A Retrospective, Prompted by the Anniversary of a Letter being Sent

Posted on by Dr Karen E McAulay
William Chappell, Popular Music of the Olden Time (modern reprint by Elibron)

170 years ago today,  antiquarian ballad and song collector William Chappell sent an unintentionally incendiary letter to Andrew Wighton!

It is difficult to find really good tunes of this early date, because there is so little genuine Scotch music in print – although plenty of Anglo-Scottish.

Sparks flew in Dundee.  How dare Mr Chappell suggest that much of Scotland’s song repertoire wasn’t really Scottish, but some kind of English-worked mishmash? Sparks also flew in Aberdeen, when Chappell’s song-collection was published, on account of his extensive annotations.

This is actually part of a larger story, which I explored in the final chapter of my first book, Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era. Chapter 8 is headed,

‘The Feelings of a Scotsman’ and the Illusion of Origins in the Later Nineteenth Century‘.

CAST LIST:-

  • William Chappell, English antiquarian and song collector; author of Popular Music of the Olden Times;
  • Andrew Wighton, Scottish shopkeeper and song-collector in Dundee (his amazing collection was bequeathed to the city, and The Wighton Collection is now in the Central Library);
  • James Davie, crusty old Aberdonian musician and song-collector, fiercely patriotic and with a strong dislike of Chappell and all that he stood for;
  • David Laing, Edinburgh librarian, authority on Scottish literature and songs, and altogether good chap, generous in sharing his knowledge.

If you’re interested in learning more, my book is available in quite a few libraries or in paperback, e-book or Kindle format. Chappell’s collection is also readily available.

‘”Heart-Moving Stories” Illustrated by Magic Lantern’: freshly published article

Posted on by Dr Karen E McAulay

This morning saw the arrival of the latest issue  of The Magic Lantern (no.45, December 2025) containing my article, ‘”Heart-Moving Stories” Illustrated by Magic Lantern’.  I’m grateful to have had this opportunity to share a favourite bit of research, to which I alluded briefly in my recent monograph.

‘”Heart-Moving Stories” Illustrated by Magic Lantern’, The Magic Lantern no.45 (Dec 2025), pp. 11-12.

Contents of issue 45, The Magic Lantern

Ethical Approval: a Must

Posted on by Dr Karen E McAulay
Scrabble letters spelling Projects, Jobs, Done

My next research project requires ethical approval – interviewing real live people rather than writing about people long since departed.  And it’s imperative that I get my submission in on time, since the next meeting of our ethics committee is early next year.  

I’ve been working on it for weeks. (Admittedly, I’m a part-time research fellow, so I technically have only 10.5 hours a week to get my research activities done. Yes, we all know that the reality is different!) Anyway, yesterday was my own deadline: it just happened to be the last day we’re open before Christmas, and the morning after my last working day this year.

Efficiency (and Thoroughness)

There’s only one way to fill in a form efficiently, and that’s to make sure every question is answered satisfactorily. To this end, I go through and make myself a list of the information I must provide. Over the past few weeks,  I assembled the info. Attachments were created and labelled. And here’s where Tuesday (not a ‘work’ day) and Thursday came unstuck. I wanted to have a particular collection of old newspaper excerpts to share as an interview prompt.  Finding and listing them was easy enough. Formatting the document in Word, though? With clips of the excerpts? It took hours!

Have I Forgotten Anything?

Finally satisfied, I turned back to the form. And there – I swear they weren’t there when I initially saved it! – were a couple more questions with grey-shaded boxes requiring answers. And attachments.  What a good thing I double-checked. ✔️

It’s done. Phew! Details of whom I hope to interview, what I’ll be asking, and how I’ll save and use the gathered information, are all itemised.

And … breathe!

I submitted it. Ensured everyone involved could access it. At last, I can stop thinking about it until after Christmas!

Now, where’s the domestic to-do list (all the stuff I need to do, because no-one else will think about it) …?

Christmas cheer!

Image by Daniel Schmieder from Pixabay

My IASH Fellowship Ends …

Posted on by Dr Karen E McAulay
IASH - Institute for Advanced Studies in the Humanities

‘All good things must come to an end’, as the saying goes. And an IASH Postdoctoral Research Fellowship is a thoroughly good thing.  I handed back my keys with sadness today, but I have had a great year. (The Fellowship was technically six months, but I was graciously permitted to hang around, retaining the use of my office for the rest of the year, which was wonderful, and enabled me to continue data-gathering in the Library’s Heritage Collections.)

19th meets 20th century
Looking back …
Last glance from bus stop
St Patrick’s Square

If you are looking for a next step after your PhD, or if like me, you’re making a change of direction – or need a spell concentrating on a particular research question in the Humanities – do consider applying.

I devoted my time to examining the archives of the Edinburgh publishers, Thomas Nelson.  I initially entitled my project, ‘From National Songs to Nursery Rhymes, and Discussion Books to Dance Bands: investigating Thomas Nelson’s Musical Middle Ground’, but the nursery rhymes turned out to be poems, and weren’t what I had in mind! The rest? Yes, I researched them.

I found quite a bit of correspondence between Thomas Nelson’s editors, authors and compilers, which was gratifying. I was able to trace material in journals that I would not have had access to, had I not been in Edinburgh; there’s the excellent University Library collection of actual and digital resources, and the National Library of Scotland just down the road.

I have deferred commencing any significant written work until I had explored all the potentially relevant materials in the files. I believe I’ve now reached that point.  As a result of conducting this research, I have ideas for extending my research in new directions, and I’m contemplating writing another book, so I need not only to explore potential audiences, but also to start working on a book proposal

However, I have also applied for and recently won an Athenaeum Award from the Royal Conservatoire of Scotland to enable me to conduct an oral history project. This work, to be conducted in 2026, will hopefully enable me to write a final chapter for my proposed monograph. (I’ll be blogging about this before too long, but there are things I need to do first, before I spill the beans!)

I have benefited from being part of a research community, hearing other scholars’ papers and discussing our research; and attending researcher development sessions. I  was able to focus on my new direction as a researcher – important, after so many years as an ‘alt-ac’ researcher working in professional services. In this regard, I have also been in a position to submit some other unrelated work for publication, and I spoke at a conference at the University of Surrey in June, all of which gives me a sense that my research is gathering momentum.

Today, my last day, I took a cake to the University Library’s Heritage Collections; went to IASH’s Christmas lunch; and mulled over aspects of my ethical approval submission for my next project. (Oh, and drank quite a bit of coffee!)

Thank you so very much for a great year, IASH!

IASH (Institute for Advanced Studies in the Humanities)

It’s Getting Closer! The Next Article

Posted on by Dr Karen E McAulay

Anyone looking at my publication record is soon going to be mightily confused. The article about Sir John Macgregor Murray concerns a Highlander who lived from 1745-1822. I wrote it at a time when I was still researching Scottish music collecting and publishing in the late eighteenth- and early nineteenth-centuries.

Today, I received the final proofs for the next extensive article. This time, it’s about Scotswomen with portfolio music careers in the late nineteenth- and early twentieth-centuries. (Two of them were of English parentage, but let’s not quibble!) A spin-off from my latest book, in the sense that I turned my focus onto a number of individuals who had hung around in the shadows of the book, this article extends over some 22 pages, and luckily there wasn’t a great deal needing changing in the proofs.  But the instructions for using the proofing system extended over 49 pages, and there was also a ten-step quick tour of the process. I nearly had a fit at the sight of the former, but the latter told me nearly all I needed to know. Job done.

There are still more articles in the pipeline; I’ll flag them up as they come along! Meanwhile, there’s the small matter of Christmas requiring my attention during the semi-retired part of my existence, not to mention the continued tidying up of our poor scarred, rewired residence! But first, I need stamps …

Image: Glasgow Athenaeum, forerunner of the Royal Conservatoire of Scotland (Wikimedia Commons) – where two of ‘my’ musical ladies received their advanced musical training.

New Article about Sir John Macgregor Murray, in the Folk Music Journal

Posted on by Dr Karen E McAulay

Finally, an article from me after a long spell of apparent silence. ‘Sir John Macgregor Murray: Preserver of Highland Culture, Music and Song’. Folk Music Journal vol. 13 no.1, pp.50-63. 

The article started out as a conference paper, but I felt it deserved a wider audience. Let me share the abstract:-

Abstract

Sir John MacGregor Murray is known by Scottish music historians as the man who retrieved Joseph Macdonald’s Compleat Theory of the Scots Highland Bagpipe. This act of transmitting a work about Highland culture was just one instance of the Highland chieftain’s involvement in facilitating the artistic output of his native country. A founder member of the Highland Society of Scotland, he traversed the Highlands in pursuit of James Macpherson’s Ossian poetry, assisted song collector Alexander Campbell in planning his own itinerary in the Highlands and Western Isles, and helped establish a piping competition in Edinburgh. Sir John was one of a number of individuals who played a mediatory role in the collecting and publication of Scottish music.
This article outlines Sir John’s role in the codifying and promotion of Highland culture, embracing literary as much as musical endeavours. It also introduces some of the other individuals who played a similar role in Scotland during the Georgian and Victorian eras.

EFDSS (English Folk Dance and Song Society) website

Folk Music Journal

Lanrick Castle Gatehouse (Wikipedia)

Progress! Post-Rewiring, my Desk is cleared for Research again ..

Posted on by Dr Karen E McAulay

I’ve proof-read an article for The Magic Lantern; navigated Cambridge University Press’s article dashboard for my impending RMA Research Chronicle article; signed an ‘Ironclad’ contract; updated my Pure (institutional repository) account; signed up to a short online course in connection with next year’s research project; and attended a meeting.

It feels as though it’s been a busy morning. One could argue that it has been more administrative than actual research work, but research doesn’t get done without a secure administrative foundation, so that’s good enough for me.

Post-Rewiring?

I’d best describe my mental state as ‘fragile, but functional’! But I’m getting there.

Back to Normal on Monday? Well, Maybe …

Posted on by Dr Karen E McAulay
Very tall pile of empty cardboard boxes

Monday mornings are contracted research time. And research there will be. I have a couple of things to proofread, for a start, quite apart from picking up the threads after last week’s chaos.

The Thrills

Reader, if you like the thrill of the unexpected, and a break from normal routine – go for the total rewiring of an Edwardian house. The chasing round the landscape for TrashNothing and Facebook Marketplace free cardboard boxes. The filling and stacking of them. The hotel stay, the restaurant bills, and the, ‘Could you possibly come back a day later? Making sure your ceiling doesn’t come down is going to add a bit of time to the job’ kind of thrill.

There were three high points: we went to the cinema. Unheard of! I swam lengths for a solid hour in the hotel pool. And discovered that Terikyaki salmon fillets are my absolute favourite food. Other than that, it was a question of just getting through the experience of being away from home, and without my own car. In a room with one desk and one chair, but two occupants, I never felt less like trying to do any research, so it’s a good thing I wasn’t expected to.

Chaos

And then we returned home. The Edwardian house is now rewired (ceilings intact); spotted with plaster patches in walls and ceilings – meaning I’m currently getting redecorating quotes – and it was so dusty that we were grateful to have arranged a full, in-depth clean. And of course, everything needs unboxing. But not everything all at once, right now, if decorators are to start doing things to walls and ceilings! My books are back on shelves, though I don’t know for how long – still, they give the impression that everything is settling down again.

Unsettled

But worst of all, it seems that some of us are very, very unsettled at such major upheaval. And it feels as though I’m on the receiving end. I never want to hear about our discarded lampshades again! But I will. Repeatedly. (Frankly, I don’t CARE if our old dusty lampshades were discarded without our agreement. Now we have new ones.)

And … Breathe!

It will be with a great deal of relief that I open my work laptop tomorrow morning, take a deep breath, and try to think only about research for 3.5 solid hours!

Rewiring (Domestic, not Neurological!)

Posted on by Dr Karen E McAulay

A smell.  (My nose is as finely-tuned as my ears are not.) 

A melting fuse.

One thing led to another, and we’re getting the whole old house rewired this week.  I’ve rearranged my part-time morning and taken my part-time day off. And I’m not going through to Edinburgh.  With everything packed up in boxes during the upheaval, and ourselves displaced, I simply can’t get on.  I hesitate even to tackle emails, in case I forget where I got to in the different aspects of my work. I can’t simultaneously get my head around the intricacies of research, which explains why I’m not blogging as much as usual.

It appears that the ‘semi’ part of my retirement is to be dedicated to caring for the old house.  (Elderly houses have their own unique requirements and challenges,  different to older humans. At least Himself doesn’t have dodgy ceilings and won’t need redecoration.) 

In semi-retirement, it falls to me both to coordinate things – and sometimes repeat things.  (I’m the only one with hearing aids. Although this is disputed, I find they work fine, as evidenced by the fact that I get to repeat what the electrician said!) And, particularly but not entirely, because a rewire is stressful for all concerned, I find myself on the receiving end of quite a few adverse comments. (I’m apparently frequently very annoying.)

I’ll be glad when this week is over.  My kind and unfailingly courteous historical publishers await me!

Mystifying Timewarp Challenge

Posted on by Dr Karen E McAulay

It’s not as though I’m unaccustomed to what I’ve been doing in odd moments for the past few days.  Over the years, I’ve opened dozens, indeed hundreds of old song books and other music publications, trying to read their prefaces, annotations and harmonic arrangements as though I were a contemporary musician rather than a 21st century musicologist.  Looking at music educational materials is likewise not new to me.

Enter Dr Walford Davies and his The Pursuit of Music

He was the first music professor at the University of Aberystwyth, but he was also hugely popular in the 1920s-30s through his broadcasting work – fully exploiting the new technology of wireless and gramophone for educational purposes, and to share his love of music with the ordinary layman wishing to know more about all they could now listen to. This book was written after he’d mostly, but not entirely retired.

It wasn’t exactly what I expected! If I thought he would write about what made the Pastoral Symphony pastoral, or Die Moldau describe a river’s journey, I rapidly had to change my expectations. 

His audience was apparently not just the average layperson, but also young people in their late teens, not long out of school. If the reader didn’t play the piano, they were urged to get a friend to play the examples for them.  (Considering the book is over 400 pages, you can imagine how long they’d be – erm – captive!)

Dedication

Examples for your friendly pianist to play!

And this was aesthetics, 90 years ago. I struggled to get into the mindset of a layperson wanting to know what music (classical, in the main) was ‘about’, without knowing what a chord was, or realising that music occupies time more than space. Would I have benefited from that knowledge? Would being told in general terms what the harmonic series was, have helped me appreciate the movements of a string quartet? Or Holst’s The Planets?

It wasn’t about musical styles over the years. I didn’t read it cover to cover, but neither did it appear to explain musical form and structure as I would have expected.

Davies’ biographer, H. C. Colles, did comment that it was a mystifying book, and suffered from the fact that the author’s strengths were in friendly and persuasive spoken, not written communication.

I’ve only heard snatches of his spoken commentary, so I can’t really say.  Apart from which, Colles made an observation about Davies’ written style. Colles was a contemporary authority who knew Davies personally – and he may have been picking his own words carefully, so as not to cause offence. My own disquiet is more a matter of content:  was it what his avowed audience needed, to start ‘understanding music’?

I think I have been mystified enough.

I wonder what the Nelson editors made of this book by one of the great names of their age? They published it, and I think regarded him as a catch, but what did they actually think?!

And did the layperson, assuming they got through the 400+ pages, lay it down with a contented sigh, feeling that now they understood music?