On Friday afternoon, a tiny germ of a thought struck me. It was about a book to which I had previously given no thought whatsoever. It is unrelated to Scottish song, or even Scottish culture. It was published by a Scottish publisher.
100, 245, 260 …
(Forgive the little library codes! I haven’t forgotten where I came from.)
But I can’t see a title without wondering about the author, so I idly looked them up on my journey home from Edinburgh.
Well!
Here we have someone who …
- Had LRAM piano and was a Dalcroze graduate
- Trained primary school teachers in eurythmics
- Gave classes for kids in a city studio
- Helped choose music for the Royal Scottish Country Dance Society
- Once or twice arranged music for same (but was never apparently on any committees – you can spend hours looking at RSCDS digital archives, and I have!)
Did I trace their birth and death dates, where they grew up, and where their parents married? Yes, I’m afraid I did!
MT? Definitely.
(Another clue for my former colleagues!)
All this falls into the scholarly equivalent of ‘pretty but pointless’, on the face of it, since it has nothing to do with a Scottish song book series for schools. But the book itself might have a tangential link to my present research – more anon – and gives me food for thought in another direction.
I have just talked myself into another eBay purchase …
Image by OpenClipart-Vectors from Pixabay




