A question to you, my reader

I asked a question on my Facebook page, Glasgow Music Publishers 1880-1950. Maybe folk don’t realize I genuinely would like to hear their thoughts! Here it is again, for anyone who doesn’t use Facebook:-

So, now. Has any particular topic really resonated with you, or has there been anything you wish I’d expand upon? I have the opportunity to write a longer piece (not immediately, but in the foreseeable future) and I’m trying to decide what to focus on!

(Confession – the image is of cards by Dundee printers, Valentines. I missed out on the eBay auction, but snaffled the picture earlier …)

Mozart Allan in Glasgow, Allan & Co in Melbourne …

TRUTH IS STRANGER THAN FICTION

So … about the Melbourne Allans that I mentioned the other day? I shared this postscript on Facebook, but omitted to upload it here. The Glasgow “Mozart Allan” firm is highly unlikely to have a family connection with “Allan & Co” Down Under.

The Glasgow Mozart Allan advertised quite often in Australian papers in the early years of his business (the late 19th century).

But, as for his Reels, Strathspeys and General Dance Music being distributed by Allan’s in Melbourne? They just had the same surname. The Australian George C. Allan’s father (George Leavis Allan) came from London, and their ancestors may even have had a Cornish connection. No obvious link with our man.

Image: Butler, Graeme Allans Music, 276 Collins Street, Melbourne. 1982-1985

Jigs, Quicksteps, Reels and … Hang on a Minute! (Kerr’s Merry Melodies)

A textile interpretation of the Merry Melodies logo

In June 2020 I had just posted a new article on my Glaswegian Music Publishers Facebook page.

Jigs, Quicksteps, Reels and … Hang on a Minute!

I had promised to write about some of the Victorian Glaswegian James Kerr’s music publications. The entire posting is going to turn into a chapter in the monograph I’m working on, so I’m taking it down from the blog – I’ve continued working on dates and the intricacies of Kerr’s trading career, and there’s every chance that slight details may now be different from what I wrote last year. I wouldn’t want inaccurate information or ideas that I have since developed, to survive publicly online.

Call it an Encore: The Green Room

The blogpost that I originally wrote for the Cultural Capital Exchange, has also now been posted in a series of postings by the Research Exchange at my own institution, the Royal Conservatoire of Scotland.

Here it is again, then:-

THE GREEN ROOM: DR KAREN MCAULAY (10th June) – Stepping out of the Georgian Era into a Pandemic

Glasgow Music Publishers Facebook Page

This afternoon, I joined the Victorian Glasgow Group on Facebook. What a great group! But I hastily made a new Facebook page for my researches into Glasgow music publishers – after all, the group was set up to discuss Victorian Glasgow, whilst my current researches range roughly between 1880 and 1950. Since I don’t want to drag my new Victorian friends into modernity which is beyond the scope of that group, I’ve made this new page for discussions that aren’t quite Victorian. (I deliberately opted for a page rather than a group, as I like being part of a more interdisciplinary group – I don’t want to start another separate “silo”, aloof from all the other interesting stuff.)

Glasgow Music Publishers

The Cultural Capital Exchange: Stepping out of the Georgian Era into a Pandemic

I’ve just written a blogpost for the Cultural Capital Exchange – you can read it here.

I discuss the ethical issues posed in ethnographical research during the Covid-19 pandemic.

So he played the Banjo …

I researched flautist James Simpson, the father of Dundonian music publisher and seller Alexander Simpson, for some months  before starting my PhD.   In the mid-1800s, Alexander Simpson became a partner in Methven Simpson, which had stores in Dundee, St Andrews, Forfar and Edinburgh.

I was unaware of any links with musicsellers or publishers in Glasgow, but you can’t blame me for getting excited when I found out about Frank Simpson’s shop in Sauchiehall Street, a couple of years ago.  Indeed, there was another Frank Simpson selling music elsewhere in Glasgow at the start of the twentieth century.

Let me save you a long story.  The Sauchiehall Street Simpson established his shop in 1860 – not much later than Alexander Simpson’s early career in Dundee – and I wasn’t aware of Alexander having any brothers, or of the family having a Glasgow connection at all.  The low premises on the left-hand side of the postcard foreground (above) are the shop the older Frank Simpson later settled in, with the shop remaining there for well over a half-century.  Frank Simpson junior eventually joined him, importing banjos from S S Stewart in the USA, and teaching the instrument from the premises from the mid 1880s onwards.  The other Simpson was a competitor, no connection with the Sauchiehall Simpsons (as their adverts make amply clear!), and it seems there was no connection with Methven Simpson.

However, this apparent dead end may not be a complete cul-de-sac, since the Sauchiehall Street shop was demolished to make way for British Home Stores circa 1964, and the owner by that time was a famous singer of Scottish repertoire.  I believe the shop was subsequently combined with a couple of others, ultimately to form the Glasgow Music Centre, so … taking the links back in time again … it all forms part of my present research interest in late Victorian and Edwardian Glasgow music publishers.  It just doesn’t connect with the Methven Simpson story.  So many Simpsons!

During my perigrinations through the British Newspaper Archive (a present to myself, half-subsidised by Mum’s Christmas gift!), I caught Frank Simpson junior playing his banjo at a “minstrel concert” in Milton of Campsie, and twice at a Sabbath School Soiree in Kilbarchan.  Frank Simpson cheap novel soldI discovered that Frank Simpson also published cheap novels, and (from an advertisement whose provenance was uncited) -that the shop sold books, jokes and greasepaint as well as the thousands of pieces of sheet-music that Glasgow Herald adverts boasted of.  Sadly, the British Library only seems to have five songs – but this material was not high art music, so there’s the possibility that it didn’t get logged in sufficient detail for me to be able to trace Frank Simpson’s imprint.

To date, the genealogical database Scotland’s People has not yielded the significant dates of   Sauchiehall Street Frank Simpson senior – I could still look harder –  but I do know that Simpson junior was born in Airdrie on 24th May 1866, and  died in East Kilbride on 14 August 1936 at the age of 70.  For now, I’m leaving them in limbo, since this is an intriguing but time-wasting detour away from the bigger questions about what the other, more active publishers were actually publishing!