Reunited! Moffat and Kidson’s Nursery Rhymes

You’ll remember that I recently treated myself to an Edwardian book of children’s songs published by Augener, partly because I’m interested in the compilers, but mostly for the delightful cover? I subsequently discovered it was the sequel to an earlier book, British Nursery Rhymes. Well, I couldn’t have the second without the first, could I?

The sequel: Children’s Songs of Long Ago

Luckily, my interests are generally quite inexpensive! I will take them to the piano at some point – and look more closely at the contents, from the point of view of repertoire.

D’you know, just about every bit of research I’ve done has involved examining repertoire. Starting with 13th century Gregorian chant – not many people know I was initially a mediaevalist! I’ve come a long way.

A Fellow Back in 1901

This is the third week of my Ketelbey Fellowship, and I arrived at St Andrews in pouring rain yesterday morning. Fortunately, it had subsided to a drizzle by the time I made my way to Martyrs Kirk, where materials from the Library special collections can be consulted. I didn’t get wet enough to risk dripping onto rare Victorian pamphlets! (I only know they were Victorian by the fact that the earlier numbers included God Save the Queen rather than the King – so they were published before January 1901.)

I had a ball! They each began with an editorial introduction – I love these. They’re so informative about the thinking behind whatever is in the book. Intriguingly, the editor seemed not to be the prime contributor, but all was revealed when I did some Googling later. Good old Baptie (Musical Scotland) informed me that the editor had two middle names, and used them as a nom de plume. No mystery after all! Moreover, one particular collaborator, more involved than most, was …

His daughter.

I didn’t quite get through the pile I’d called up, but I’m making good progress. And I encountered some interesting glimpses into social and political history. What’s more, if ever I needed proof that little girls’ education had a subtle difference to that of little boys, I found it today. It shouldn’t come as a surprise – I know it happened. But I wasn’t expecting to find this in a Sol-Fa song book!

It is such a luxury to have a desk in an office just a couple of minutes from a big university library. This morning, I snatched a quick coffee before I went back for another session with more of these instruction books. What’s more, I feel more a dedicated researcher here, compared to being ‘the librarian that also does research’ in Glasgow. It’s easier to focus, somehow. And tonight, I’m going to a research seminar, so I’ll get to meet some more historians then. Good times.

‘You can’t Judge a Book by its Cover’ (can you not?!)

I know you shouldn’t go on first appearances, but sometimes we do. (Why else do we make an effort with our appearance at interviews?!)

But I won’t spend my Saturday philosophizing. I just want to share my latest gorgeous ‘treat to self’, and a couple I bought earlier…

The above children’s book is a sequel! Yes, of course I have just bought a copy of the first book. Watch this space!

Lovely covers, and in Tonic Sol-Fa for easy reading!

Celebrating Milestones

I’m sure I’m not alone in wanting to buy myself something to mark a significant milestone – admit it, you do it too! Getting my second book submitted on time was certainly an important occasion for me. So, too, was commencing my Fellowship at St Andrews.

My gaze strayed to my eBay ‘Watch List’! I had ‘liked’ a lot of items. Some of them might, arguably, have been even more useful a month or two earlier, but I went through that list carefully. It was all printed matter, whether music or ephemera. I made a couple of offers (one has been accepted already!), then checked I couldn’t easily access the most desirable of the other publications some other way. That still left a handful of items I could definitely justify getting!

They will all be useful in the research I am now embarking upon – an extension of one particular aspect that enthralled me in my book project.

But one particular songbook – which I resolutely did not buy during the book-writing – sneakily snuck into my shopping basket! I had been telling it all along that it couldn’t be included, since it wasn’t published by a Scottish publisher. But although my specialism is Scottish music, there’s nothing to stop me buying something published by a contemporary English firm. And it is very pretty, as well as not being expensive! I’ll show you when it arrives.

Indeed, there are several English-published titles by ‘my’ Scottish educationalists that I now need to examine alongside the things they published in Scotland! But there’s a difference between treating myself and going overboard, so I deferred looking for those until another time. There will be library copies of quite a few of them.

Now, how do I explain the postie paying us more frequent visits for the next week or so?!

Image by Petra Reuter from Pixabay

Report of Conference: Reading and Book Circulation, 1600-1800

(Libraries, Lives and Legacies Festival of Research), University of Stirling, 17-18 April 2023

I wrote a report for the conference that I attended in April this year, thanks to an LIHG Bursary. This report has just been published in the latest LIHG Newsletter for Summer 2023 , Series 3, no. 53 (ISSN 1744-3180), pp.7-10.

I thought I’d share excerpts of the report here, too.

The conference resonated strongly with the research topic of my 2017-18 AHRC Networking Grant, Claimed from Stationers’ Hall, when we were investigating surviving music in the British Legal Deposit libraries of the Georgian era.  Although my network was interested in books rather than music, I had immersed myself in the Georgian borrowing records of St Andrews University Library, and had taken a particular interest in the music borrowing habits of women of that era, so the opportunity to hear more about what people borrowed apart from music was irresistible. 

On the subject of borrowing records, the opening introduction to the ‘Books and Borrowing 1750-1830 project’ and demonstration of the digital resource by Katie Halsey, Matthew Sangster, Kit Baston, and Maxine Branagh-Miscampbell was fascinating, offering so much data for investigation.

The following panel on Reading Practices in Non-Institutional Spaces was just as interesting, with Tim Pye’s ‘Had, Lent; Returned: Borrowing from the Country House Library’, along with Abigail Williams speaking about non-elite book use in rural settings, and Melanie Bigold’s paper about women’s book legacies. Whilst my own interest has been in formal library borrowing, ‘my’ borrowers took music away for their leisure-time enjoyment, and these papers served as a reminder that musicians were probably just as likely to have borrowed music outwith the more regulated library environment. Similarly, the concept of the Sammelband is very familiar to me – that was how libraries kept their legal deposit music. Sam Bailey invented a useful new verb, ‘Sammelbanding’, during the course of their talk on ‘The Reading and Circulation of Erotic Books in Coffee House Libraries’ – a topic far removed from my own research.

Kelsey Jackson Williams’ hands-on session with books from the Leighton Library, in an exhibition curated by Jacqueline Kennard, was the perfect after-lunch session, offering the chance both to stretch one’s legs on the way there, and to inspect some rare selections from the Leighton.

Parallel sessions meant tough choices, but I opted to hear Angela Esterhammer talk about John Galt’s various publishing ventures – an intriguing history – followed by Cleo O’Callaghan Yeoman’s ‘Still my ardent sensibility led me back to novels’.  (I reflected that St Andrews’ first music cataloguer, Miss Elizabeth Lambert, had read a wide variety of books, and whilst her reading included travel accounts, religious books, and books on botany and conchology, she certainly wasn’t averse to reading a good novel, too.)  Next came Amy Solomon talking about Anne Lister’s considerable book collection at Shibden Hall, and how she had made an inherited collection her own, as well as keeping commonplace books, diaries, and reading journals. I regret having missed seeing the films about her diaries, and the two more recent ‘Gentleman Jack’ series on the television.

The first keynote paper was given by Deidre Lynch, on ‘The Social Lives of Scraps: Shearing, Sharing, Scavenging, Gleaning’.  I am sure I was not the only delegate pondering as to whether any of my own ‘scraps’ would survive to intrigue future readers, but more importantly, Deidre’s paper reminded us that proper ‘books’ are only a small proportion of the vast amount of printed material still surviving, often against the odds and far from their original context. 

On the second day, the opening plenary roundtable chaired by Jill Dye addressed borrowers’ records across Scotland, and I heard from several people with whom I was already acquainted, three of them through my own AHRC Networking project. 

We heard about the library of Innerpeffray, the National Library of Scotland, and Edinburgh, Glasgow and St Andrews’ University Libraries. I was interested to hear about the bigger picture, so that I could place my own special interests into the wider context.

For the third panel, I opted for the panel on Readers, Libraries and Loss.  Jessica Purdy gave a fascinating talk on ‘Libraries of Lost Books?’, speaking about chained church libraries, and the fact that their tight security and still pristine condition suggest that the books might as well have been ‘lost’ as far as most of the local residents were concerned.  Elise Watson, too, made us reflect upon just how many publications of Catholic devotional material had been published, even if they were so ephemeral that there are now ‘”Black Holes” of Ephemeral Catholic Print.’

For the fourth panel, I attended the panel on ‘Education’, hearing Maxine Branagh-Miscampbell talking about the Grindlay bequest and ‘Childhood Reading Practices at the Royal High School, Edinburgh’.  The Grindlay bequest was valued sufficiently that it was all added to stock, even though some material was never going to interest young or teenage boys.  Mary Fairclough gave an interesting talk on ‘Barbauld’s An Address to the Deity and Reading Aloud’.  I have recently encountered Victorian publishers appropriating evangelical hymns for magic lantern shows, but had not considered that poetry might also be ‘trimmed down’ and repurposed.

Duncan Frost’s paper did have a musical subject: ‘Bird Books: Advertising, Consumption and Readers of Songbird Training Manuals’.  Who would have thought that so many books were written about catching and training songbirds to sing in captivity?!  The most intriguing aspect of this genre of books was in fact that, despite many pages dedicated to all aspects of caring for and training your bird, there was significantly little information about the kind of tunes that you might want to teach it.

The second and closing keynote lecture was delivered by Andrew Pettegree, on ‘The Universal Short Title Catalogue: Big Data and its Perils’.  Professor Pettegree was at pains to underline not only what the USTC had achieved, but also its shortcomings, or rather, what it was not.  We were also reminded of some aspects that I have encountered in my own work: that books in libraries were not the only copies of these titles; they would have existed plentifully outside libraries, and so might other books which we can now only trace by, for example, publisher’s catalogues and advertisements. Moreover, library catalogues can conceal different editions, or show duplicate entries, depending on minor differences in cataloguing approaches.

Since my own networking grant, I have had to reflect upon the benefits of the work, and the impact the research has had.  One of the outcomes that I identified then, was that library history research created effectively a ‘third space’ where librarians and academic scholars – and those like myself, straddling both library and research worlds – could meet and beneficially share our insights and learning.  I realise that at this recent conference I had experienced exactly the same kind of meeting of minds again. Similarities of approach and a common interest in library and book history meant that I felt I had an underlying understanding enabling me to benefit from their fresh insights.

I am grateful to the Library and Information History Group for enabling me to attend this wonderful and thought-provoking conference.  Besides having such a rich array of papers to listen to, I certainly did benefit from the opportunities to talk to other delegates.  It was a treat to be able to take two days out of normal routine in such a beautiful setting, giving plenty of food for thought for the future.

Image: Image by G.C. from Pixabay

Home from Stirling – after the Conference

Stirling University Campus - photo from Pixabay

Conference: Reading and Book Circulation, 1600-1800

I am just back from a fabulous library history conference at the University of Stirling. Even better still, I was the lucky recipient of a generous bursary from the CILIP Library History & Information Group, meaning my attendance was fully funded.

I had many pages of notes to read through and reflect upon before I wrote my report – so many excellent papers to think about. My AHRC networking grant not so long ago was about music in libraries ca.1790-1836, and although I’m currently writing about more recent music publications, it was very interesting to see what else was happening whilst “my” legal deposit library music was being accumulated in libraries in England, Ireland and Scotland.

‘Claimed from Stationers’ Hall’ frock makes a comeback for the conference!

And of course, there was the networking. After the pandemic, lockdown, working from home, hybrid working and so on, it was quite a treat to be able to spend time with kindred spirits for two whole days!

My report will appear in the LIHG Newsletter in June 2023 – it’ll appear online on the LIHG pages hosted by CILIP. This might mean that only members can read it, but maybe I can write a summary of it to share here, once the whole report has gone live.

Image of Stirling University Campus by 昕 沈 from Pixabay

Do You Own This Songbook?

Song Gems (Scots) front cover
Song Gems (Scots) whole cover

If you’ve visited this blog before, you’ll know I’m writing a history book about Scottish music publishers. (58,000 words and rising!) But I’ve reached a point where I’m writing about a book COMPILED by Scots, PUBLISHED in England, but also DISTRIBUTED from Edinburgh and Boston, Massachusetts.

I know a lot about the anthology (as I should – I’m writing about it!), but I’m curious about its life in the Scottish diaspora – in other words, anywhere else in the world where Scots emigrated.

The Boston agent of the book was Thomas J. Donlan. His address was Room 831, Colonial Building, 100 Boylston Street, Boston. He moved to New York some time between 1910-1915.

Song gems (Scots) : the Dunedin collection

Authors: James WoodLearmont Drydsdale

Print Book, English, 

Publisher: Vincent Music Co, London, 1908

WorldCat bibliographical details

Now, I know from WorldCat and Jisc Library Hub Discover, that there aren’t many copies in libraries. My interest is more to see if there are many copies out ‘in the wild’ in people’s homes, and obviously it would be nice to discover that Mr Donlan imported and distributed lots of them. It was more of an ‘art music’ book than a book of simple folk melodies. The repertoire is non-standard. You’d probably have owned a piano, and been quite a good pianist – or had a good pianist to accompany your singing.

I’m not looking to buy copies – my own came from a dealer under 40 miles from Boston, and I don’t need another! I’m not a bookseller. I am literally just curious to find out if there are many survivors hiding in piano stools and under-stair cupboards. If you’ve got a copy, I’d love to hear from you!

Maybe you haven’t got this book, but you know more about Donlan the agent? If you are aware of archival data, please do let me know. My book is about Scottish publishing, but there’s room for a paragraph or two about the American distributor, if more information came to light. (I’ve already discovered that Colonial Building also housed the Colonial Theatre, and that there were a lot of music shops along the street – indeed, I know which organisation occupied room 831 after Donlan, and that’s another fascinating story, but really I can’t pursue that – it has nothing to do with Scottish music publishing!)

POSTSCRIPT, July 2024. This song-book is the subject of a chapter that I have contributed to an essay collection published by Lang, that is due out later this year.  It also gets mentioned in my own forthcoming monograph, again due out later this year. Do follow this blog if you want to keep updated!

Saturday dawned, and a research question was bothering me …

Old music card catalogue at Mitchell Library, Glasgow

So I decided to spend the afternoon at the Mitchell Library. Glasgow is so fortunate to have this wonderful collection!

I saw the two publications I had in mind. I took notes. I even had time to look at the card catalogue. (Catalogues are great research tools, even though I am personally sick of actually cataloguing.)

And then I went home. It was only when I went over my notes that I realised I had missed at least one item in the bibliography of one book, which I thought I had been looking out for. I spent the next 24 hours kicking myself, determined to go back to find that elusive reference if it killed me.

And then my librarian self remembered the advice I often give students. If you have copied out a useful snippet, put it into Google Books, in speech marks. Like this:-

“Reader, I married him”

(Try for yourself – it’s a quote from Charlotte Bronte.)

Often enough, Google Books will retrieve 2-3 lines including the words you copied, telling you the book where it found the text – and the page number.

I searched on the book abbreviation for the missing reference, and found I’d missed three! However, I have now traced them, and all is well. All for research into a publisher who only caught my interest two weeks ago.

‘Spreading the Word’: article by Lionel Gossman

Sometimes there are times when you know you should read something, but you worry it might not be directly relevant to your work – or you suspect you’ll spend too much time on something that may only be of tangential interest.

Today was not one of those times, though.  After a couple of days off for home improvements, I decided that what I really needed this morning, to ease myself back into a research frame of mind, was to sit and focus on something which might not mean much note-taking, but was certainly of background interest.  Indeed, it even touched my interest in copyright history, albeit not music copyright. 

And that’s how I found myself reading online – for I couldn’t justify printing out 170-odd pages – this very readable article about Scottish book publishers:-

Gossman, Lionel. “Spreading the Word: Scottish Publishers and English Literature 1750-1900.” Transactions of the American Philosophical Society, vol. 109, no. 2, 2020, pp. iii–161. JSTOR, https://www.jstor.org/stable/45381452. Accessed 16 Feb. 2023.

Dance Instruction and Dance Etiquette

Pocket-size instructions, a dance-card, and a mouse – just for size comparison!

Mind you, the Society had a very traditional programme of dances, didn’t it? Mozart Allan would’ve known at least half the dances listed!

(Featured top image: No spitting on the carpet, please, gents – it’s a sure sign of low breeding!)