Teaching About Musical Paratext

A few years ago, I published an article in a librarianship journal, about librarians teaching, and the question of teaching music students about paratext in early national song collections.

Let me state here and now, my approach to article titles has changed, and I would never again try to be ‘clever’ or controversial in this regard.  A perfectly acceptable article was made to look flippant, or even worse, by my woeful enjoyment of puns and double-entendres.

Nonetheless, because I’d like to share the article, I’ll endure the embarrassment of sharing the title with you.  This is a pre-publication version, which I’ll also upload to our institutional repository in the near future:-

‘Sexy’ bibliography (and revealing paratext)

bluebells-1429817_960_720Engaging with students in teaching bibliographic citation, and demonstrating the significance of paratext in historical national song collections.

General information

 

Niel and Nathaniel Gow’s Controlling Influence? | Bass Culture in Scottish musical traditions

Paratext jacket
Paratext jacket – harps and flowers

In connection with my continuing interest in paratextual matter in national song and dance music, I’m sharing some postings I wrote whilst I was a postdoctoral researcher on the Bass Culture project. (See hms.scot for the web outcomes of that project).

Shared link no.2:-

https://bassculture.info/?p=416

Italian Style | Bass Culture in Scottish musical traditions

Paratext jacket
Paratext jacket – harps and flowers

In connection with my continuing interest in paratextual matter in national song and dance music, I’m sharing some postings I wrote whilst I was a postdoctoral researcher on the Bass Culture project. (See hms.scot for the web outcomes of that project).

Shared link no.1:-

https://bassculture.info/?p=489