Dr Karen McAulay explores the history of Scottish music collecting, publishing and national identity from the 18th to 20th centuries. Research Fellow at Royal Conservatoire of Scotland, author of two Routledge monographs.
Earlier this week, I got an email from my publisher, asking for an address to send my complimentary copies to. Suddenly, the publication seems very real. It can’t be long now.
I knew there was this vast mass of cheap, popular music books, many containing what used to be called ‘national songs’, dating back to the late 19th century and the first half of the 20th. I decided a book needed to be written, and wrote it. I can’t wait for it to make its entry into the world!
I’ve been extraordinarily busy. Today (a ‘retirement’ day), I’ve put in a full day’s proofreading and indexing work, topped by an evening stint. I have an imminent deadline!
Not a problem – but things went a bit awry this evening. Sorry, I have no words of wisdom today, just a reflective poem of sorts! You could almost say it’s Kailyard style. (‘Kale yard’ is a homely form of Scottish literature from an earlier era. It’s not high art.)
I checked my proofs (I went through twice), and tweaked what needed tweaking. My husband cooked the dinner (yay!); our son refrained from speaking.
I laboured hard at indexing, with one ear on the gate – the Sainsbury’s van was imminent; I hoped he’d not be late.
A rattled bolt – I shot outside to greet my “daily bread”, but to my horror, there I faced a lanky Glasgow ‘ned’.
The Author yelled – the Ned jumped back, then leapt up on the wall. He AND his mates seemed pure gob-smacked – thank God they didn’t fall.
I used some words not in my book, then fled back safe inside. The ‘Polis’ were awaiting, but no Neds achieved a ride.
The Sainsbury’s man turned up at last – I put the stuff away. Then back to indexing again – oh, what a fun-filled day!
Thistle ‘vibe’Â – local.Â
AI intruder image from Pixabay. My visiting Ned was probably 6 ft, but not nearly soimpressive!
It is clear that I haven’t quite mastered the art of part-time working yet. I have collated a list of keywords for the first, general index, and that’s just waiting for when I get to see the proofs. The next step was to get the copy-edited book manuscript back to the copy-editor. I cheerfully threw myself into that task too. Domesticity was forced into spare minutes. I have no idea how long I spent – but I did it. I made all my little tweaks and corrections to the manuscript, and off it went. Now, all that remained was to collate a list of music titles for the second index of historical Scottish publications. Between Friday and today, I did that, too. It’s a long, long list!
Do we have a Crisis? Or don’t we?
There was a problem, though. Whilst we live in Glasgow, most of my relatives are hundreds of miles away, and when a family concern raises its head, I immediately go into ‘prepare for a crisis’ overdrive.
Distractions!
My car went to the garage for a once-over, just in case I needed to drop everything. Back home, and back to indexing. It’s strange, trying to concentrate on something super-important, whilst wondering if you’ll still be at home in two hours, two days or two weeks …
Thinking of the family in Glasgow, I ordered ready-meals online from a different supermarket to my usual one, simply because they could deliver them quicker. This worked – reasonably well – but with some reservations. (I had to go out this evening, to buy things that I’d missed …)
Messages have flown between Glasgow and ‘down south’, in between checking 19th century publication dates and deciding where cross-references might be needed. It’s a bit disorientating!
I had a trip to Dundee on Saturday, grateful to be going somewhere else and doing something different for a few hours, and then – yup, back to indexing again. Organist duties on Sunday. More indexing. Dinner prepared and consumed. Still more indexing. And so on!
Because of the nature of the potential crisis, it all felt very much like Alice-in-Wonderland, where nothing seemed logical or predictable. Indeed, Alice’s rabbit-hole might have seemed a calm and welcoming place by comparison.
‘Late, Late, for a Very Important Date?’ Not Me!
Image from Pixabay
My main concern was that I had to get the book to a point where I literally could go no further, pending receipt of the proofs for adding page-numbers to the two indices. If the potential crisis proves to be an actual one, that means I can shove the laptop and printouts into a bag and take them with me. My book-writing is an unfathomable mystery to most of my English family, who aren’t up-to-date with what I get up to, and consider me really somewhat eccentric and excessive in what interests me, but even in a crisis, I don’t want to hold up the publishing process!
I think I’m now at the point where I can do no more. I should probably do something completely different, away from the laptop, tomorrow. There will assuredly be family messages which I can pick up on my phone, but I cannot do any more to the book. Maybe I should sew something. Oh, and get the hedges cut, just in case I have to desert them in a hurry …
If I’m still in Glasgow on Wednesday, I can turn my attention to future research-planning. It’ll feel more like a research day if I’ve had a relaxed day before it!
I returned my edited, copy-edited manuscript to the publisher today, and turned back to the small matter of my second index. One index wasn’t enough for Yours Truly – I needed to index all the historical publications that I’ve alluded to, which is not at all the same as a list of modern references – it includes lost works amongst those that are still extant.
I did make the list a couple of months ago, but I realised now that it wasn’t in the most useful order. Worse still, I had used tabs rather than a properly formated table, making it just a bit more fiddly to manipulate.
Hey-ho, time for a reorganisation exercise. So I got started … I do quite like bibliographical lists, but this one’s quite an undertaking.
I sat at that laptop so long today that my eyes are dry and scratchy (hello, eyedrops) whilst my neck twinges when I move my head. Owch. I tried a heated oat-pack, and eventually opted for Voltarol gel. Here’s hoping!
I haven’t remotely finished the task yet – it’ll have to wait now until I’ve been to Dundee tomorrow. The trip will probably be a welcome break.
Our neighbours have a high white wall. There’s a tall thistle growing there, and some young joker has scrawled above it, ‘VIBE’. I don’t know if they were consciously referencing the metaphor of a prickly thistle to represent Scottish, and most particularly, Glaswegian identity, but – hey, they wrote it directly right above that thistle, so who knows? I took a photo anyway – it was too good an opportunity to miss.
Every time I walk down the road or get into my car, there it is, and every time it reminds me of a poem by one of ‘my’ Scottish song-writers. He published his book of poems in 1894, and it’s well out of copyright, so I can share it with you. Just look at that last verse – there’s a proud, very nationalist Scot for you!
“I’m a Scot and I carena’ wha’ kens it, Juist meddle the thistle wha’ daur,
They’ll maybe get mair than they wantit, An Scotia be little the waur …”
To be honest, I’m more interested in the poet for his work as an Edinburgh music teacher, than as a poet or local historian, but it’s all part and parcel of who he was. Two different musicians set this song to music – one was really pretty uninspiring, but the other one’s not too bad! (Well… musically competent, not remotely ‘Scottish’ sounding, nor particularly memorable, but competent.)
The poet-teacher gets a significant mention in my forthcoming book, especially his views about children singing Scottish songs.
I have just sent the manuscript back to the editor with my own amendments to the copy-editing, so watch this space! Now to turn back to the question of the second index … which I drafted a few weeks ago, but which now needs fine-tuning before I get the proofs back to link my index-terms to the publisher’s page numbers!
Okay, I promised I would be more forward-looking, now that I’m no longer a librarian. I’m not going back on my word, but I just wanted to share the stitched countdown project that I have completed over the past three years. My purpose was to count down the weeks until I would retire from librarianship. To that end, I sewed one square a week, and joined them up to make three panels for the folding screen that lives beside my desk. Sometimes they’re topical, sometimes reflective, and sometimes (when I got behind with myself), it’s just a number. (Those were at least good practice at sewing satin stitch. I only really took up embroidery during the pandemic lockdown – I’m not an expert.)
Stitched Countdown – a square a week over three years
I finished neatening off the panels today, and took the screen outside to take a photo.
Then I came back indoors and checked my emails. To my delight, I’ve been sent the copy-edited version of my book manuscript. So yes, looking forward, I foresee a busy week checking it all and making any corrections! Semi-retired? I think we’ll forget about that until the manuscript is returned to my editor!
I was all set to blog about the Librarian’s Last Tuesday, but my lunchtime discovery makes all that stuff about library owl mascots and jazz CDs seem rather trivial!
There I sat, half-heartedly eating my sushi, when it occurred to me that I hadn’t yet looked to see if my forthcoming book is advertised on the publisher’s website yet. I practically dropped the sushi in surprise (it wasn’t Boots’s best effort) when…
There was my book looking at me! It’s the first time I’ve seen the title on the cover that I chose a few weeks ago.
I haven’t even seen the proofs yet, and I’m still indexing it, but it’s really exciting to see its outward appearance.
Okay, it was the Performing Arts Librarian’s Last Tuesday. But it was also the last Tuesday before I cease to be a partially-seconded researcher. In eight days I’ll be a part-time Post Doctoral Research Fellow. Still indexing the forthcoming monograph!
A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880-1951
I’ve just heard I should get the proofs of my second monograph by the end of July.
It looks as though the start of semi-retirement is going to be action-packed, doesn’t it? You might almost think I’d planned it that way, but in truth, it’s just how things have worked out. Any planning was really no more than my thinking, ‘yes, that will probably work out rather nicely’.
I need to start thinking about indexing. Indeed, I have made a partial start, but so far only focusing on one aspect.
Let me just stop coughing and get this beastly flu-bug out of the way, and then I’ll roll my sleeves up!