It occurred to me that you might like to know which books were reviewed in the special issue, since their titles don’t appear in the contents list:-
- Derek Miller, Copyright and the Value of Performance, 1770-1911. Cambridge:
Cambridge University Press, 2018 - Book Parts. Edited by Dennis Duncan and Adam Smyth. Oxford: Oxford
University Press, 2019 - David Pearson, Provenance Research in Book History: a Handbook.
New and revised edition. Oxford: Bodleian Library, 2019 - Lee Marshall, Bootlegging: Romanticism and Copyright in the Music
Industry.London: Thousand Oaks; New Delhi: Sage, 2005
Karen McAulay, Musicologist 