Diversifying Your Repertoire: Music by BIPOC Composers

At the Whittaker Library, we use the Portal (a bit like Moodle, it’s a kind of intranet for material shared within the institution) for useful information to help our students and colleagues.

A while ago, I compiled lists of music by women composers, subdivided into categories, such as music for children, music for tuba, music for mixed chamber ensemble – but until now, I hadn’t done much in the way of subdividing the lists of music by BIPOC composers. So, I have been working on it.  Despite having acquired quite a lot of music, I have discovered that the commonest instruments have by far and away the most music. Poor tuba player, if you want to diversify your programme with music by people of other ethnicities.

Some university libraries have put in a lot of effort helping students find this kind of thing – especially in Canada and the USA – and there are some useful databases to help – but I have still been struggling to find materials for some of the more minority instruments. Not a great deal for piccolo, tuba, accordion – or bagpipes! (Well,  there might not be as much pipe music over there – we started the piping tradition here in Scotland. However,  there are plenty of non-Scottish pipe bands. Some international pipers must also compose!)

If you play tuba, trombone, piccolo, oboe, saxophone – you get the picture – and your repertoire includes a fabulous piece of music by a BIPOC composer, PLEASE do recommend your library to get that piece in stock so that other musicians can also find it! It won’t be up to me to continue ordering music at RCS after the end of June – and that’s a strange feeling – but I can, right now, highlight the fact that libraries need to pay attention to the repertoire they buy.

If you’re a librarian – by all means, keep the standard repertoire up to date. Buy what your patrons need and ask for. But if you have a chance to do stock development, please keep the BIPOC composers in mind. They are, after all, the global majority! And I’m ashamed to say, we don’t know enough about them, though I can, hand on heart, say that I’ve been making a determined effort to find out.

I had hoped to do one last workshop about all the exciting new repertoire in the library, before I retired. Sadly, this isn’t going to happen. Never mind – maybe one day, someone will find this blog post and feel inspired to explore it all for themselves.

Image by congerdesign from Pixabay

I’m an Honorary Fellow

A lovely thing happened this afternoon. I am honoured to have been elected, along with two esteemed colleagues, as an Honorary Fellow of our professional association, IAML (UK & Irl).

When I retire from music librarianship soon, I will have been in post 36 years. But I will actually have been a music librarian for 39 years – and a librarian for almost 40.  Where did the time go?

Memories of the Newsletter (Ebay image)

My first ‘role’ in IAML was as Newsletter editor. (Anyone remember Roneo stencils and that pink correction fluid?) And my last has been as Communications Chair.  I tell you, blogging is a doddle compared to those stencils!

I’m grateful, and humbled, to have had my efforts recognised.  I feel a bit undeserving,  but I AM very grateful!

Already a lover of libraries and music!

[The photo? A little girl who wanted to be a librarian like her uncle  … because libraries were always her favourite place!]

Pathways, Outputs and Impacts

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This weekend, it’s the Annual Study Weekend for British and Irish music librarians,  members of IAML(UK and Ireland).  The study weekend is at the University of Edinburgh, so it’s not far for me to travel!

Stationers Hall fabric

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Pathway to Arthur Seat, from Lothian & Borders website https://lothianandborders.com/arthur-seat-and-queens-park-edinburgh/

I was invited to talk about my research project, but I needed a new slant on it, since I gave a presentation about my St Andrews research (“Ghosts of Borrowers Past”) back in 2016.  This time, therefore, I’ll be talking about the whole process of finding grant funding for projects.  My talk (“Pathways, Outputs and Impacts”) is at 20.45 on Friday – after dinner, news and updates and another paper – so I hope I can be sufficiently entertaining to keep everyone interested.  (In my mind’s eye, I see myself doing a quick tap-dancing routine, but sadly, I cannot dance at all …)