When I am thinking about research directions, in my mind I have an image of a funnel. Getting further and further into an ever-narrowing topic can be enthralling, but I worry that such a narrow topic might not interest a wide enough audience.
Admittedly, there are circumstances when narrow specialism is exactly what you need. An eye surgeon who specialises in one particular part of the eye, is exactly what any prospective patient would hope for.
However, a broader field in my own kind of subject means I am likely to engage with an interdisciplinary audience. It offers more places to share my findings, and more people to interact with. At this stage in my career, I find this quite appealing. I wouldn’t want to end my career as the woman who was the expert in just one songbook, just one singer, or music in one closely defined location.
So, the closest antonym (opposite) that I’ve found to a funnel, is an estuary. I like my research to fan out into different strands over a broader area. For me, I find I’m more likely to generate impact this way. But it’s an estuary, not a garden hosepipe spray! That would be altogether too messy. In other words, research might lead in various different directions, but I try to focus my ultimate writing on one particular aspect at a time. The book currently at the publisher’s has given rise to papers about post-war tourism, Scottish music in the diaspora, and the impact of technology on music publishing for an amateur customer base…
How do you visualise potential research topics? Does consideration of how narrow or broad something is, form part of your deliberations?
Edinburgh, Glasgow, Paisley?
I have various ideas to pursue, all starting somewhere in Scotland, but my most promising one is the one that extends beyond Scottish music, and beyond Scotland. Possibly even beyond the UK. Another idea isn’t quite as broad, in one sense, but might throw up some new comparisons. I’m still mulling over this one! The others would be interesting, but don’t offer the same breadth. One in particular is probably too niche to risk giving my full attention to.
Today, my research has been into the first of these ideas. Delving into unlisted source materials has meant a whole DAY not really finding much with any musical connection. On the other hand, the amount of context I’ve discovered is immense. I find it very helpful to know about what was going on beyond the publication of a few specific books. It IS relevant to collect data that tells me who the key protagonists were.
However, I’ll have to try to avoid following up intriguing stories that really DON’T concern me. The lovely old man who chased up the progress of his book in an admirably gentle, diplomatic way? It got to the editing stage, but didn’t seem to get published – no trace of it. But it wasn’t music-related, and has no place in my research. I really must not succumb to the temptation to explore the back story of every human interest story I encounter!
Karen McAulay, Musicologist 