12,914 Steps, mostly in Edinburgh

Phew, what a day! 

Research; then playing for a funeral; dashing home; then over to Edinburgh. A quick stop in the National Library of Scotland, then a social event for new IASH Fellows at Edinburgh University’s Institute for Advanced Studies in the Humanities.

How to dress for such a day? I decided the black suited look was safest, and sallied forth looking one notch cheerier than an undertaker. Ah, well. 

I met a friend, unexpectedly, at NLS.  It’s the kind of place where you do meet people. (I first met my PhD external examiner there, a few days before the viva back in 2009.)  I only had a short while to look at three Glasgow music publications today, but it was long enough.  My main target didn’t actually tell me much, really. It was interesting to see it, but it had no obvious connection with ‘my’ Glasgow Victorian ladies.

And then, I met a lot of Fellows researching a lot of different things – it’s quite exhilarating to hear about so much interesting work.  I’m looking forward to January 2025.

Fitbit tells me I walked just over 5 miles today. I really must research Edinburgh bus routes between now and January!

Reassessing an Impression

You’ll remember that I’m currently writing an article about some Scottish women whom I encountered during the research for my forthcoming book.  (Actually, I have quite a bit more detail, to the extent that it would be a shame not to share it.)

So of course, I can’t share it here, yet. However, I can reveal that one lady in particular worked as an entertainer, in a trio taking Scotland to emigrants in the diaspora.  (I had only traced her on one tour – I didn’t find evidence of her subsequent life – until today. But we’ll come to that in a minute!)

I did NOT expect to find her, as an even younger adult, performing what was then comparatively recent chamber music back home in Scotland.

So I looked for YouTube recordings, just to hear what exactly she had performed.  This was more highbrow, and more ambitious than I had given her credit for!

Anton Rubinstein – Piano Trio no.2, op.15, in G minor (1851)

Henryk Wieniawski – Legende, violin and piano (1860)

Henryk Wieniawski – Scherzo-Tarantelle, op.16, violin and piano (1885)

Today, I also found confirmation that this lady emigrated to Vancouver, got married (over there?) – and was a theatre musician for some years.  Given Vancouver’s penchant for vaudeville, that may have been her work, but this is pure conjecture.

I’m so pleased with these quick glimpses of another side of someone who I had previously imagined just as a purveyor of sentimental Scottish songs.  It doesn’t pay to pigeonhole people!

Knowing Where to Draw the Line

I am capable of searching obsessively for the most minute detail. On and on I go. Former librarians do not like giving up, and I’m afraid to say that by the time I’ve finished, I’m pretty certain that I’ve either found all that’s online to find, or it isn’t there.

So, I started writing an article last week.  I have plenty of data.  Why, I even have a scanned document from the National Library of Australia, and I have a photo of one individual that I never expected to find at all.

Nonetheless, on Saturday night, I thought of another search that I hadn’t tried.  Oh, my!  Immediately,  I found one of my musical Scotswomen exactly where I had wanted to find her. Very satisfying.

I went to bed thinking about my search strategy. I had breakfast and did a bit more before going out. This afternoon? Yup, back at it again.

South of the Border …

I think I persevered a tad too long. I found more adverts for her works.  I explored the names of professionals who performed them.  I even searched for pictures of the now-demolished theatre where one piece was performed.  (Oh yes, I found it.)  She may not even have seen that herself!

Finally, I found her advertising the services of two particular performers for whom she had written music.  Not Scots, either.  But that’s enough.  I suspect she didn’t do a lot more after that, or I’d surely have found it.

Am I drawing the line here, then?  Well, I have a couple of archival queries that I simply must see through to the bitter end, but then?  I’m still a part-time researcher.

Better get on with the writing in the time allocated to research! 

Third Space Professionalism in the Library: the Exhilaration and Exasperation of Hybridity

CONTEXTUAL EXPLANATION
This article was written for a peer-reviewed journal. Owing to personal circumstances and commitments, I was unable to make requested amendments in time for the deadline, and I withdrew my submission. Nonetheless, I’d like to share it, since I don’t foresee myself writing much more on librarianship in future. I present it here in the same shape in which it was originally written, give or take a few tweaks to sentences (and reversion to the first person in a few places).

Abstract

It is fair to note that ‘third space’ has a variety of meanings within librarianship circles, with the liminality of the literal physical library space attracting perhaps more contemporary commentary than the idea of a ‘borderland’ where silos break down and different professions meet.

Nonetheless, although recent writing about third space professionals has focused on individuals with administrative roles in academia, it prompts me to argue that academic librarianship similarly occupies a third space role, and the arguments for valuing and increasing the visibility of third space professionals are equally applicable.

I briefly describe the typical career path of those attaining librarianship qualifications.

There follows a reflective case-study on my own third-space professionalism, having attained librarianship and teaching qualifications, and a mid-career PhD. (I’m posting this article a short while after retiral from the library, as I embark on the next stage of my career.)

Best practice in the context of a third-space career in librarianship is outlined, suggesting that it is arguably just as applicable for achieving success and fulfilment in a third-space role anywhere in higher education.

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Introduction

Whilst authorities such as Emily McIntosh, Diane Nutt and Celia Whitchurch have researched and published various aspects of third-space roles in higher education, the focus appears largely to have been upon more obviously administrative roles such as student success professionals, or what reviewer Agnete Vabø describes as the ‘new administration class’. (Whitchurch and Society for Research into Higher Education, 2012; Vabø, 2013, p.646; McIntosh and Nutt, 2022, p.1)

In discussions within the library community, ‘third space’ or ‘third place’ has been construed more in terms of a physical space where different communities meet, whether students from a variety of backgrounds; or students alongside librarians; or a ‘third space’ rather like a bookshop or coffee-shop – a space that is neither home nor work, where patrons meet with various expectations, and where librarians occupy roles ranging from curatorial, through pedagogical, to something akin to a guide to the resources within. These and other constructions of the concept were extensively explored by American Associate Professor of Library and Information Science, James K. Elmborg, just over a decade ago.(Elmborg, 2011)

Image by StockSnap from Pixabay

In terms of the status of library staff occupying roles somewhere between administrative, professional and academic, discourse amongst American librarians has tended more to focus on what a recent report has referred to as ‘Academic librarian faculty status’, but this is not exactly applicable in the British context, where librarians are seldom described either as ‘faculty’ or ‘tenure-track’. (Wertheimer, 2023) This makes the concept of a professional ‘third space’ particularly appealing The present opinion piece argues that academic librarians have, in a sense, occupied a third-space position for years. I describe the nature of academic librarianship, outlining some of the pleasures and pitfalls of such a career, and addressing some of the misconceptions that students and academic staff sometimes hold about librarians.

Drawing upon personal experience, I posit that individuals occupying more than one role also find themselves in a yet another uniquely ‘third space’ of their own, and I highlight some of the challenges that this raises.

Lastly, I suggest some best-practice pointers towards making such careers as rewarding as they have the potential to be.  I believe this demonstrates the overlap between all the different kinds of career in these hybrid professional roles.

Becoming an Academic Librarian

Whilst educational administration and student success-related work has in recent decades become a largely graduate profession, there has been a professional framework for librarianship for much longer. It may therefore not be immediately obvious that there are significant similarities between library work in higher education, and other third-space professional roles.

In British librarianship today, graduates from other disciplines often take a postgraduate Master’s in Library and Information Science, in much the same way that a graduate aspiring to teaching might now take a Master’s in Education. (Only a few decades ago, a postgraduate diploma was considered sufficient in both librarianship and teaching.)  Indeed, mirroring our transatlantic cousins, an academic librarian might already have a Master’s in their own discipline before pursuing a Master’s in librarianship. Thereafter, there are various routes to becoming a Chartered Librarian, and optionally, in due course, a Fellow of CILIP. (Chartered Institute of Library and Information Professionals website, no date) 

Those occupying library assistant roles are equally likely to have a first degree, but may not necessarily have completed vocational training, unless their ultimate goal is a more advanced professional role. Conversely, some qualified librarians go on to acquire teaching qualifications as well, particularly when involved in library or research skills instruction. Teaching is a particularly relevant competency for librarians, in terms of assisting patrons.

Whilst librarianship in the UK is still a profession in which professional qualification and/or registration is desirable rather than compulsory, there is nonetheless an emphasis on gaining proficiency in a variety of key skills, with CPD encouraged both by librarianship organisations, and employers. Chartered Librarians or Fellows can choose to submit for revalidation after a while, but this is not essential.  (However, both the Charter and the Fellowship do require continued membership of the awarding body, otherwise one may no longer use the postnominals.) 

Subject librarians in academic libraries depend on subject knowledge as much as their professional skills. In-depth understanding of a discipline makes one better able to acquire the right library stock, whilst subject analysis enables one to create a more helpful catalogue to aid future discovery by readers. There’s little point in creating beautiful catalogue entries, if you don’t understand what a student is actually asking for. Having studied a subject to degree or postgraduate level, one can better understand queries and requests from both students and lecturers, but this also opens up opportunities for collaboration with teaching staff, when both parties appreciate the skills that the other brings to the task in hand.

Librarians are very much hybrids in that third space between professional and academic staff. For a start, we not only help students find resources for their assignments, but also advise on how to discern what is an appropriate or acceptable resource to use. That’s a bit more than being a pen-pusher, and indeed, is as key to a student’s ultimate success as the work done by our professional colleagues in student success roles.

Correcting Misconceptions

There are, however, misconceptions about what it takes to be an effective library worker. At times, patrons seem to regard our professionalism as little more than being an efficient office worker. Indeed, serving at an issue or enquiry desk is to some readers clear evidence that one’s main purpose is to stamp and shelve books.  This is untrue for most library workers!  To be dismissed as ‘just a librarian’ does tend to betray this viewpoint. 

‘You’re actually quite bright, aren’t you?’ an undergraduate observed, after a resource had been located for them. (They didn’t know that I’d walked away from doctoral studies to train as a librarian some years earlier. Ruefully, I reflected that an incomplete PhD – a “Ph” without the “D” – was no use at all.)  But, ‘What does a librarian want with a PhD?’, an academic once asked.

When a Librarian embraces Research

Much midnight oil was burned, before eventually – a quarter century later – I had a PhD on a different topic, self- funded and studied for in my ‘spare time’ alongside full-time work and raising a family. The knowledge I’d gained doing the doctorate was directly related to one of the subjects we teach at my place of work.

I followed the PhD by secondment as a Research Assistant to a major AHRC grant, publishing a monograph, taking a PGCert in Teaching in Higher Arts Education, getting an AHRC networking grant in my own right, and more recently being awarded an honorary research fellowship at another institution. Oh, and writing quite a bit more. Moreover, as a hybrid, third-space professional, it turned out I was very well-suited to helping with academic writing and referencing!

Occupying More than one Role: another Take on Hybridity

Whilst librarians certainly provide academic support, hybridity by its very nature can take different forms. Being a librarian with an element of teaching (we call it ‘user education’) is one thing. Being a librarian with an element of research – for twelve years, I was seconded to be a researcher 1.5 days a week – is another. Or try being a postdoctoral fellow at another institution whilst keeping the home-fires burning as a librarian at the same time. It’s not so much occupying one role in a ‘third space’, as occupying multiple roles and finding oneself a hybrid professional as a consequence.

Academics get research leave. I resorted to taking odd half-days of annual leave.

Carving out a Role in the Third Space

Approaching the end of my librarianship career, I inevitably reflected upon successes and failures. With a ‘year-end’ review, one does a similar exercise, but there is more expectation that certain things will be done differently, or better in future, in an effort to become one’s best, most efficient self.  However, I’ve chosen to focus on research, with a new part-time research role since retiring from the library – I’m leaving the third space for other people to make their own.

Nonetheless, these observations may be helpful to younger colleagues carving their careers as ‘hybrids’, somewhere between academia and the professional office – in whatever professional capacity. Taken in the following order, the mnemonic ‘CARVE’ seems appropriate:-

Collaboration and networking are by far the best way to experience fulfilment in a hybrid role. McIntosh and Nutt underline that, ‘One way to find a place is through participating in knowledge networks.’  (McIntosh and Nutt, 2022, p.5)  Librarians are fortunate to have a variety of librarianship organisations and interest groups with which to engage, and networking became even more important when I acquired other research-based roles:-

  • As an AHRC Research Assistant, I brought research skills, extensive experience in cataloguing music, and my existing engagement with appropriate library networks. Our small team was developing a database of digitised resources, entailing much comparison of sources and amassing critical metadata. (University of Glasgow et al, 2015)
  • With my AHRC Networking grant, I established a network of third-space professionals and scholars, as we explored printed music surviving from the eighteenth and early nineteenth centuries. Librarians and scholars met on a level footing. (‘Brio, Special issue: “Claimed from Stationers” Hall’: papers from an AHRC-funded network project’, 2019)
  • Before, during and since the pandemic, I devised a project of my own, acquiring more music by women composers and composers of colour, to improve equality, diversity and inclusion for our own library. Here, I was undeniably acting as a librarian, but I found myself networking with composers, museum professionals, librarians in other institutions, and educationalists at conferences, as I outlined what I was trying to achieve. (McAulay, 2023)  Indeed, the research I conducted proved useful in a variety of contexts. I’ve shared my findings with interested students, and proudly attended a Master’s student’s final recital, in which one of the newly-acquired works was performed. In future, there is also going to be a prize for diversity in recital programming – the initial idea was mine, even if I wasn’t in the space where the decisions were made.

Achieving a qualification, publishing something, or completing a project (within the department, or inter- departmentally) merits praise. In any role, there is plenty of mundane slogging, but it’s bearable if third-space achievements are noted and greeted with approval.

Recognition is important, and distinct from visibility (see below). Without recognition, success can be lonely. McIntosh and Nutt cite work by J. Hall arguing that ‘one of the challenges for those working “in-between “ is the lack of recognition and validation for this work.’  McIntosh and Nutt, 2022, p.2 citing (Hall, 2022)  Line managers can signal to other members of the department that achievements are a valuable part of the departmental success story. Without reinforcing this message, there’s the risk of causing resentment that one is pushing too hard against the glass ceiling, an upstart with ambitions above one’s station.  

Visibility is similarly crucial. It is entirely appropriate that a noteworthy achievement  should be disseminated – not just internally, but perhaps also sectorally. This boosts confidence and a sense of both autonomy and authority. Blogging and social media are invaluable, and journals are there for disseminating ideas.

Energy is required, to achieve the exhilaration of a successful third-space career. It can be exhausting, particularly in the effort both to maintain visibility and be an effective self-advocate. If, in a library, there is often a perception amongst patrons, whether staff or students, that librarians simply issue materials, send out overdue notices and catalogue things, then it must be very similar in the registry, faculty support office or IT department. Combatting misconceptions with a smile can be very wearing, but is there a choice?  However, backing from line-managers goes a long way to making the task easier and more fulfilling. Indeed, it’s crucial.

Conclusion

Librarians talking about libraries as a ‘third space’ tend more often to mean the physical space in which they operate, but there is also value in discussing the third-space nature of the librarian’s role.

It is important that the concept of the ‘third space’ or ‘hybrid’ professional should be more widely understood by those whose roles are more conventional.  Whether a professional in student success work; the library; or some other academic support role; or indeed, the individual wearing a multiplicity of professional ‘hats’, many workers in higher education support roles are striving to make a difference in a more modern, blended way. With appropriate departmental support, this can only make us more rounded as individuals, confidently offering a wider range of strengths and skills than hithertofore.

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Bibliography

‘Brio, Special issue: “Claimed from Stationers” Hall’: papers from an AHRC-funded network project’ (2019) Brio, 56(2).

Chartered Institute of Library and Information Professionals (no date) CILIP accredited qualifications – CILIP: the library and information association, CILIP: the Library and Information Association. Available at: https://www.cilip.org.uk/page/Qualifications (Accessed: 10 January 2024).

Elmborg, J.K. (2011) ‘Libraries as the Spaces Between Us: Recognizing and Valuing the Third Space’, Reference & User Services Quarterly, 50(4), pp. 338–350.

Hall, J. (2022) ‘Understanding and debating the third space: achieving strategy’, in The impact of the Integrated Practitioner in Higher Education: Studies in Third Space Professionalism, ed. E. McIntosh and D. Nutt. Routledge, pp. 26–32.

McAulay, Karen (2023) ‘Representation of Women Composers in the Whittaker Library’, Journal of Perspectives in Applied Academic Practice, 11(1), pp. 21–26. Available at: https://doi.org/10.56433/jpaap.v11i1.533.

McIntosh, E. and Nutt, D. (2022) ‘The Impact of the Integrated Practitioner: Perspectives on Integrated Practice to Enhance Student Success’, Student Success Journal, 13(2). Available at: https://studentsuccessjournal.org/ (Accessed: 18 December 2023).

University of Glasgow, University of Cambridge, Royal Conservatoire of Scotland (2015) HMS.Scot: Historical Music of Scotland. Available at: http://hms.scot/ (Accessed: 3 September 2024).

Vabø, A. (2013) ‘Review of In the space between administration and academia. Reconstructing Identities in Higher Education. The Rise of Third Space Professionals’, Higher Education, 66(5), pp. 645–647.

Wertheimer, A. (2023) ‘Review of Academic librarian faculty status: CLIPP # 47 (2022)’, The International Journal of Information, Diversity, & Inclusion, 7(1/2), pp. 1–3.

Whitchurch, C. and Society for Research into Higher Education. (2012) Reconstructing identities in higher education: the rise of ‘third space’ professionals. 1st ed. New York, NY: Routledge. Available at: http://ebookcentral.proquest.com/lib/aston/detail.action?docID=1075438 (Accessed: 18 December 2023).

Cover Image by Joe from Pixabay

Avoiding Dancing (until Research Took me There …)

You probably have to be Glaswegian to know this old chestnut:-

‘Heh, does this tram go to the Palais?’

‘Naw – it cannae dance!’

Well, the tram has my sympathy, as I can’t either. ‘Himself’ and I each have two left feet, when it comes to tripping the light fantastic.  Indeed, his mother used to wonder how someone so musical could be such a hopeless dancer. On the other hand, I realised I disliked the activity as a small child at a party for preschoolers, when a well-intentioned parent tried to make me dance the Twist.  I remember the discomfort and embarrassment to this day.

Image by Luda Kot from Pixabay

We must have been terrible disappointments.  After all, dancing was in the Fyfe’s blood:

  • Great Grandfather, a stonemason, played bass up in Fyvie for winter dances
  • My Grandpa-in-law went to dance classes in Turriff as a boy
  • Mother-in-law was Miss Milligan’s first dance pianist at Jordanhill Teacher Training College, before Jean Milligan even set up the Scottish Country Dancing Society.  Later, after a lifetime accompanying Scottish country dance in Newcastle, she got a certificate of recognition from RSCDS at the St Andrews Summer School.

Meanwhile, my own Mum was a PE teacher like Miss Milligan, taught country dancing at a school in Whitstable, and even got my father to play for her on occasions.

I myself had a Saturday job as a ballet class piano accompanist. It felt a comfortable place to be.

So, it feels as though fate has caught up with me, when recent research into a dance accompanist led me to explore early digitised committee minutes on the RSCDS website (thanks, folks – this was really useful!).  In Glasgow’s Mitchell Library yesterday, I learned some more, from a book I only discovered at the weekend.  I thought the secondhand copy that I found online looked too expensive, but I am reassessing this opinion!

And here I am on a bus to Edinburgh in the pouring rain. I am hoping to see two rare books of reels and strathspeys connected with this one particular pianist who, it appears, was nothing if not a force of nature.  A renowned accompanist, I read that when she and her band had to share the dances with other non country dance bands, they really didn’t know quite how to deal with her – they hadn’t encountered anyone like her!

It’s such a damp and dismal day, that I really hope the National Library of Scotland books are just stuffed with interesting paratext, to make the outing worth the effort!

Image by Michael Drummond from Pixabay

Rainy-Day Bus Trips: This, too, is Research

Not all research materials are scholarly journals (obviously), and in the Arts and Humanities, not everything is online. Nonetheless, I needed to read a substantial magazine article, and the nearest copy was in our renowned Mitchell Library.

I woke this morning to grey skies and steady, insistent rain. My first thoughts were that the seedlings planted last night had had a good start to their grown-up garden life, and then (on a different train of thought), that I was going to get rather wet going through to Edinburgh’s Morningside this afternoon.

Then I remembered that article in the Mitchell.

Researching in the Rain

Did I feel like another soaking in one day?  No matter. It’s a research morning, and this is research.  Indeed, I found useful information that’s immediately relevant,  so I’m glad I made the effort.  I did get rather wet, but I got the feature copied, rewarded myself with a takeaway latte, and headed home. It’s a  salutary reminder that not all research is high-flying or glamorous; that there’s worthwhile data in non-scholarly publications as well as historical old sources  – and after all, there’s plenty of time to dry out before the next outing!

NB. Scotland isn’t  kind to neat, efficient-looking collapsible umbrellas, but my large, pink golfing umbrella is going to have an airing later. Glamorous, me? No!

The Best Chance of a Successful Research Library Visit?

To anyone starting out on their research journey, visiting an unfamiliar library can be intimidating. Here are some tips to help you prepare.

  • Know what you’re looking for. (1) Have you been able to check the catalogue online and get the shelf references?
  • Know what you’re looking for. (2) Have you got all the bibliographical details to hand? You might need them to look something up once you’re on site, in a card, microfiche or some other retro catalogue format. You also might need to ask someone to fetch items for you – reference libraries don’t have all their stock on open access, and special collections/archives never do – so it’s only reasonable to have as much info as possible to share with the staff who’re going to help you.
  • Know what you’re looking for. (3) Be clear in your own mind as to why you’re going to see these resources, what you’re intending to look out for, how much you can reasonably get through, and what it will take for you to feel you’ve had a successful day. This is crucial!
  • Practicalities (1) If you have to order things up in advance, be sure you’ve allowed enough time between your request and your visit.
  • Practicalities (2) Check travel arrangements and book in advance if necessary.
  • Practicalities (3) Have a pencil, rubber and ruler. Pens may not be permitted. Take your laptop cable. Find out about wifi access.
  • Practicalities (4) Ask if you can use your phone to take photos. There could be a form to fill in.
  • Be prepared for different rules and procedures. Answering your phone with a whisper might be okay in your usual library, but an absolute faux-pas somewhere else! Last week, I answered my phone in a public library, and had just started to explain that I couldn’t speak because I was in a lib …. (you’ve guessed the rest. Shhhhh! My own fault for answering it in the first place.)
  • Have an open mind. Be prepared for unexpected finds! If it looks useful, note it. AND note the page you found it on! Don’t scribble something so cryptic that you’ll never remember why you wrote it.
  • Get there early, if possible. Have a leisurely coffee before you start, because there’s always the chance you’ll be so engrossed or busy that you won’t want to waste precious time later on!
  • On your way home, try to go through your notes. Highlight anything you need to follow up.

I had a great trip to Edinburgh yesterday. The sun shone; I made it up the 122 News Steps to the Royal Mile without ending up completely out of breath; and I was so early that I was able to have a very leisurely coffee indeed in the sunshine, before heading to George IV Bridge. I had only ordered four actual items to look at, but I was looking at them quite intensively, so that was exactly right for the time I had available.

‘Lost Works’, meaning No Known Library Holdings at all

I took notes and photos, found a couple of extra unexpected features (evidence of ‘lost works’, no less – that’s a book history term meaning that we know the title did exist, but no copies are extant in libraries today), and on the way home, I was able to email another library with a question about their own edition of a piece of music I’d just been looking at.

Sadly, I can’t assure you that every research visit will be as sunny or as successful as mine was – but at least you’ll have given yourself the best chance!

Completely unrelated to my research – I just liked it!

An Open Door in Berkeley Street (or, Latte after the Library)

I went back to the Mitchell Library in my continuing search for old (historically old) lady music publishers. Floor 5 was temporarily operating from Floor 3, but the books I needed could thankfully still be got out for me.

The Mitchell’s epic carpets. Glasgow logo.

The ladies were nowhere to be seen in the book documenting the Glasgow Society of Musicians. Nor was there any hint of them in another book about live music for Victorian Glaswegians.  (Although I did, whilst I was still in the library, get an Ancestry message from one of the ladies’ descendants!)

Floor 4 for the Music 🎶 Catalogue

Undeterred, I headed for Floor 4, to have another look in the old card music catalogue  – a really useful resource.  Again, I only found two of one composer’s pieces.  I  already own one of them,  but that still means one find. And I also spotted a couple of issues of a journal that interested me.  A quick flick through, allowed me to note potentially interesting pages, even if they don’t relate to the present theme. I was in my element.

Closing my laptop, I decided to round off the morning with a coffee downstairs …

Then the fire alarm went off.  Everyone filed out, and I looked down the street. Would I find a café?

Turkish coffee pots
The erstwhile Thistle Records in Sovereign House. Name plaque still there.

Believe it or not, the Turkish cafe in between what had been Thistle Records, and Kerr’s Music Corporation (Glasgow Music Centre), was in another building with a historical past: no less than the Glasgow Society of Musicians, about which I had just been reading. I got my latte, also snapping a picture of the interior – clearly once the Musicians’ Concert Room – and the art-nouveau front door.

Where once they heard piano trios …
You can just see the arched ceiling …
Mission accomplished!

Another time, I’ll make sure I have a coffee ‘to sit in’ rather than takeaway!  Glasgow’s most eminent musicians would have enjoyed performances there … whether or not the ladies ever got a look-in!

The Glasgow Ladies Publishing Sheet Music

Yesterday, I set out to track down some music.  It’s light music, not great music  – almost ephemeral, you could say – but together,  it tells a story.

I also wanted to find out more about the life of one of these fin-de-siecle Glasgow woman music publishers.

It’s not that easy. The music is scattered round our legal deposit libraries; the cataloguing isn’t completely consistent; and fin-de-siecle ladies, whether single,  married, childless or proud mothers, didn’t  leave much record of their daily lives.  They’re hidden in the shadows of family members, and, whilst I imagine they knew one another, let me stress that this is NOT a tale of a female publishing cooperative!

I had a nice chat with a local history librarian, making an acquaintance who is now equally keen to find out more; then I headed home – as yet, none the wiser – to devise a complex spreadsheet of music titles.  I’m visualising a pinboard with strings criss-crossing between ladies, libraries and  work-lists.

So complex, indeed, that I still haven’t planned how best to get to SEE the music.

A weekend task?

Sadly, a Pixabay find, not one of ‘my’ ladies!

Ladies in Music Publishing – and a Curious Tea Set

Having virtually finished a major project (the second monograph), I’m exploring future directions.

Unfortunately, this looks – even to me – like going randomly round in somewhat squiggly circles, since it entails seizing intriguing little thoughts that have occurred to me at various points in my research, and (metaphorically) tugging at them to see where they might lead.  Right now, none of them have yielded much more, although it’s fair to say that I need to  wait for some to have an outcome.

Ladies in the Music Publishing Trade

There’s the thought that a publisher’s wife – who HAD been a piano teacher  – might have authored his piano tutor for him. Maybe, but there’s no way to know. Dead end? Well,  yesterday, I traced a copy in Australia.  I’d love to see it, even if it tells me no more.

Then there’s the sister of another publisher.  I do have marginally more to go on – and I’m currently following up some leads – but it’s not exactly a whole new project. After a couple of hours’ searching the British Newspaper Archive delving this evening, I had learnt that she accompanied a church concert in her late 40s – since she, too, was a piano teacher, this is hardly earth-shattering news! 

(Come to think of it, I encountered a third lady piano teacher who was a talented songwriter and small-scale self-publisher… see, if only I could amass enough extra information, I would clearly have the makings of an article here!)

So, I also started another line of enquiry. This could be more fruitful, but it’s too soon to know.

As for the tea set? Nothing to do with the ladies, as it happens. The second lady’s brother (the publisher) was a church session clerk – an important role to this day.  He therefore had the responsibility of making presentations when called upon. And, on the occasion when his sister played the piano, the church was making the presentation of a tea set and a clock to their minister, who was getting married.

In a very Chaste Design

Doulton, on eBay. Not chaste?

This brings me to the most pressing question (I jest):-

Was it plain? White or cream, maybe? It only had a small, modest embellishment.  How else can a tea set be ‘chaste’?

Or this. Surely this! Again,  on eBay.

It’s honestly not a problem that would occur to any Kirk session today! 

Main Image by Mirka Oborníková from Pixabay