Torn between Copyright Music and the East India Company!

I’m back from vacation with a vengeance, here.  I’ve thought of not one, but two future projects worth pursuing, so I am getting in touch with people whom I think might be interested.  One project is closely linked to the Claimed From Stationers’ Hall network, whilst the other idea could be said to tie together several strands from all the research I’ve done in the past decade or so.  Obviously, grant-writing time is approaching again!  Watch this space.

An interesting news snippet is my recent discovery that a librarianship student from Robert Gordon’s University has been doing a placement at the University of Aberdeen’s Library Special Collections – and looking at their Copyright Music collection!  This really is very exciting – I love to hear of people getting engaged with these materials, and I’m really happy to think that Aberdeen’s collection is attracting attention.  Retired music librarian and rare books cataloguer Richard Turbet did much work on it a few years ago, but it’s definitely time to be woken from its slumbers with some more close study!

So much for copyright music.  I still have more writing to do for a substantial journal article about the UK’s repertoire, amongst other things.  And we have the Brio journal issue to work towards, later this year, too. All this will be done!

Perso-Indica workshop on “John MacGregor Murray (1745-1822): Persianate and Indic Cultures in British South Asia” – Paris, May 28th 2019.

However, right now, I’m focusing on writing a paper for a seminar at the Sorbonne, which takes place at the end of May.  Sir John Macgregor Murray took an almost obsessive interest in Scottish and clan culture, but it appears he was as interested in Indian culture, commissioning translations and texts in Persian, on matters relating to Indian religion, festivals and agriculture.  His career was spent in the private army of the East India Company, so maybe we shouldn’t be too surprised that he took an interest in the customs of the land that was his home for more than two decades.  He did have a base in Scotland too, having bought Lanrick Castle in his mid-twenties, though I haven’t investigated how often he came home, or whether his wife and son ever stayed there without him.  (Much as I’d like to know, I have to remind myself that I’m interested in his cultural activities, not his entire biography!)

800px-Portrait_of_East_India_Company_official from VAM.ac.uk via wikipedia
By Dip Chand (artist) – https://collections.vam.ac.uk/item/O16731/painting-portrait-of-east-india-company/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=18728491 from Wikipedia

(The above image is dated 1760, a bit before Sir John joined the East India Company, but it was so lovely, I just had to include it!)

 

Buttrey MS Presentation by Tracy Macdonnell

A fascinating manuscript – and here’s the guy who listed the contents! Congratulations, and thanks, Tracy!

sagcameron's avatarButtrey Military / Social Tunes 1790-1840

The Drum of the Crown Forces were very privileged to hear Tracy Macdonnell repeat his London, Ontario, Buttrey Manuscript presentation at Fort York on Saturday. It was a delight to hear.

Tracy Macdonnell - Buttrey Presentation

Tracy is the person responsible for creating a list of all 1,061 tunes in the manuscript. Without that list to work from, this website would not have been created, Eamonn O’Keeffe would not have commented on it and told me about Ross Flowers, Drum Major of the Drums of the Crown Forces. Ross would not have taken photos of all the melodies and encouraged me to keep uploading them to this website and the Village Music Project people would not have found the photos and transcribed the entire manuscript !!  Now how’s that for serendipity !!

When asked why this manuscript was special, Tracy says, “Simply because it exists ! The sheer number of tunes and that it was…

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Networking: Research Conference on Women Collectors

If you know anyone who researches women ART collectors, please do share this CFP from National Galleries Scotland. I’m sorry to say I have no evidence of Miss Lambert collecting art, though she did collect seashells as well as cataloguing the University of St Andrews’ legal deposit music. (Certainly a kind of collecting …?!)

Call for Papers:- Research Conference: Women Collectors in Britain

New Page: Sir John Macgregor Murray

Macgregor tartan

In preparation for a lecture I gave at the Sorbonne at the end of May 2019, I returned to an individual who appeared in my doctoral research – Sir John Macgregor Murray.  I gave him a page on this blog because all my up-to-date research appeared here.  If you’re interested, you’ll find the new page here.

NEWS! I’ll be publishing an article based on this lecture, in the Folk Music Journal in 2026.

Quiet Contemplation: but You can Help!

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I’ve reached the point where I need to find more grant-funding! I seem to be at a bit of a cross-roads, needing to decide whether to forge ahead immediately with the Stationers’ Hall research, or take another road which will bring me back to it eventually, having gathered more useful data on the way.

There’s also the question of my own status as a researcher.  Neither “new” enough nor “old” enough for early-career or emeritus awards, nor established enough to say that I’m in a “permanent academic post”.  Permanent, yes.  Academic-related, certainly. But ….!

Meanwhile, please do give me feedback on what the Claimed From Stationers’ Hall network has achieved so far.

  • What have you enjoyed?
  • What have you learned/gained from following it?
  • Has it given you fresh ideas?
  • Have you shared information with other people  or taken new actions yourself?

I posted similar questions on the Facebook page yesterday.  I am more than happy for you to talk to me and share your ideas!

 

Why have I fallen silent? Well, not totally mute, but the thing is … I’m looking for more grant-funding and trying to…

Posted by Claimed From Stationers Hall: Early Legal Deposit Music on Wednesday, March 20, 2019

 

Networking with Other Networks: CILIP LIHG: Finding the Women in Library & Information History (CFP)

Another call for papers, spotted on social media this morning …

 

Networking with Other Networks – both funded by the Royal Society of Edinburgh

Glasgow Mitchell LibraryToday, I attended the first meeting of a new research network – the Cultural History of Glasgow Network, organised jointly between the Open University in Scotland, and Glasgow City Archives, and funded by the Royal Society of Edinburgh.  It was hosted by the Mitchell Library, Glasgow’s impressive flagship central public library.  It’s always interesting to be involved with a new collaboration introducing a different mix of people, and this one’s particularly interesting being so close to home, as it were!

As the session ended, I pulled on my coat and headed back to the Conservatoire for a concert organised by another of the networks I’ve been involved with – the Romantic National Song Network, led this time by Dr Kirsteen McCue of the University of Glasgow, but drawing  performers from British and Irish music colleges.  Again, it was funded by the Royal Society of Edinburgh.  Here, we heard national songs largely from the Romantic era and slightly earlier – British, English, Scottish, Irish and Welsh songs were all represented, introduced by experts, and performed to an exceptionally high standard.  I’m not going to attempt to review the event – I’m too close to all involved to be considered an impartial witness!  But it was great, and I am proud to have been involved with the network.  More of my own reactions will appear on the RNSN website in due course, so watch this space!

Networking with Other Networks: Panellist at ISECS – International Congress on the Enlightenment

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Edinburgh skyline, via Pixabay

I’m excited to be part of a panel talking about paratext at the forthcoming ISECS Congress, 14th – 19th July 2019, hosted by the University of Edinburgh.  Registration is now open, though the detailed programme isn’t yet finalised.  (There’s an early bird rate until 30 April.)

ISECS Congress website

 

Icepops 2019: Draft Programme

UK Copyright Literacy, via Icepops 2019: Draft Programme

I’m presenting a Pecha Kucha at the June 2019 Icepops event in Edinburgh.  “Silence in the Library: from Copyright Collections to Cage”

This (if we are to believe YouTube) is the official video of John Cage’s 4’33”