[Dangerous] Women who Dared

Earlier this year, IASH blogged about an exciting book that Ben Fletcher-Watson and Jo Shaw would soon be releasing.  And yesterday, I attended its launch – the third book of the Dangerous Women project:- 

The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven University Press, 2021) edited by Jo Shaw and Ben Fletcher-Watson

Dangerous Women: fifty reflections on women, power and identity (Unbound, 2022) edited by Jo Shaw, Ben Fletcher-Watson and Abrisham Ahmadzadeh

Women Who Dared: From the Infamous to the Forgotten (Edinburgh University Press, 2025) edited by Ben Fletcher-Watson and Jo Shaw

It was a lovely book launch, and we had excellent speakers, who had all contributed to the book: Jo Shaw, Sara Sheridan, Ruth Boreham and Jo Spiller. 

Women who Dared is an anthology of short biographies – all of them historical ‘women who dared’.  I chatted with the speakers afterwards, and enjoyed hearing more about their work. There are so very many women of note, whom history has entirely forgotten about, so books like this are both very welcome, and very necessary.

Edinburgh University Press link

Book launch spoils!

Dr Karen McAulay Exchange Talk and Book Launch at RCS, Glasgow 11 Nov 2024

Looking forward to my Exchange Talk and Book Launch next Monday, I made a wee promotional video! Maybe I’ll see you there, if you’re in/around Glasgow.

Click to Book tickets

Click for The book’s details

Monday 11th November: Exchange Talk & Book Launch

Venue: Royal Conservatoire of Scotland,  Glasgow

Please watch this space!

On Monday 11th November at 6 pm, I’m giving a talk in the well-established and popular RCS Exchange Talk series, where scholars talk about their latest research. I’ll be talking about a song book compiled for the Festival of Britain:-

The Glories of Scotland in Picture and Song: compiling a book with the 1951 Festival of Britain in mind

It’s in the Fyfe lecture theatre. There will be ONLINE BOOKING for this lecture. This will be the link:- https://www.rcs.ac.uk/whats-on/exchange-talk/book/507006/

At 7 pm we’ll have the launch of my new book, in the library. No online booking for the book launch, but if you’re hoping to attend, please do let me know, so we have an idea of numbers.

You can attend both, or either event.

McAulay,  Karen E., A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880-1951 (Routledge, October 2024) 🎶

A book is born

Exciting Day – my Book Arrived!

Writing a second book has felt quite different from the first time round.  The first one developed out of my PhD, so I had my supervisor supporting me as I wrote the original thesis.

Going Solo

But this one? All my own, unsupervised work, arising originally from the thought that someone really ought to write a book about the music published by Scottish publishers in the late Victorian era and the early twentieth century.  No-one had written one, so I researched and wrote it myself. I was grateful for my peer-reviewers’ feedback on the first draft, and I know that the final product benefited from the subsequent edits that I made during my Ketelbey Fellowship at St Andrews.  

This time, I did my own indexing, too.  That was a new experience for me.

Now, to start planning a book launch! Watch this space – I have an idea. Provisional date Monday 11th November, but the details have yet to be finalised!

‘Dr Karen McAulay of the Books’ – by Dr Karen Marshalsay

Karen Marshalsay's album, The Road to Kennacraig

When my first book was published in 2013, my dear friend clarsach-player and composer Dr Karen Marshalsay played at the book-launch, performing a tune that she had written especially for me. ‘Dr Karen McAulay of the Books’ has been included in Karen’s album, The Road to Kennacraig – you can hear the tune here.

Karen’s playing ‘my’ tune at a gig in Crail on 18th February 2023 – clarsairs have a much more interesting and varied existence than librarians! – but I’ll have to content myself with listening to my CD or the digital rendition. I feel very privileged to have a tune named after me.