Network members are enthusiastically typing away at the moment, as the deadline for our Brio special issue looms closer! I’ve done a couple of book reviews, and have one more to tackle. Today, I was thinking about matters as apparently disparate as copyright, romanticism, bootlegging and modern recording techniques. Does that sound weird or intriguing to you? I thought it was an excellent book – but you’ll have to wait until the next issue of Brio to read my review!!
Dr Karen McAulay explores the history of Scottish music collecting, publishing and national identity from the 18th to 20th centuries. Research Fellow at Royal Conservatoire of Scotland, author of two Routledge monographs.
Karen McAulay, Musicologist 