Moving with the Times: from Silent Movies to (oh, Gosh!) British Pathe Shorts

A tangle of movie film roll

You can tell I’ve spent too long in the late nineteenth century – in the research sense, that is.  Dizzy with excitement at the thought of seeing a silent movie – yes, it might actually come to pass, albeit not for a few months – I was almost deliriously pleased to discover that one of my research interests made British Pathe ‘shorts’ during the Second World War.  My aim is to contrast two singing careers, started only a decade apart – and here’s the first contrast. One began their career during the First World War and the silent movie era. The other made British Pathe shorts during the Second.

We think we’re so advanced, with our internet and our AI, electric cars and digital sound … but anyone born in the late nineteenth or early twentieth century might have been amazed by their own advances in technology.  A fin-de-siecle child treated to a magic lantern show, might have sung along to hymn or Scottish song texts projected on a magic lantern screen, the singing led by whichever grown-up had been co-opted in to help. When silent film came along, any music would be provided by a cinema pianist or a small ‘orchestra’ – possibly no more than a piano trio. What you heard would partly depend on who was playing and the bundle of music they’d brought with them.

But when the children became adults, they would would find themselves listening to the wireless or going out to ‘talking’ movies.  Watching, in adulthood, a short film performance by a contemporary star vocalist would have been unimaginable a decade earlier.

However, I must still cool my heels as I wait to see if (and when) the silent movie that I need to see, can be converted into a modern format.  Meanwhile, I’m trapped in the nineteenth century with the printed novel that gave rise to the movie.  As I read, I wonder how they managed to condense the story into a couple of hours, and then convey the whole plot by wordless gestures. 

I can’t wait to see.

Accessing Silent Films

Lucerna: a Magic Lantern Database

LUCERNA is an online resource on the magic lantern, an early slide projector invented in the 17th century.

‘For more than 350 years the magic lantern has represented and fed into every aspect of human life and every part of the world. It is still used today, both in its original form and through direct descendants like the modern data projector.

LUCERNA includes details of slide sets, slide images, readings and other texts related to slide sets, lantern hardware, people and organisations involved in lantern history, and much more.’

(Introduction to the Lucerna database)

Cover Image from Pixabay

Moving with the Times: from Magic Lanterns to Silent Movies

My new schedule entails thinking about an Edinburgh publisher whilst I’m in Edinburgh, and writing about various other aspects of my research on my Glasgow days.

I have an article I’m actively gearing up to write; another requiring tweaking; a couple more requested; and lastly, a new avenue for which I’ve identified a journal, but not yet completed the research. Quite a bit of writing!

But first, in the first article, we have the soprano and her repertoire.  And her ‘go-to’ encore.  And if you thought I got excited about magic lanterns – new technology for late Victorians – well, you can imagine my excitement at the thought that I may need to watch a silent film soon.

Why? A musicologist watching something in silence?  What does silence have to do with music (apart from John Cage’s 4’33”, of  course)?

You see, I think this film may have influenced her choice of encore. So, firstly, I’m awaiting an eBay copy of the novel on which the movie was based.  And then, I’m waiting to find out if I can watch the movie without leaving Scotland.

She wasn’t a film actress herself, so my whole quest is a bit tangential – I’m not thinking about nipping down to London unless it’s absolutely unavoidable. But I could  …

Meanwhile, I reflect that watching silent moving pictures must have been enormously exciting if you had grown up with the occasional magic lantern show.  And when, in due course, talkies came in … it’s hard to imagine how amazing that must have been.  Small wonder that printed music took a bit of a nosedive in the late 1920s – the options for entertainment outside the house were expanding all the time.

I’m eagerly awaiting news of my chances to watch this intriguing spectacle!