Competition? It’s not a Competition!

At the end of last year, I wrote a Year-end Review, and told myself firmly that it was not for the purpose either of blowing my own trumpet, or making adverse comparisons of my own output with that of other people. I discovered that the best way was to reflect on successes, failures, and what I would do differently next time.

So, what happens? The first time I read someone’s justifiably proud summary of a few weeks’ outstanding triumphs, I creep into my little hole and bemoan the fact that I haven’t achieved half as much.

I am predominantly a Librarian (0.7 FTE)

That means I catalogue stuff, answer queries, and – at present – engage in discussions with a younger colleague so that the handover goes smoothly this summer. (It also means I’m NOT contracted to do scholarly stuff for 70% of my working hours. If I achieve less as an academic, this is the reason – it’s not disinclination or lack of application.)

  • My library line manager pointed me towards a CFP for an open-access journal, and in January, I researched, wrote, and submitted an article for it. I haven’t yet heard if it’s been accepted – it’s too soon.
  • I shall be co-delivering a workshop about the library’s holdings of music by underrepresented composers, in March. That’s something I need to plan out fully in February.

I’m also a Postdoctoral Researcher (0.3 FTE)

Bearing in mind that I have 10.5 hours a week as an academic, I am pleased with my own efforts in January. Even though I had to take annual leave, to get some more research hours:-

  • Second book revised and resubmitted – too soon to expect a response
  • Abstract submitted for September conference
  • Abstract submitted for July conference
  • BBC Scotland: Good Morning Scotland interview
  • Completed an AHRC Peer-Review
  • Delivered an Exchange Talk at RCS: ‘From Magic Lantern to Microphone: the Scottish Music Publishers and Pedagogues inspiring Hearts and Minds through Song’
HERE – TONIC SOL-FA IS MUCH PRETTIER IN COLOUR!!

And I’m an Organist

No need to summarise what I’ve done. I play, practise, schedule music and rehearse the choir.

NEILSTON PARISH CHURCH

I Compose

  • My Extinction Calypso, performed in Edinburgh last year, is set to be performed twice by a choir in a church down in Buckinghamshire in April this year. I’m ecstatic!
  • I’m just writing the finishing touches to another choral piece with an extinction theme, for an event in Edinburgh towards the end of February – Edinburgh Composers’ Choir Workshop, Sunday 25 February at 14.00

I get on with other aspects of my life

In January, I took steps to clarify my future research existence after I’ve retired from the library this summer. It has been massively stressful, actually, but I have taken steps, and look forward to further progress.

I have commitments in February which means I won’t be posting as often on this blog. However, there will be plenty of thinking time, listening time and perhaps some fiddling about on the piano and squeezeboxes later on in the month.

So Now What? The Book Revision is Done …

In the research part of my role (the 1.5 days a week when I am seconded to be a researcher), my path was very clear before Christmas – I was revising my monograph. Having submitted the revisions (on the Twelfth Day of Christmas, no less), what’s next?

Easy, I thought to myself. Whilst I wait for feedback, I’ll just put in a couple of article proposals, then get on with some more research about some interesting elements that I focused on in my book. I have a book to review. And in due course, there’ll be copy-editing and indexing – that’ll keep me occupied! Not to mention looking for grants for which to apply.

Things are Seldom what they Seem!

Four days later, and I now also have two peer-review tasks to do within the next three weeks, and I need to make a recording of my Exchange Talk, just as a back-up in advance of what I hope will be a live Zoom event …

I have 5.5 days in which to do all this. It’s just possible that anything without a deadline might get put to the end of the queue!

Image by Gerd Altmann from Pixabay

Review: George Kennaway, John Gunn: Musician Scholar in Enlightenment Britain

Image of book cover: John Gunn: Musician Scholar in Enlightenment Britain

My review of George Kennaway’s impressive monograph has just appeared in Brio vol.59 no.2 (Autumn/Winter 2022), pp.62-63.

Boydell & Brewer link to the book itself.

Brio is the IAML(UK & Ireland) journal – the professional publication of British and Irish music librarians.

Book Review: James Porter’s ‘Beyond Fingal’s Cave’

Today, I was pleased to receive notification of the latest issue of Brio, the journal of my professional association. I’ve been a member of IAML(UK and Ireland) for – well, over 35 years now! The latest issue has my review of a book by a scholar whom I admire greatly – it was a privilege to review his book, and of course I am delighted to add the review copy to my own bookshelves as well! I’ve uploaded a copy of the review to our institutional repository – it’ll go live in the next few days – but for now, here’s the citation, and a direct link to my review:-

Brio vol.57 no.2, Autumn/Winter 2020, pp.74-76,

Review of:- James Porter, Beyond Fingal’s Cave: Ossian in the Musical Imagination (University of Rochester Press, 2019)

Book reviews in Brio Special Issue 56.2 (Claimed From Stationers’ Hall)

It occurred to me that you might like to know which books were reviewed in the special issue, since their titles don’t appear in the contents list:-

  • Derek Miller, Copyright and the Value of Performance, 1770-1911. Cambridge:
    Cambridge University Press, 2018
  • Book Parts. Edited by Dennis Duncan and Adam Smyth. Oxford: Oxford
    University Press, 2019
  • David Pearson, Provenance Research in Book History: a Handbook.
    New and revised edition. Oxford: Bodleian Library, 2019
  • Lee Marshall, Bootlegging: Romanticism and Copyright in the Music
    Industry.London: Thousand Oaks; New Delhi: Sage, 2005

Book Reviews

Network members are enthusiastically typing away at the moment, as the deadline for our Brio special issue looms closer!  I’ve done a couple of book reviews, and have one more to tackle.  Today, I was thinking about matters as apparently disparate as copyright, romanticism, bootlegging and modern recording techniques.  Does that sound weird or intriguing to you?  I thought it was an excellent book – but you’ll have to wait until the next issue of Brio to read my review!!

Literary Print Cultures – database reviewed

One of our network members has spotted a useful review of Literary Print Cultures, in Reference Reviews.  I’m very grateful to be alerted to this.

For your interest, I share details:-

Literary Print Culture: The Stationers’ Company Archive, London

Author: Wenzel, Sarah G11 Bibliographer of Literatures of Europe & The Americas, University of Chicago Library, Chicago, Illinois, USA

Publication info: Reference Reviews ; Harlow  Vol. 32, Iss. 4,  (2018): 3-4.

https://www.emeraldinsight.com/doi/full/10.1108/RR-12-2017-0260 (Published by Emerald Insight, this is also available via Proquest, if your institution subscribes.)