And it popped through the letter-box today: the latest shiny-new issue of Brio, our special issue dedicated to papers from the Claimed From Stationers’ Hall networking project.
If you or your library subscribe to Brio, put the kettle on and settle down to a fascinating read. (Your library may have been closed for Christmas, so it might take a day or two for the latest issue to hit the shelves!)
I have added the entire issue to Pure, the Royal Conservatoire of Scotland’s institutional repository. My thanks to IAML (UK and Ireland) for agreeing to this – it’s really important to us, as grant-funded research outputs need to be openly accessible.
If you contributed to the volume, but haven’t got access to Brio, please don’t worry – we’ll be sending you a copy in due course!
Meanwhile, to whet your appetite, here’s what you can look forward to!
Along with the workshop that we held at the Royal Conservatoire of Scotland in Spring 2018, this issue is the network’s biggest and proudest output. So, congratulations to each and everyone in any way involved in the production of this issue. My special thanks go to Editor Martin Holmes for his kind and gracious support, and of course to IAML (UK and Ireland) for allowing us to produce this special issue in the first place. We’re very grateful indeed.
Karen McAulay, Musicologist 