Alec Finlay: the ‘Pocket Harry Lauder’

This blog post is an edited excerpt from the research Exchange Talk I gave at the Royal Conservatoire of Scotland on 11 November 2024.

Inside the song-book, The Glories of Scotland, the foreword was followed by a full-page signed photo of a popular Scottish singer and comedian, Alec Finlay. The University of Glasgow’s Scottish Theatre Archive, characterises the latter as, ‘The pocket Harry Lauder’, and ‘Scotland’s gentleman’, describing his comedy as, ‘delightful, couthie and kindly’.

His was an international variety act; significantly, he toured America in late 1950.

If he was known as the ‘pocket Harry Lauder’, it was for a logical reason: a colleague of mine pointed out that Finlay, who clearly modelled his act on the variety superstar, Harry Lauder, even went so far as dressing like him, ‘wiggly stick’ and all.

Harry Lauder, from Wikiwand.com

A song is linked to the signed photograph of Alec Finlay at the front of the book. The photo is captioned ‘Scotland’s own comedian’, with Finlay in typical pose, full Highland dress, wiggly stick, and a blurred Scottish vista behind him. Beneath the photo, and alongside his signature, is the name of a song, ‘Let Scotland flourish’, composed and sung by Alec Finlay.

Sure enough, opposite a picture of Edinburgh’s Princes Street supplied by the Scottish Tourist Board, page 71 bears the words of the chorus – not the music, just the lyrics!:-

‘Let Scotland flourish / In all the years to be / The land that I was born in / Will aye be dear to me / Caledonia I adore you / Tho’ I travel the wide world o’er / My home is where my heart lies / Scotland ever more.’

It’s there, ‘by kind permission of Alec Finlay’, and it was written and composed by Bill McDonnell and Alec Finlay. At the foot of the page, we read that the ‘complete words, music and Solfa are available for 2/- from all music-sellers.’ It was published by Mozart Allan – who also published The Glories of Scotland.  The British cover appears at the top of this blog post.  (There was another for the overseas edition. )

‘Let Scotland flourish’ is a typical Scottish waltz of the era.  Finlay was a hit in America in 1950; and  selling the song as a single piece of music would make commercial sense.

In the recording of the song, published by Scottish Clan Records in New York, Finlay sings in the broad Scottish brogue that contemporary American listeners would have expected to hear.

YouTube audio – enjoy!

Dr Karen McAulay Exchange Talk and Book Launch at RCS, Glasgow 11 Nov 2024

Looking forward to my Exchange Talk and Book Launch next Monday, I made a wee promotional video! Maybe I’ll see you there, if you’re in/around Glasgow.

Click to Book tickets

Click for The book’s details

Meanwhile, back in the Whittaker Library – a Catalogue Entry

One day, when I’ve retired from librarianship, all that will be left to show for my 36 years here will be the books and music on the shelves – and their catalogue records. Naturally, I made sure RCS has a copy of Mozart Allan and Jack Fletcher’s The Glories of Scotland in Picture and Song. Click on the title to see how I’ve catalogued it!

I think you’ll agree I’ve managed to insert enough hints as to why I think it’s significant. There’s a book chapter coming out in an essay collection from the Centre for Printing History and Culture at Birmingham City University, so there will be more to read in due course.

Mozart Allan in Glasgow, Allan & Co in Melbourne …

TRUTH IS STRANGER THAN FICTION

So … about the Melbourne Allans that I mentioned the other day? I shared this postscript on Facebook, but omitted to upload it here. The Glasgow “Mozart Allan” firm is highly unlikely to have a family connection with “Allan & Co” Down Under.

The Glasgow Mozart Allan advertised quite often in Australian papers in the early years of his business (the late 19th century).

But, as for his Reels, Strathspeys and General Dance Music being distributed by Allan’s in Melbourne? They just had the same surname. The Australian George C. Allan’s father (George Leavis Allan) came from London, and their ancestors may even have had a Cornish connection. No obvious link with our man.

Image: Butler, Graeme Allans Music, 276 Collins Street, Melbourne. 1982-1985