Third Space Professionalism in the Library: the Exhilaration and Exasperation of Hybridity

CONTEXTUAL EXPLANATION
This article was written for a peer-reviewed journal. Owing to personal circumstances and commitments, I was unable to make requested amendments in time for the deadline, and I withdrew my submission. Nonetheless, I’d like to share it, since I don’t foresee myself writing much more on librarianship in future. I present it here in the same shape in which it was originally written, give or take a few tweaks to sentences (and reversion to the first person in a few places).

Abstract

It is fair to note that ‘third space’ has a variety of meanings within librarianship circles, with the liminality of the literal physical library space attracting perhaps more contemporary commentary than the idea of a ‘borderland’ where silos break down and different professions meet.

Nonetheless, although recent writing about third space professionals has focused on individuals with administrative roles in academia, it prompts me to argue that academic librarianship similarly occupies a third space role, and the arguments for valuing and increasing the visibility of third space professionals are equally applicable.

I briefly describe the typical career path of those attaining librarianship qualifications.

There follows a reflective case-study on my own third-space professionalism, having attained librarianship and teaching qualifications, and a mid-career PhD. (I’m posting this article a short while after retiral from the library, as I embark on the next stage of my career.)

Best practice in the context of a third-space career in librarianship is outlined, suggesting that it is arguably just as applicable for achieving success and fulfilment in a third-space role anywhere in higher education.

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Introduction

Whilst authorities such as Emily McIntosh, Diane Nutt and Celia Whitchurch have researched and published various aspects of third-space roles in higher education, the focus appears largely to have been upon more obviously administrative roles such as student success professionals, or what reviewer Agnete Vabø describes as the ‘new administration class’. (Whitchurch and Society for Research into Higher Education, 2012; Vabø, 2013, p.646; McIntosh and Nutt, 2022, p.1)

In discussions within the library community, ‘third space’ or ‘third place’ has been construed more in terms of a physical space where different communities meet, whether students from a variety of backgrounds; or students alongside librarians; or a ‘third space’ rather like a bookshop or coffee-shop – a space that is neither home nor work, where patrons meet with various expectations, and where librarians occupy roles ranging from curatorial, through pedagogical, to something akin to a guide to the resources within. These and other constructions of the concept were extensively explored by American Associate Professor of Library and Information Science, James K. Elmborg, just over a decade ago.(Elmborg, 2011)

Image by StockSnap from Pixabay

In terms of the status of library staff occupying roles somewhere between administrative, professional and academic, discourse amongst American librarians has tended more to focus on what a recent report has referred to as ‘Academic librarian faculty status’, but this is not exactly applicable in the British context, where librarians are seldom described either as ‘faculty’ or ‘tenure-track’. (Wertheimer, 2023) This makes the concept of a professional ‘third space’ particularly appealing The present opinion piece argues that academic librarians have, in a sense, occupied a third-space position for years. I describe the nature of academic librarianship, outlining some of the pleasures and pitfalls of such a career, and addressing some of the misconceptions that students and academic staff sometimes hold about librarians.

Drawing upon personal experience, I posit that individuals occupying more than one role also find themselves in a yet another uniquely ‘third space’ of their own, and I highlight some of the challenges that this raises.

Lastly, I suggest some best-practice pointers towards making such careers as rewarding as they have the potential to be.  I believe this demonstrates the overlap between all the different kinds of career in these hybrid professional roles.

Becoming an Academic Librarian

Whilst educational administration and student success-related work has in recent decades become a largely graduate profession, there has been a professional framework for librarianship for much longer. It may therefore not be immediately obvious that there are significant similarities between library work in higher education, and other third-space professional roles.

In British librarianship today, graduates from other disciplines often take a postgraduate Master’s in Library and Information Science, in much the same way that a graduate aspiring to teaching might now take a Master’s in Education. (Only a few decades ago, a postgraduate diploma was considered sufficient in both librarianship and teaching.)  Indeed, mirroring our transatlantic cousins, an academic librarian might already have a Master’s in their own discipline before pursuing a Master’s in librarianship. Thereafter, there are various routes to becoming a Chartered Librarian, and optionally, in due course, a Fellow of CILIP. (Chartered Institute of Library and Information Professionals website, no date) 

Those occupying library assistant roles are equally likely to have a first degree, but may not necessarily have completed vocational training, unless their ultimate goal is a more advanced professional role. Conversely, some qualified librarians go on to acquire teaching qualifications as well, particularly when involved in library or research skills instruction. Teaching is a particularly relevant competency for librarians, in terms of assisting patrons.

Whilst librarianship in the UK is still a profession in which professional qualification and/or registration is desirable rather than compulsory, there is nonetheless an emphasis on gaining proficiency in a variety of key skills, with CPD encouraged both by librarianship organisations, and employers. Chartered Librarians or Fellows can choose to submit for revalidation after a while, but this is not essential.  (However, both the Charter and the Fellowship do require continued membership of the awarding body, otherwise one may no longer use the postnominals.) 

Subject librarians in academic libraries depend on subject knowledge as much as their professional skills. In-depth understanding of a discipline makes one better able to acquire the right library stock, whilst subject analysis enables one to create a more helpful catalogue to aid future discovery by readers. There’s little point in creating beautiful catalogue entries, if you don’t understand what a student is actually asking for. Having studied a subject to degree or postgraduate level, one can better understand queries and requests from both students and lecturers, but this also opens up opportunities for collaboration with teaching staff, when both parties appreciate the skills that the other brings to the task in hand.

Librarians are very much hybrids in that third space between professional and academic staff. For a start, we not only help students find resources for their assignments, but also advise on how to discern what is an appropriate or acceptable resource to use. That’s a bit more than being a pen-pusher, and indeed, is as key to a student’s ultimate success as the work done by our professional colleagues in student success roles.

Correcting Misconceptions

There are, however, misconceptions about what it takes to be an effective library worker. At times, patrons seem to regard our professionalism as little more than being an efficient office worker. Indeed, serving at an issue or enquiry desk is to some readers clear evidence that one’s main purpose is to stamp and shelve books.  This is untrue for most library workers!  To be dismissed as ‘just a librarian’ does tend to betray this viewpoint. 

‘You’re actually quite bright, aren’t you?’ an undergraduate observed, after a resource had been located for them. (They didn’t know that I’d walked away from doctoral studies to train as a librarian some years earlier. Ruefully, I reflected that an incomplete PhD – a “Ph” without the “D” – was no use at all.)  But, ‘What does a librarian want with a PhD?’, an academic once asked.

When a Librarian embraces Research

Much midnight oil was burned, before eventually – a quarter century later – I had a PhD on a different topic, self- funded and studied for in my ‘spare time’ alongside full-time work and raising a family. The knowledge I’d gained doing the doctorate was directly related to one of the subjects we teach at my place of work.

I followed the PhD by secondment as a Research Assistant to a major AHRC grant, publishing a monograph, taking a PGCert in Teaching in Higher Arts Education, getting an AHRC networking grant in my own right, and more recently being awarded an honorary research fellowship at another institution. Oh, and writing quite a bit more. Moreover, as a hybrid, third-space professional, it turned out I was very well-suited to helping with academic writing and referencing!

Occupying More than one Role: another Take on Hybridity

Whilst librarians certainly provide academic support, hybridity by its very nature can take different forms. Being a librarian with an element of teaching (we call it ‘user education’) is one thing. Being a librarian with an element of research – for twelve years, I was seconded to be a researcher 1.5 days a week – is another. Or try being a postdoctoral fellow at another institution whilst keeping the home-fires burning as a librarian at the same time. It’s not so much occupying one role in a ‘third space’, as occupying multiple roles and finding oneself a hybrid professional as a consequence.

Academics get research leave. I resorted to taking odd half-days of annual leave.

Carving out a Role in the Third Space

Approaching the end of my librarianship career, I inevitably reflected upon successes and failures. With a ‘year-end’ review, one does a similar exercise, but there is more expectation that certain things will be done differently, or better in future, in an effort to become one’s best, most efficient self.  However, I’ve chosen to focus on research, with a new part-time research role since retiring from the library – I’m leaving the third space for other people to make their own.

Nonetheless, these observations may be helpful to younger colleagues carving their careers as ‘hybrids’, somewhere between academia and the professional office – in whatever professional capacity. Taken in the following order, the mnemonic ‘CARVE’ seems appropriate:-

Collaboration and networking are by far the best way to experience fulfilment in a hybrid role. McIntosh and Nutt underline that, ‘One way to find a place is through participating in knowledge networks.’  (McIntosh and Nutt, 2022, p.5)  Librarians are fortunate to have a variety of librarianship organisations and interest groups with which to engage, and networking became even more important when I acquired other research-based roles:-

  • As an AHRC Research Assistant, I brought research skills, extensive experience in cataloguing music, and my existing engagement with appropriate library networks. Our small team was developing a database of digitised resources, entailing much comparison of sources and amassing critical metadata. (University of Glasgow et al, 2015)
  • With my AHRC Networking grant, I established a network of third-space professionals and scholars, as we explored printed music surviving from the eighteenth and early nineteenth centuries. Librarians and scholars met on a level footing. (‘Brio, Special issue: “Claimed from Stationers” Hall’: papers from an AHRC-funded network project’, 2019)
  • Before, during and since the pandemic, I devised a project of my own, acquiring more music by women composers and composers of colour, to improve equality, diversity and inclusion for our own library. Here, I was undeniably acting as a librarian, but I found myself networking with composers, museum professionals, librarians in other institutions, and educationalists at conferences, as I outlined what I was trying to achieve. (McAulay, 2023)  Indeed, the research I conducted proved useful in a variety of contexts. I’ve shared my findings with interested students, and proudly attended a Master’s student’s final recital, in which one of the newly-acquired works was performed. In future, there is also going to be a prize for diversity in recital programming – the initial idea was mine, even if I wasn’t in the space where the decisions were made.

Achieving a qualification, publishing something, or completing a project (within the department, or inter- departmentally) merits praise. In any role, there is plenty of mundane slogging, but it’s bearable if third-space achievements are noted and greeted with approval.

Recognition is important, and distinct from visibility (see below). Without recognition, success can be lonely. McIntosh and Nutt cite work by J. Hall arguing that ‘one of the challenges for those working “in-between “ is the lack of recognition and validation for this work.’  McIntosh and Nutt, 2022, p.2 citing (Hall, 2022)  Line managers can signal to other members of the department that achievements are a valuable part of the departmental success story. Without reinforcing this message, there’s the risk of causing resentment that one is pushing too hard against the glass ceiling, an upstart with ambitions above one’s station.  

Visibility is similarly crucial. It is entirely appropriate that a noteworthy achievement  should be disseminated – not just internally, but perhaps also sectorally. This boosts confidence and a sense of both autonomy and authority. Blogging and social media are invaluable, and journals are there for disseminating ideas.

Energy is required, to achieve the exhilaration of a successful third-space career. It can be exhausting, particularly in the effort both to maintain visibility and be an effective self-advocate. If, in a library, there is often a perception amongst patrons, whether staff or students, that librarians simply issue materials, send out overdue notices and catalogue things, then it must be very similar in the registry, faculty support office or IT department. Combatting misconceptions with a smile can be very wearing, but is there a choice?  However, backing from line-managers goes a long way to making the task easier and more fulfilling. Indeed, it’s crucial.

Conclusion

Librarians talking about libraries as a ‘third space’ tend more often to mean the physical space in which they operate, but there is also value in discussing the third-space nature of the librarian’s role.

It is important that the concept of the ‘third space’ or ‘hybrid’ professional should be more widely understood by those whose roles are more conventional.  Whether a professional in student success work; the library; or some other academic support role; or indeed, the individual wearing a multiplicity of professional ‘hats’, many workers in higher education support roles are striving to make a difference in a more modern, blended way. With appropriate departmental support, this can only make us more rounded as individuals, confidently offering a wider range of strengths and skills than hithertofore.

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Bibliography

‘Brio, Special issue: “Claimed from Stationers” Hall’: papers from an AHRC-funded network project’ (2019) Brio, 56(2).

Chartered Institute of Library and Information Professionals (no date) CILIP accredited qualifications – CILIP: the library and information association, CILIP: the Library and Information Association. Available at: https://www.cilip.org.uk/page/Qualifications (Accessed: 10 January 2024).

Elmborg, J.K. (2011) ‘Libraries as the Spaces Between Us: Recognizing and Valuing the Third Space’, Reference & User Services Quarterly, 50(4), pp. 338–350.

Hall, J. (2022) ‘Understanding and debating the third space: achieving strategy’, in The impact of the Integrated Practitioner in Higher Education: Studies in Third Space Professionalism, ed. E. McIntosh and D. Nutt. Routledge, pp. 26–32.

McAulay, Karen (2023) ‘Representation of Women Composers in the Whittaker Library’, Journal of Perspectives in Applied Academic Practice, 11(1), pp. 21–26. Available at: https://doi.org/10.56433/jpaap.v11i1.533.

McIntosh, E. and Nutt, D. (2022) ‘The Impact of the Integrated Practitioner: Perspectives on Integrated Practice to Enhance Student Success’, Student Success Journal, 13(2). Available at: https://studentsuccessjournal.org/ (Accessed: 18 December 2023).

University of Glasgow, University of Cambridge, Royal Conservatoire of Scotland (2015) HMS.Scot: Historical Music of Scotland. Available at: http://hms.scot/ (Accessed: 3 September 2024).

Vabø, A. (2013) ‘Review of In the space between administration and academia. Reconstructing Identities in Higher Education. The Rise of Third Space Professionals’, Higher Education, 66(5), pp. 645–647.

Wertheimer, A. (2023) ‘Review of Academic librarian faculty status: CLIPP # 47 (2022)’, The International Journal of Information, Diversity, & Inclusion, 7(1/2), pp. 1–3.

Whitchurch, C. and Society for Research into Higher Education. (2012) Reconstructing identities in higher education: the rise of ‘third space’ professionals. 1st ed. New York, NY: Routledge. Available at: http://ebookcentral.proquest.com/lib/aston/detail.action?docID=1075438 (Accessed: 18 December 2023).

Cover Image by Joe from Pixabay

Weird! Discussing an Article Title with Chat GPT

Did I imagine, even 15 years ago, that I’d be discussing a potential article title with an AI function? Sure, I benefited hugely from online resources during the writing of my PhD in 2004-9. However, even social media was only just getting off the ground – I don’t remember engaging with it until after the PhD was completed. Even then, if you asked a question, it was answered by another human being.

Image by Brigitte Werner from Pixabay

However, I came up with the ‘perfect’ article title before I fell asleep last night. So perfect that I could remember it in the morning, when I checked to see if anyone else had already used the opening killer three words before. And, unfortunately, they had. Spelled the American way, the phrase had been used for an American actress’s book that was a combination of ‘lifestyle’ and autobiography. It appears that my beautiful three words described a particular kind of Southern Belle. This was absolutely not what I expected to find. Even with the British spelling, I couldn’t begin my journal article with a recent book title! Particularly when it was on such a very different topic.

I played around with a new title. Should I run it past someone else to see if it sounded appropriate? That felt a bit extreme. It’s just a title, that’s all. I know what I’m going to write about.

And then I remembered Chat GPT. I’ve experimented with it on a microscopically small scale, as you’ll recall. Really, just enough to find out for myself where its strengths and weaknesses might lie, in case anyone asked me what I thought. And then I had stepped back, wary of committing my own words to the big robot in the sky.

Today, I typed tentatively,

‘How about this for an article title:- […] ?’

Chat GPT was impressed!

Your proposed title, ” … ” is compelling and effectively captures the essence of your article. It suggests that the research will challenge preconceived notions or stereotypes […] , making it intriguing for readers.

Well, this was encouraging. But Chat GPT wasn’t done yet!

The phrase “…” is a strong, attention-grabbing lead that sets the tone for a discussion of unexpected findings or reinterpretations of historical narratives. The rest of the title clearly indicates the specific focus of the study, which is both informative and precise.

Overall, it’s a well-crafted title that should resonate with your audience.

Image by Elisa from Pixabay

Am I gullible, and maybe too easily flattered? But it does make me feel that perhaps I’ve got a good enough working title to be going on with. From here on in, though, Chat GPT won’t get a look-in. I never want to end up with something that wasn’t actually written by me. I’ll check how a title sounds. I might even check out a synonym, or ask if I’m using a phrase in the expected way. But basically, I’ve done the research – now I’ll write it up.

Postscript. I also ran the title past a real, respected human being. The title stands!

Main Image by Alana Jordan from Pixabay

Maybe Read this First? Hanley’s ‘Dancing in the Streets’

Picture from Dancing in the Streets book cover

Unless you’re Scottish, you may not have come across Clifford (Cliff) Hanley. He was a Glasgow journalist, writer and sometimes lyricist, born in 1922 and dying in 1999. Dancing in the Streets was first published by Hutchinson in 1958. My own eBay copy is a 1983 reprint by Edinburgh’s now defunct Mainstream Publishing. Amusingly, it came secondhand all the way from a library in Ilford, Essex!

Picture of 1983 Mainstream Publishing edition of Dancing in the Streets book

On the second day of my indisposition with Covid, I picked it up, decided that even Glasgow autobiography and social history was beyond me, and turned to Audible. Don’t judge me! But yesterday and today, feeling closer to my normal self, I picked it up again, and read the whole thing cover to cover. This is a man who knew Glasgow inside out, as a local journalist. (You’d like to read his obituary, maybe? Here it is in The Guardian, 14 August 1999.)

Subject heading: Glasgow (Scotland) Social life and customs

Hanley wrote well, and entertainingly. There’s lots of local colour – not to mention wee reminders that times have changed since then. (Go to a party on the night your wife’s in hospital having your firstborn? I think not! I imagine husbands weren’t allowed in the delivery room in those days, but this is still barely a mitigating factor!)

I bought Dancing in the Streets in the hope of tracking down some elusive information – which I didn’t find, as it happened. (It was, admittedly, a long shot!) However, I did recognise names that I’d already encountered, and I was to discover different gems that filled me with some excitement, because odd little passages foreshadow things that I, as an incomer to Glasgow, had later discovered through diligent research, and these convinced me that what I have written in my forthcoming monograph is certainly born out by someone who was actually there in inter-war and postwar Glasgow. I’m quite glad I hadn’t read it until now. It’s useful background, but it’s not on the subject of Scottish music publishing or amateur music-making, so I don’t feel I was negligent in not considering it earlier. However, in bearing out truths that I had to learn the hard way, there were several ‘Yes! See?  That’s what I found!‘ moments, amongst the laughs that I couldn’t stifle between coughing!

For example –

In my forthcoming book, I’ve written about Emigration and Homesickness

Hanley took a holiday job on a cattle-ship from the Clyde to Montreal, as a very young teenager. On page 95 of his book, he meets some Glaswegian expat women there:-

‘How is Argyle Street, son?’ one of them asked kindly. ‘Fine – still the same, big crowds on a Saturday night an’ buskers playin’ the flute.’ ‘Oh, my God!’ She started weeping, but took a hold of herself. ‘It’s that nice tae hear a good Scotch voice. Could you no’ take me hame on your boat, son?’ ‘I wish I could’, I said in desperate pity. ‘Ah know, ah know, son, ah wish you could tae. Don’t you ever leave your hame, son, it’s the best place in the world. Ah wish tae God ah had never left dear auld Glesga.’

You can see how sentimental old (or more recently manufactured) Scottish songs would go down well with such fond emigrants!

In my new book, I mention Newer Approaches to Folk Song in the 1950s

I have certainly not suggested that the folk revival started, like flicking on a light switch, in a certain year, but I have highlighted new trends, and the influence of Edinburgh University’s new School of Scottish Studies. It’s fair to say that Hanley was not in this new movement. On the contrary, he seems to be poking gentle fun at it, on pages 208-10 of his book. At the abovementioned party, he describes an actor who ‘wanted everyone to sing folk songs, or Hebridean mouth music’, and a girl who was a potter, who wanted to ‘dance some kind of reel in her bare feet’. Later, she was ‘doing something stooping down and stamping, which apparently was meant to represent walking [sic] the tweed’.

WAULKING not Walking

Clifford and the potter were both, I’m afraid, wrong. The word is ‘waulking the tweed’ and Hebridean women used to thump urine-soaked cloth on a table, to soften it. Yes, I know – it sounds gross, put that way! (Feel the same about your genuine old Scottish tweed now?) Anyway, here Clifford has encountered one individual who is more aware of the new trends, and another who has a vague delusion that she understands it! Neither are seen as kindred spirits. Hanley wrote for a living, including the aforementioned song-lyrics, and had occasionally dabbled in performing on stage and radio. Probably a little younger, these partygoers were not part of his usual scene at all.

I’ve written about Teenagers and Gramophones and American Influences

And on page 242, Hanley writes about the decline of variety theatre, about teenagers’ musical tastes, and a new preference to listening to music at home on gramophones rather than go out to a variety show.

Don’t be Shy to read ‘Non-Academic’ Books!

So, unexpectedly, reading this book came as welcome vindication for some of the points I’ve made – a feeling which is always nice, of course. It’s hardly surprising that a book like this actually functions as useful background reading for a study in popular musical culture. But it also came as a welcome reminder that sometimes there’s benefit in stepping back and reading more widely. A book doesn’t have to be a scholarly tome – no index or bibliography here – to contain worthwhile background information. Information, in fact, that I wouldn’t even have recognised as valuable before I embarked on my research, but which came as validation of the most welcome kind.

My own book’s been copy-edited, the proofs have been corrected, and it’s well on its way to being published. I believe orders can be placed at the end of October. But for now, you might just find me heading to the local library to see if I can pick up anything else by Clifford Hanley. You can get Dancing in the Streets very cheaply secondhand, if you’d like to read it for yourself.

Highland Archive Centre – Conan Bridge School, 1880s

Another Covid-ridden short from me today. See if you can see what excited me about these images of Conan Bridge School inventory …

Highland Archive Centre Facebook Posting 31 Aug 2024

The history of women and money | GoHenry

https://www.gohenry.com/uk/blog/news/the-history-of-women-and-money

I’m languishing with Covid right now.  (The only places I’ve been to catch it are buses and libraries!) 

I don’t feel up to writing a blog post today. So instead, let me share an interesting post  that I  found on GoHenry, about women, property, and money.  All useful information when I’m contemplating historical women music publishers!

The Sweetest Words (to an Author)

I just received an email containing the sweetest words!

“We will proceed with the final production and notify you when the book is delivered from our end.”

Does this mean – the End is Nigh?! (As far as my second monograph goes, at any rate!)

I knew there was this vast mass of cheap, popular music books, many containing what used to be called ‘national songs’, dating back to the late 19th century and the first half of the 20th. I decided a book needed to be written, and wrote it. I can’t wait for it to make its entry into the world!

Avoiding Dancing (until Research Took me There …)

You probably have to be Glaswegian to know this old chestnut:-

‘Heh, does this tram go to the Palais?’

‘Naw – it cannae dance!’

Well, the tram has my sympathy, as I can’t either. ‘Himself’ and I each have two left feet, when it comes to tripping the light fantastic.  Indeed, his mother used to wonder how someone so musical could be such a hopeless dancer. On the other hand, I realised I disliked the activity as a small child at a party for preschoolers, when a well-intentioned parent tried to make me dance the Twist.  I remember the discomfort and embarrassment to this day.

Image by Luda Kot from Pixabay

We must have been terrible disappointments.  After all, dancing was in the Fyfe’s blood:

  • Great Grandfather, a stonemason, played bass up in Fyvie for winter dances
  • My Grandpa-in-law went to dance classes in Turriff as a boy
  • Mother-in-law was Miss Milligan’s first dance pianist at Jordanhill Teacher Training College, before Jean Milligan even set up the Scottish Country Dancing Society.  Later, after a lifetime accompanying Scottish country dance in Newcastle, she got a certificate of recognition from RSCDS at the St Andrews Summer School.

Meanwhile, my own Mum was a PE teacher like Miss Milligan, taught country dancing at a school in Whitstable, and even got my father to play for her on occasions.

I myself had a Saturday job as a ballet class piano accompanist. It felt a comfortable place to be.

So, it feels as though fate has caught up with me, when recent research into a dance accompanist led me to explore early digitised committee minutes on the RSCDS website (thanks, folks – this was really useful!).  In Glasgow’s Mitchell Library yesterday, I learned some more, from a book I only discovered at the weekend.  I thought the secondhand copy that I found online looked too expensive, but I am reassessing this opinion!

And here I am on a bus to Edinburgh in the pouring rain. I am hoping to see two rare books of reels and strathspeys connected with this one particular pianist who, it appears, was nothing if not a force of nature.  A renowned accompanist, I read that when she and her band had to share the dances with other non country dance bands, they really didn’t know quite how to deal with her – they hadn’t encountered anyone like her!

It’s such a damp and dismal day, that I really hope the National Library of Scotland books are just stuffed with interesting paratext, to make the outing worth the effort!

Image by Michael Drummond from Pixabay

Brief Pause: Even Ambitious Semi-Retirees Take Annual Leave (Don’t They?)

Okay, you would think that I would take a good long holiday at the point when I retired from librarianship, and before I  started my new research contract.

I didn’t.

I had a monograph to proof-read and index, and at one point it looked as though I might have to dash down south for family reasons.

Having completed the book demands, I headed south for a brief visit. Not a dash after all, but still needed. So, here I am.

No research will be done this week, and no preparation for two planned articles or anything else!

I still owe myself a proper vacation – in my head, there’s an imaginary “IOU”.  But where or when? I’ve no idea!

Women in the Wings, Women on the Stage: Historical Success Stories in Scottish Music History

Edwardian lady in hat

I was bemoaning my many failings yesterday, when I was told (firmly) that I should be more positive and regard myself as a success-story. Unfortunately, I grew up being made so aware of my deficiencies that I’m kind of pre-programmed to look on the dark side.  I’ve never quite matched up to expectations!

There’s no Pleasing Some People

Mind you, the criticisms have changed over the years:-

  • You’re clumsy, untidy and hopeless at sport’;
  • ‘Don’t be disappointed if you fail your 11-plus exam’;
  • ‘You need a secretarial qualification – in case your research doesn’t get you a job’;
  • ‘that “Dr” on your address-labels looks like showing-off’,
  • ‘So-and-so says all those qualifications are ridiculous’,
  • Are you writing another boring book?’

Which just goes to show that some people are never happy, and maybe I should disregard the comments altogether. For what it’s worth, my books are fascinating! And I rather like my ostentatious “Dr”. Liking my ‘letters’ is probably a failing too.

Being a Successful Woman in the Early 20th Century

Tools of the trade?

However, when I consider how much harder it must have been to be a successful woman a hundred years ago, I’m mightily impressed by the women I’ve encountered during my researches into Scottish music publishing. I’m contemplating writing an article about them, but they are often ridiculously modest and very hard to track down, which presents a would-be writer with quite a few problems!

So, who have I got? No, I’m not going to name them just yet. Suffice to say, I have two ladies whose death certificates mention music publishing. And a piano teacher who wrote and self-published a handful of really rather good songs, along with raising three children. And the entertainer’s mother who arranged some Scottish hits. (So far, I’ve only traced documentation of her up to her marriage and the birth of her first child – so frustrating!)

Best of all – and I’ve only recently started researching this in more depth, so she gets the most passing of mentions in my forthcoming book – an incredible lady whose father-in-law started up the business, but who very definitely eventually ran the business herself, with her husband helping her (not the other way round). At the same time, she was a much sought-after conductor with her own orchestra. Wow! Impressive. She didn’t have children. In those days, I can’t imagine how she’d have done what she did, if there was a whole brood of Edwardian children with all their white frilly laundry to do, and no convenience foods! One maidservant? Or two?

I’ve encountered another woman, a singer, whose life looks equally fascinating in different ways. Not a publisher, this time, though. She needs a different article written about her.

Only this weekend, I was reading a blogpost which said that there weren’t really that many women booksellers in the Victorian era, which I think makes it all the more remarkable that these late Victorian and early-twentieth century Scotswomen were quietly forging careers in the music business. So, I shall carry on quietly digging away to find out what I can about them all, and at some point, one, or hopefully two interesting articles will emerge. Watch this space!

Success, for me, is research findings, in print!

Rainy-Day Bus Trips: This, too, is Research

Not all research materials are scholarly journals (obviously), and in the Arts and Humanities, not everything is online. Nonetheless, I needed to read a substantial magazine article, and the nearest copy was in our renowned Mitchell Library.

I woke this morning to grey skies and steady, insistent rain. My first thoughts were that the seedlings planted last night had had a good start to their grown-up garden life, and then (on a different train of thought), that I was going to get rather wet going through to Edinburgh’s Morningside this afternoon.

Then I remembered that article in the Mitchell.

Researching in the Rain

Did I feel like another soaking in one day?  No matter. It’s a research morning, and this is research.  Indeed, I found useful information that’s immediately relevant,  so I’m glad I made the effort.  I did get rather wet, but I got the feature copied, rewarded myself with a takeaway latte, and headed home. It’s a  salutary reminder that not all research is high-flying or glamorous; that there’s worthwhile data in non-scholarly publications as well as historical old sources  – and after all, there’s plenty of time to dry out before the next outing!

NB. Scotland isn’t  kind to neat, efficient-looking collapsible umbrellas, but my large, pink golfing umbrella is going to have an airing later. Glamorous, me? No!