The Blitz – 85 Years ago, Tonight

This week in Scottish publishing history:-

There ain’t no Paternoster Row

Those were the words of a London Bobby (policeman) the following day, when someone asked about the bombing damage.

Luckily, Thomas Nelson had moved quite a few staff up to their Edinburgh offices at the start of the Second World War,  but some remained in London. But the London offices at 35-36 Paternoster Row were destroyed in the Blitz, on Sunday 29 Dec 1940. 

I find myself wondering how strange – indeed, traumatic – it must have been, to head into work the next morning and find first of all, that public transport was disrupted, and then later, by whatever means, to learn that the firm’s premises were flattened.

Temporary premises were found with another publisher, Duckworth at 3 Henrietta Street.  Not until 1954 were larger premises found for Nelson’s at 36 Park Street, in Mayfair.

Publishing in flames on Paternoster Row

Listen to the first episode of this series on Radio 3, 5th May 2025 (14 mins). Series: Books for Brighter Blackouts:- ‘As the BBC marks the 80th anniversary of VE Day, Professor Emma Smith uncovers five unexpected stories about how World War Two changed books, publishing and reading forever.’ The essay is about that very night of destruction. I was thrilled to find that Professor Smith interviews Professor Andrew Pettegree, an eminent authority in the University of St Andrews; and Liam Sims from the University of Cambridge; amongst other experts.

Book History: Scottish Airs in London Dress

Before establishing the Claimed From Stationers’ Hall network, I was a postdoctoral researcher on the Bass Culture project, which looked at Scottish fiddle tune collections largely from the Georgian era.  In that context, I read a paper at Musica Scotica in Spring 2014, about a couple of London-published music collections.  It has finally been published in Scottish Music Review Vol.5 (2019), 75-87, this week.

Sometimes when we look back at earlier work, we wonder if we’d have written it differently today, but I’m still pretty happy with this article.  If anything, I think it justifies my claim that the history of this kind of collection does indeed deserve to count as “book history”, even if it is music rather than literature. So, here it is for your enjoyment:-

Scottish Airs in London Dress: Vocal Airs and Dance Tunes in Two Eighteenth-Century London Collections