Book: A Social History of Amateur Music-Making and Scottish National Identity

Wavy lines of music and an artistic interpretation of a fiddle

Folks, I’ve just noticed Routledge has a 20% summer sale on at the moment.  So, if you or your library could use a copy, this might be a good time to get it!  (All books and e-books are 20% off until 1 August 2025.)

The accent is on social history and Scotland – and music-making, obviously. I’m keen to hear what readers think of it. (If you are a reviews editor, do get in touch with Routledge. There’s a link on the website.)

  • Amateur music making
  • Scottish music publishing
  • Scottish and Irish songs
  • Fiddle tunes and dance music
  • Preserving the heritage and passing it on
  • Nostalgic Scots abroad
  • Newfangled technology

Routledge link

Karen E McAulay,  A Social History of Amateur Music-Making: Scotland’s Printed Music 1880-1951 (Routledge, 2005) 

ISBN 9781032389202
220 Pages
Published October 30, 2024 by Routledge

The Organist Celebrates

As I planned what to play for tomorrow’s organ voluntaries, my eye fell on an old book of pieces by Cesar Franck. It had been my father’s book, and I remember my nine-year old self playing one of the melodies on the oboe, as he played the rest of the lines. He loved France, French, and French organ music. Today, I realised that this particular volume was published by none other than one of ‘my’ Scottish music publishers – Bayley and Ferguson. What could be more appropriate to celebrate my new book, than to play our ‘duet’ from that particular anthology?  (I had, moreover, already encountered the editor, Henderson, in my research. He’s mentioned in passing in Chapter 3.)

I don’t know when Dad got that book. It was published in 1953, and it has an oldish look to the cover design, so I imagine he got it not long after it was published.Wherever he was at the time, it has since spent decades in Norwich before eventually coming up to Glasgow, Bayley & Ferguson’s original home.

I must admit that the focus of my book means I didn’t make much mention of organ music, and definitely no mention of Cesar Franck!  Looking at it, the Cesar Franck cover design is staid beyond its years.  You wouldn’t think the sixties were just around the corner.   Still, it’s the music that matters.  I’ll enjoy playing it tomorrow, thinking of Dad as I do so.  He would have been so pleased to see my published work – I can only hope he’s smiling from his fleecy cloud now!