Proud Addition to my Published Output: Women Pursuing Musical Careers: Finding Opportunities in Late Nineteenth- and Early Twentieth-Century Scottish Music Publishing Circles

Edwardian lady and two little girls. Picture has a floral border.

Published online today, 12 January 2026, in the RMA (Royal Musical Association) Research Chronicle, by Cambridge University Press, on Open Access:- click here.

Writing this article was enormously fulfilling. I had encountered these ladies whilst researching my latest monograph, and I became convinced that they deserved profiling in their own right, and not merely as bit-parts in the larger picture occupied by their husbands, fathers and brothers.

The kernel of the abstract states that, ‘This article focuses on a group of Scottish women who did not make their names solely as art music composers or stellar performers, and for whom piano teaching was only part of their musical work. Four were related to the Scottish music publishers Mozart Allan, James Kerr, and the Logan brothers; the fifth published with Allan and Kerr, and also self-published.’

And all had fulfilling portfolio musical careers. Read on, and I’m sure you’ll agree!

Interdisciplinary Research, Anyone?

When I graduated with my PhD in 2009, there was a flurry of interest in me as a ‘mature’ postgraduate, and my ‘portfolio career’. There’s only one problem – it isn’t a portfolio career! I work in one place, full-time, on a full-time salary. I’m not self-employed, nor do I do a little bit of this and that for different employers. It’s correct that I spend 0.7 of my time as an academic librarian, and 0.3 of my time as a researcher. If I had any aspirations at the start of my librarianship career, it was to be a scholar librarian of some kind, and as you see, that IS where I’ve ended up. I don’t claim that it exactly reflects who I am now – in my head, I’m more scholar than librarian.

So, if I don’t consider myself a good example of a portfolio career, then here’s another conundrum: do I do interdisciplinary research? If at some times I’m writing about librarianship, and at other times I’m writing about nineteenth to twentieth-century music publishing, does that make my research interdisciplinary? I guess it probably does, even if the librarianship and the music publishing seldom meet! I’m often contemplating the social context of whatever I’m researching. And just occasionally – like my recent article about Clarinda Webster – I manage to mention librarianship, music publishing AND social history in one fell swoop.

At other times, my research finds its way into the librarianship quite naturally. This week, the RCS Library is having a series of events throwing a Spotlight on Diversity. I’ve written a short blogpost about Scottish Women Composers as one of my contributions. The names I’ve suggested are just a start – and I haven’t attempted to include every Scottish woman who wrote a tune, because I’m assuming our students are basically looking for recital repertoire. My research has led me to several more women who made their own unique contribution, but they’ll get a mention in the book I’m currently writing. Their pieces aren’t necessarily recital repertoire, or even easily sourced today.

See my Scottish Women Composers in the Spotlight library blogpost.