short questionnaire, and I’ll get back in touch as soon as I can to arrange an interview with anyone who has a story to tell!

PLEASE CLICK HERE FOR LINK TO SHORT QUESTIONNAIRE

Image by joesoap1952 from Pixabay

Silver and Gold: Leng Medal Memories

Posted on by Dr Karen E McAulay
A Silver Leng Medal for Scots song singing

Do you have schooldays memories of taking part in the Dundee-based Leng Medal Scots song singing competitions?  Perhaps you were a proud prize-winner of a Silver or Gold Leng Medal? 

Maybe you didn’t actually win, but the memories are still vivid? You might remember the song you chose, or which song book you sang from? Or you helped someone else polish up their performance?

Maybe you’ve never stopped singing Scottish songs?

Newspaper engraving of Sir John Leng (Illustrated London News, Saturday 10 June 1983)
Sir John Leng: Dundee benefactor

I’m on the staff of the Royal Conservatoire of Scotland as a postdoctoral research fellow, researching Scottish music.  Whilst investigating an old Scottish song book aimed at school pupils in the post-war era, I became fascinated by the initiative of Sir John Leng (1828-1906), who endowed the singing prize 125 years ago. He died 120 years ago, but his singing competition is still live and kicking all these years later.  Encouraging kids to sing Scottish songs was obviously a good thing!

Would you like to help me?  If so, I’d be very grateful if you could fill in a very short questionnaire, and I’ll get back in touch as soon as I can to arrange an interview with anyone who has a story to tell!

I decided to find out more, and I’m embarking on a project to talk to as many Leng medallists, entrants, teachers or adjudicators as possible.  The Sir John Leng Trust endorses this research, and is looking forward to hearing what I uncover. 

My research is made possible with the support of an Athenaeum Award from the Royal Conservatoire of Scotland.

PLEASE CLICK HERE FOR LINK TO SHORT QUESTIONNAIRE

‘Seated One Day at the Organ’: Athenaeum Principals’ Music Revived

Posted on by Dr Karen E McAulay
Gaily through the World - piano music by Allan Macbeth, with a picture of a woman dancing, on the front cover

The first and second Principals of the Glasgow Athenaeum School of Music weren’t actually in post very long. Allan Macbeth managed twelve years (1890-1902); then Edward Emanuel Harper, only two (1902-04). I’ve been researching them recently, and I do believe I’ve found out quite a bit more than has hitherto been known. But this post is not about their biographies and achievements – that’s for another time.

No, today is about practical music-making. Amongst a handful of compositions, Macbeth wrote a march and two-step, Gaily Through the World, which is actually very jaunty, and enjoyed quite a long life as a piece of band music. It’s not high art, but it does stand up as an effective piece of light music. It was published in 1908, two years before he died, by Hawkes. (Yes, the Hawkes that later went into partnership with Boosey in 1930.) That in itself is a mark of its respectability, if nothing else. The author of this YouTube posting says it was premiered at a Boosey Promenade Concert in 1896 – when Macbeth was in the middle of his Principalship.

Harper seems to have had a larger output. Again, it was respectable but not remarkable. Nonetheless, I found a piece of organ music on IMSLP, this time published by Vincent Music in 1903, halfway through his own spell at the Athenaeum. (Vincent Music was the firm who would later publish James Woods and Learmont Drysdale’s Song Gems (Scots), which I’ve written about before. They were not as eminent as Boosey or Hawkes.) Abendlied is gentle and reflective, and appeared in an extensive series of ‘Organ Solos Suitable for Recitals’. It’s not hugely memorable, but it’s a nice enough piece for all that. Whilst Macbeth and Harper were both organists, each at several churches, I’ve formed the impression that being an organist occupied perhaps more of Harper’s career than it did of Macbeth’s, but this is really only a guess; moreover, Harper lived much longer than Macbeth and was only Principal of the Athenaeum for a couple of years. He obviously occupied himself in other ways for the rest of his career, and I have quite a list of the churches where he ‘presided’ at the organ.

Anyway, I digress. I played Abendlied before morning worship this morning. (No-one knew it was an ‘Abend Lied’, after all!) It could well have been played by Harper, just a couple of miles up the road, when he was organist at Kilbarchan.

But I saved Macbeth’s Gaily Through the World for my outgoing voluntary – and it did get noticed! It fitted the organ so well that I wondered if he had ever tried it at the organ himself – though maybe he might not have considered it serious enough for late Victorian Presbyterians …

‘February Article of the Month’ – Delighted!

Posted on by Dr Karen E McAulay
Pink Scottish heather plants

What do you know? I’m delighted to discover that my article is February Article of the Month in vol.56 of the RMA Research Chronicle!

Women Pursuing Musical Careers: Finding Opportunities in Late Nineteenth- and Early Twentieth-Century Scottish Music Publishing Circles

Reader, I Killed It

Posted on by Dr Karen E McAulay

I thought I’d make bread for lunch. (It’s a semi-retirement day.)  The idea occurred to me too late, so I decided to try the bread-machine’s fast-bake setting.  I measured my ingredients carefully, but evidently not carefully enough.  It came out underdone: solid, squishy, and pale. Pasty – as in complexion, not the Cornish kind.

I could fix this. Into the oven it went, and then I sat down to reply to Checkatrade.  My dealings with them have been wholly positive. (More than can be said about one of their traders, but let’s not go there.) I composed one of my best replies, because I do appreciate the care they’ve taken with my complaint.

My nose alerted me to a problem. I had forgotten about the underdone loaf.  ‘Well-fired’ is a thing in Scottish bread products, admittedly.  But I’m no’ Scottish, and I can tell a burnt loaf when I smell it.

Ah, well. I sent my email, and the dead bread proved surprisingly edible. I won’t be using ‘fast-bake’ again.  (Neither will I  bake it myself from scratch – I’ll just use the regular setting!)

Cloth Book about Historical Legal Deposit Music

Posted on by Dr Karen E McAulay

I made this cloth book after I’d finished the ‘Claimed from Stationers Hall’ research project. Something was missing, though: it lacked explanatory captions. This week, I revised it and corrected my omission!

YouTube video short

Click here to visit a blog post that I wrote for St Andrews University Library, in 2016.

Admit Defeat? Not if I can Help it!

Posted on by Dr Karen E McAulay

A Woman with Opinions, and a Man who Resigned more than Once

Whilst waiting to get started with my next project, I’ve been doing a bit more research into individuals who only had a marginal role in my previous projects, but looked interesting in their own right, too.

But if I have one quality which is sometimes a failing, it’s my refusal to accept that sometimes the information is simply not there to be found.  My librarianship background is somewhat to blame. If I can’t find something, it feels tantamount to an admission of defeat. And I don’t like being beaten.

Like Believing in Fairies

I’ve been on a wild goose chase this afternoon, though.  I knew the poetry collections I was seeking were rare. It was totally improbable that I would walk into a couple of secondhand bookshops and find either of them. Yes, they were published in Scotland  – 150 years ago.   The poet (‘poetess’ or ‘authoress’ in her own day) comes across as an interesting woman with informed opinions about women’s status, and since she was the mother of one of ‘my’ woman composers, I thought she merited more attention.  However, there was no trace of her this afternoon.  Luckily, I have tracked down library copies, so all is not lost. I will get to see them – I just won’t have my own copies!

Even the consolatory coffee was a bit of a damp squib.  I had the choice of standing and waiting in a haphazard queue, or going elsewhere to squeeze into a seat between people who really needed the space my seat was occupying. Oh, well. I had an outing.  And I  managed not to spill my coffee when I got bumped by the customers on either side!

However, I’ve had more luck at home, with my other quest. 

‘Beyond a few slender facts [ … ], virtually no information about him seems to have survived.’

So said the authors of a book celebrating the 150th anniversary of our institution,  a few years ago.

Of course, we have more information at our fingertips these days, so I’ve been trying to build up more of a profile of the Athenaeum Principal who only stayed in post for two years.  I now know a lot more about him – though not yet the reason for his resignation.  He was well qualified, a good pianist, and was the organist for several churches in England, Scotland and overseas.

Resigned as Principal, Resigned as Organist …

His resignation from the Athenaeum wasn’t the only time he resigned from a post. Indeed, one church went into a little more detail, saying he lacked tact. Their choir had already reportedly a hard time with his predecessor, though – maybe the choir itself was tricky!

I haven’t ruled out discovering more. But I am rather gratified by what I have found so far!