Fellowship Announcements: not One, but Two

My final days as a librarian are characterised by a combination of exhaustion and adrenaline. This cough is determined to flatten me, but I’m equally determined to plan ahead for pastures new!

I woke, coughing, at 3.30 am yesterday.  In broad daylight, no less.  I reflected grimly that, whilst I didn’t deny believers their joy at the summer Solstice, I personally would have preferred to have greeted the sun a couple of hours later.  I coughed, made tea, and finally got up and read a book.

My decision came back and bit me in the heel later. I needed a wee power-nap at lunchtime. In the evening, I sat down to look at my new, 1951 catalogue (which came packaged in original 1966 wrapping, addressed to the last owner) in daylight … and woke to find myself sitting in the dark.  No disrespect to the original compilers; I was just exhausted.

It wasn’t just the Coughing

I wasn’t just tired out by coughing and sleeplessness. I’d had so much excitement that I think I was just suffering from an excess of adrenaline followed by the inevitable slump at the end of the day!

All my chickens metaphorically hatched yesterday.  I can now relate that, after a long time planning and waiting, I shall be starting my new, semi-retirement role with a new  job title, and I couldn’t be happier.  I have been promoted in semi-retirement!

Post Doctoral Research Fellow

As a Performing Arts Librarian, I was partially seconded as a postdoctoral researcher.  But you can’t be seconded if you don’t hold the original post any longer, so when I retire, I will have a new part-time contract with a new title and job description. This pleases me enormously.

And in 2025, a Heritage Collections Fellowship at IASH

I’m extremely proud to have just accepted a six-month fellowship at the University of Edinburgh, at the Institute of Advanced Studies in the Humanities. Between January and June next year, I’ll be researching the archival collection of papers from Thomas Nelson, the Edinburgh publisher.  There’s something singularly appropriate about a retired scholar librarian researching an archive in  another academic library, particularly such an eminent collection. I’m particularly pleased because one of my strengths is in placing what I’m researching into its wider cultural and historical context, and this massive collection of papers certainly offers plenty of scope for that. 

To begin with, there’s that new Audible book I bought the other day – nothing to do with Nelson, but hopefully giving me understanding about significant economic trends that would have impacted their trade.  (Just let me stop coughing enough to listen to it …!)

Change of Perspective

This is Fleshmarket Close in Edinburgh. It’s an absolute killer! I hadn’t ventured up those steps for some years – I swear they’ve got worse – and although my bags weren’t heavy, I was ready for a breather 1/3rd of the way up, and 2/3rd, not to mention at the top!  Fitbit says I’ve put in my steps quotient, but annoyingly didn’t count how many flights of stairs I ascended, which is ironic.

But I was on a mission, and I did reward myself with a cuppa when I got to the University Library. 

It’s good to go to a different place to study. (The library,  I mean, not the cafe …)  I think that in itself puts one in a frame of mind to come up with fresh ideas.

It was something of a scoping exercise. Now I need to sit and think about what I found, and its potential as a future research project. Tomorrow will doubtless  see me writing away until I get my ideas in order.

I’ll leave you with a couple of publisher’s rejection letters – nothing to do with music or my research. I just stumbled across them, and smiled:-

Publisher to naive would-be authors:-

‘Dear Madam, […] For a book of merely 43 pages, 370 illustrations is excessive …’

Or this one:-

‘Thank you for offering a MSS on Cats and Reptiles.  I regret that neither subject would be likely to suit our programme which is chiefly school and expository’.

I wonder if the author ever DID get their MS accepted somewhere?!

The Undistracted Fellow

Logically, it should make no difference where we sit to work on our research. A laptop, a table and chair – that’s it, isn’t it?

However, my concentration is undeniably better in St Andrews, and I’m convinced it’s because of the circumstances.  For a start, it’s a seven hour round trip by bus. If I spend that much time just getting there, I’m certainly going to make the most of every hour whilst I’m there.

Secondly, I sit in quiet, comfortable surroundings with no distractions, whether it’s the office-with-a-view, or Martyrs’ Kirk reading room. That’s a privilege.

Time is neither carved up into obligatory breaks at specific times, nor do I need to stop one thing to do something else unrelated but unavoidable. Another luxury!

But most of all, there’s the feeling that being a guest fellow is an honour, so I want to squeeze as much as I can into the time available.

This week, I’ve written half of one of the two talks I’ve agreed to do, and spent a couple of hours at Martyrs’ Kirk. Sadly, one of the books I wanted to see, turned out not to be the sort of book I’d expected. Knowing the author’s prime focus, I thought that it would be a Victorian school book, but this one wasn’t. (At least I hadn’t bought it on eBay!) Maybe it means I’ll think of him as a more rounded individual, though, so perhaps it was worth having a look for that alone.

Hullah in staff notation mode!

But that’s another good thing about visiting St Andrews. It’s five minutes from my desk to a library. To look at the same thing in Glasgow would take up a whole chunk of a day, by the time I’d got from home to town. (And when I’m at my own library, I’m just a worker bee – neither a researcher, nor do we have the same resources.)

Mind you, having ruled out Hullah’s national songbook, there’s nothing for it – the next book on my list IS in Glasgow. You win some, lose some, I guess!

Featured image by Chen from Pixabay

Articulating Your Research

I’m currently reading a new book in the Routledge Insider Guides to Success in Academia series:

Be Visible or Vanish: Engage, Influence and Ensure your Research has Impact (Routledge, 2023)

The authors are Inger Mewburn and Simon Clews; since I’ve followed Inger’s work for a number of years, I knew it would be good, and I got it for RCS Library recently.

It’s an approachable guide, and the kind of book you can tuck into a bag or pocket to read at free moments during the day. This morning as I drank my pre-work latte, I was reading the chapter on making academic small-talk, and being ready with an answer to the inevitable question:-

So, what is your research about?

(A reasonable question in any situation!)

It particularly resonated for me this morning, because I take up my honorary Ketelbey Fellowship at St Andrews tomorrow. Not only that, but a family member had been asking me the same question last night! What are you studying there? Why there? How are you going to benefit from the experience? It wasn’t intended as preparation for the sort of questions I should be anticipating, but I nonetheless took it as a prompt to think carefully about how I shall be introducing myself when I meet new colleagues!

I’ve also heard this described as an ‘elevator pitch’ – though in my case, I would need the elevator to travel more than one floor! As I’ve said before, the title of my recently-submitted book doesn’t exactly trip off the tongue. However, it outlines what my research has been about in recent years so I have to be able to trot it out.

  • A social history (yes, that describes it well)
  • of amateur music-making (make no mistake, that’s what we’re talking about – it’s not generally about serious, cutting-edge classical music)
  • and Scottish national identity (this is such a big deal, that it’s inextricably interwoven throughout the whole book)
  • [And then there’s the subtitle!] : Scotland’s printed music, 1880-1951 (I’ve been looking at the output of Scottish publishers during this era, which proved much more interesting than even I had ever imagined. When I got to 1951, I got to fever-pitch excitement. You’ll have to wait for the book to find out why!)

But, back to the questions of last night. I’ll be revising the book when it returns from the reviewer(s). I’ll also be investigating a particular aspect of my research that still merits even deeper investigation. I’ll be exploring a bigger, richer library collection than I usually have access to, and I look forward to engaging with a lot of different research scholars, hopefully gaining fresh ideas and maybe ideas for new directions or collaborations.

Most of all, I’ll be settling into my academic role – yes, I know, I’m a seconded researcher back in my home institution, but it’s new for me to be a Fellow for a few months – and I’ll be thinking about my future ‘second career’ as a researcher once I retire from music librarianship next summer.

Now, where was I with Be Visible or Vanish …?

The Fellow’s To-Do List

It’s only four weeks until Induction Week at the University of St Andrews!  From knowing I’m going to be the inaugural Ketelbey Fellow ‘in the autumn’ – a vague point in the future – it is suddenly an actual thing happening in a month’s time.  

So, on my first research day back after the vacation then the IAML Congress (leaving aside the fact that I wrote my way through almost my entire vacation), I took a deep breath and started a new To Do list.

And suddenly it wasn’t so much a question of, What am I going to do now I’ve submitted the book?, as, Where do I start on all I’ve got to do now I’ve submitted the book? It feels like there’s quite a bit to do – but I do now know the bus times, and I’ve reached out to a couple of libraries about things I need to know, so I’ve made a start.

I’ve got two guest lectures lined up, and interestingly – but perhaps not surprisingly – the monograph throws up several possible topics. It’s easier to see them, now the whole thing is written.

Indeed, although one lecture title is provisionally settled, I can see several other possibilities to choose from for the other one, which is gratifying. (Although I managed to get Dorothy Ketelbey into my book, I don’t know if I could get her into a lecture. It was only a passing mention. And yet ….)

But before that … one or two other things to catch up on. I’d better get started!

First Ketelbey Fellowship at University of St Andrews

Here’s the big news I’ve been bursting to share! During Autumn 2023, I’m to be the first holder of the honorary Ketelbey research Fellowship in Late Modern History, in the University of St Andrews’ School of History. I’ll be there on Wednesdays and Thursdays for one semester, continuing to research and think about Scottish music publishers and other related topics, and enjoying the experience of being a research fellow in a very highly-rated university history department. St Andrews was rated the top UK university in the Times and Sunday Times Good University Guide last September, and the School of History came top in both the Times and Sunday Times rating, and the Guardian University Guide 2023 – so I’m dead chuffed! I’m an academic librarian and musicologist – I guess this means I can call myself halfway to being a historian, too.

The Fellowship is named after Doris Ketelbey (1896-1990), who was the first female academic in the School of History; a respected author; and had a phenomenal career for a woman of her times. Aileen Fyfe has written a blog post about her, which you can read here:-

Doris Ketelbey, 1896-1990 (in the series, ‘Women Historians of St Andrews’) by Aileen Fyfe

Interestingly, Ketelbey taught at St Leonard’s School at one point. A few years ago, I wrote a blogpost for the EAERN Network about about the very first owner of a private school in the same premises, in the early 19th century: Mrs Bertram’s Music Borrowing. But the St Leonard’s that Ketelbey taught at would have been a more sophisticated institution than Mrs Bertram’s doubtlessly estimable establishment!

– and yes, she was the sister of composer Albert Ketelbey, who wrote an enormous quantity of lighter music and songs. I bet he was proud of his determined, high-achieving sister!

Chasing Research Grants

Also posted on Facebook, 26 May 2021

Hello again, dear followers! I’ve heard of a research grant that I am eligible to apply for. It’ll receive applications from many researchers, so I haven’t got a particularly strong chance of succeeding, but it would be nice to get a research grant to help me get on with writing my book, so … I shall have to see what’s involved in making an application!

I thought I’d share my current plans for the book. So far, I’ve written some of the introduction, and most of the first chapter.

This is the shape of the thing:-

  • 1. Cheap music for all: James S. Kerr and Mozart Allan (history)
  • 2. Enduring Kerr and Mozart Allan titles, what was in them and why they were so successful.
  • 3. Organisations (Glasgow and Scotland-wide) concerned with music making and with promoting Scottish music
  • 4. Educational connections
  • 5. Educationalists and how they fit into the scene
  • 6. Overseas.
  • 7. Spin-offs and tie-ins
  • 8. Publishing “classical” music in Scotland
  • 9. Domestic music-making in Glasgow

Considering how long it has taken just to get the first chunk written, you see what I have got ahead of me. Some chapters will be longer than others, and some of these topics may get merged. Who knows?!

(The image here is from Glasgow Museums Collection:- collections.GlasgowMuseums.com)

Quiet Contemplation: but You can Help!

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I’ve reached the point where I need to find more grant-funding! I seem to be at a bit of a cross-roads, needing to decide whether to forge ahead immediately with the Stationers’ Hall research, or take another road which will bring me back to it eventually, having gathered more useful data on the way.

There’s also the question of my own status as a researcher.  Neither “new” enough nor “old” enough for early-career or emeritus awards, nor established enough to say that I’m in a “permanent academic post”.  Permanent, yes.  Academic-related, certainly. But ….!

Meanwhile, please do give me feedback on what the Claimed From Stationers’ Hall network has achieved so far.

  • What have you enjoyed?
  • What have you learned/gained from following it?
  • Has it given you fresh ideas?
  • Have you shared information with other people  or taken new actions yourself?

I posted similar questions on the Facebook page yesterday.  I am more than happy for you to talk to me and share your ideas!

 

Why have I fallen silent? Well, not totally mute, but the thing is … I’m looking for more grant-funding and trying to…

Posted by Claimed From Stationers Hall: Early Legal Deposit Music on Wednesday, March 20, 2019

 

Networking with Other Networks: Panellist at ISECS – International Congress on the Enlightenment

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Edinburgh skyline, via Pixabay

I’m excited to be part of a panel talking about paratext at the forthcoming ISECS Congress, 14th – 19th July 2019, hosted by the University of Edinburgh.  Registration is now open, though the detailed programme isn’t yet finalised.  (There’s an early bird rate until 30 April.)

ISECS Congress website

 

Sharing Opportunities

Placeholder ImageFollowers of this blog may like to sign up to news briefings from the Institute of English Studies’ School of Advanced Study at the University of London. The latest briefing includes news about fellowship opportunities, and advance information about the London Rare Books School in June, with a course run by our friend Giles Bergel (Oxford/UCL) and Elizabeth Savage (IES) – about printing of an earlier era than we normally concentrate on, but very interesting nonetheless!