Women in the Wings, Women on the Stage: Historical Success Stories in Scottish Music History

Edwardian lady in hat

I was bemoaning my many failings yesterday, when I was told (firmly) that I should be more positive and regard myself as a success-story. Unfortunately, I grew up being made so aware of my deficiencies that I’m kind of pre-programmed to look on the dark side.  I’ve never quite matched up to expectations!

There’s no Pleasing Some People

Mind you, the criticisms have changed over the years:-

  • You’re clumsy, untidy and hopeless at sport’;
  • ‘Don’t be disappointed if you fail your 11-plus exam’;
  • ‘You need a secretarial qualification – in case your research doesn’t get you a job’;
  • ‘that “Dr” on your address-labels looks like showing-off’,
  • ‘So-and-so says all those qualifications are ridiculous’,
  • Are you writing another boring book?’

Which just goes to show that some people are never happy, and maybe I should disregard the comments altogether. For what it’s worth, my books are fascinating! And I rather like my ostentatious “Dr”. Liking my ‘letters’ is probably a failing too.

Being a Successful Woman in the Early 20th Century

Tools of the trade?

However, when I consider how much harder it must have been to be a successful woman a hundred years ago, I’m mightily impressed by the women I’ve encountered during my researches into Scottish music publishing. I’m contemplating writing an article about them, but they are often ridiculously modest and very hard to track down, which presents a would-be writer with quite a few problems!

So, who have I got? No, I’m not going to name them just yet. Suffice to say, I have two ladies whose death certificates mention music publishing. And a piano teacher who wrote and self-published a handful of really rather good songs, along with raising three children. And the entertainer’s mother who arranged some Scottish hits. (So far, I’ve only traced documentation of her up to her marriage and the birth of her first child – so frustrating!)

Best of all – and I’ve only recently started researching this in more depth, so she gets the most passing of mentions in my forthcoming book – an incredible lady whose father-in-law started up the business, but who very definitely eventually ran the business herself, with her husband helping her (not the other way round). At the same time, she was a much sought-after conductor with her own orchestra. Wow! Impressive. She didn’t have children. In those days, I can’t imagine how she’d have done what she did, if there was a whole brood of Edwardian children with all their white frilly laundry to do, and no convenience foods! One maidservant? Or two?

I’ve encountered another woman, a singer, whose life looks equally fascinating in different ways. Not a publisher, this time, though. She needs a different article written about her.

Only this weekend, I was reading a blogpost which said that there weren’t really that many women booksellers in the Victorian era, which I think makes it all the more remarkable that these late Victorian and early-twentieth century Scotswomen were quietly forging careers in the music business. So, I shall carry on quietly digging away to find out what I can about them all, and at some point, one, or hopefully two interesting articles will emerge. Watch this space!

Success, for me, is research findings, in print!

Keeping it in the Family: our Routledge Year

The book I’m getting published later this year is not my first.

But our son Scott McAulay has beaten me to it, in being the first to see a Routledge publication this year – two chapters in this essay collection.  And I understand he’s in another collection, too.  Scott has an architectural background – we have very different specialisms! I’m a proud mum.

The Pedagogies of Re-Use

One of Scott’s illustrations is by his older brother, by the way!

The Glasgow Ladies Publishing Sheet Music

Yesterday, I set out to track down some music.  It’s light music, not great music  – almost ephemeral, you could say – but together,  it tells a story.

I also wanted to find out more about the life of one of these fin-de-siecle Glasgow woman music publishers.

It’s not that easy. The music is scattered round our legal deposit libraries; the cataloguing isn’t completely consistent; and fin-de-siecle ladies, whether single,  married, childless or proud mothers, didn’t  leave much record of their daily lives.  They’re hidden in the shadows of family members, and, whilst I imagine they knew one another, let me stress that this is NOT a tale of a female publishing cooperative!

I had a nice chat with a local history librarian, making an acquaintance who is now equally keen to find out more; then I headed home – as yet, none the wiser – to devise a complex spreadsheet of music titles.  I’m visualising a pinboard with strings criss-crossing between ladies, libraries and  work-lists.

So complex, indeed, that I still haven’t planned how best to get to SEE the music.

A weekend task?

Sadly, a Pixabay find, not one of ‘my’ ladies!

A Social History of Amateur Music-Making and Scottish National Identity … being Advertised by Routledge!

I was all set to blog about the Librarian’s Last Tuesday, but my lunchtime discovery makes all that stuff about library owl mascots and jazz CDs seem rather trivial!

There I sat, half-heartedly eating my sushi, when it occurred to me that I hadn’t yet looked to see if my forthcoming book is advertised on the publisher’s website yet. I practically dropped the sushi in surprise (it wasn’t Boots’s best effort) when…

A Social History of Amateur  Music-Making and Scottish National Identity

There was my book looking at me! It’s the first time I’ve seen the title on the cover that I chose a few weeks ago. 

I haven’t even seen the proofs yet, and I’m still indexing it, but it’s really exciting to see its outward appearance.

Okay, it was the Performing Arts Librarian’s Last Tuesday.  But it was also the last Tuesday before I cease to be a partially-seconded researcher. In eight days I’ll be a part-time Post Doctoral Research Fellow.  Still indexing the forthcoming monograph!

Coming soon …

Headline News! Book Progress

A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880-1951

I’ve just heard I should get the proofs of my second monograph by the end of July.

It looks as though the start of semi-retirement is going to be action-packed, doesn’t it? You might almost think I’d planned it that way, but in truth, it’s just how things have worked out.  Any planning was really no more than my thinking, ‘yes, that will probably work out rather nicely’.

I need to start thinking about indexing.  Indeed, I have made a partial start, but so far only focusing on one aspect.

Let me just stop coughing and get this beastly flu-bug out of the way, and then I’ll roll my sleeves up!

Image by Pete Linforth from Pixabay

Seeking Solace in the Library

Archive book 'snake' weight

I’ve had a run of things going wrong!

  • Awaiting dishwasher parts for 2 months
  • Needing a stonemason
  • Storage heater malfunction
  • MOT cancelled on April Fool’s Day; it really was …

I took myself off on a library visit, looking for a peaceful, fruitful day. (Yes, yes, I know – I’m a librarian, and I already work in a library 3.5 days a week. However, researching in a different library is an entirely different experience.)

It was peaceful, though I could have done without the six miles’ walking in the rain! But –

I found nothing related to my research question!

The trouble was, I had to read a lot of stuff, to eliminate it. Having researched music for so long, however, I was enchanted to read about paper pulp, factories, shipping and personnel in Nairobi, Cape Town, India, Toronto … yes, it was 1946-7, and the links were strong.

Then there were paper and bookbinding cloth shortages. Lots of allusions to both.

But was it a wasted journey? On the face of it, I made no progress, but – as you see – I gathered contextual information. From now on, I won’t be parroting those facts, but alluding to situations I’ve witnessed through perusal of correspondence.  That does count for something.  And I learned a handful of names that I might one day encounter in a musical context.

Oh, and apart from getting drookit  (drenched) and walking six miles (thanks, Fitbit), I did get my peaceful day in a library.

Change of Perspective

This is Fleshmarket Close in Edinburgh. It’s an absolute killer! I hadn’t ventured up those steps for some years – I swear they’ve got worse – and although my bags weren’t heavy, I was ready for a breather 1/3rd of the way up, and 2/3rd, not to mention at the top!  Fitbit says I’ve put in my steps quotient, but annoyingly didn’t count how many flights of stairs I ascended, which is ironic.

But I was on a mission, and I did reward myself with a cuppa when I got to the University Library. 

It’s good to go to a different place to study. (The library,  I mean, not the cafe …)  I think that in itself puts one in a frame of mind to come up with fresh ideas.

It was something of a scoping exercise. Now I need to sit and think about what I found, and its potential as a future research project. Tomorrow will doubtless  see me writing away until I get my ideas in order.

I’ll leave you with a couple of publisher’s rejection letters – nothing to do with music or my research. I just stumbled across them, and smiled:-

Publisher to naive would-be authors:-

‘Dear Madam, […] For a book of merely 43 pages, 370 illustrations is excessive …’

Or this one:-

‘Thank you for offering a MSS on Cats and Reptiles.  I regret that neither subject would be likely to suit our programme which is chiefly school and expository’.

I wonder if the author ever DID get their MS accepted somewhere?!

Time to Reflect

My research has been on hold whilst I recover from eye surgery. Firstly, a UK ‘fit note’ says you’re unfit to work (and research is work); and secondly, my good eye soon tells me if I’ve placed too many demands on it. It’s weird to look at a computer screen when one eye  is compensating for the other one (that doesn’t fully focus and has an obstruction in the form of a black gas bubble). 

So, no research reading, though I have bought a couple of books for later.  But that doesn’t stop me thinking. I can’t help doing that.

The other evening, I started a very short list of potential research directions. I can’t proceed with any of them until (a) I am back at work, (b) I can get to various libraries and archives, and (c) I get the go-ahead to drive.

Each potential direction requires me to venture along the path to see what’s round the corner.  Not just, whether there’s enough to research, but whether there might be an interested audience for it. For example, there are two Scottish women musicians I’d like to know more about  – a Victorian and an Edwardian.  One never was a big name, except in her locality.  The other did enjoy fame, but she is virtually forgotten today.

Or, two Scottish music publishers with religious inclinations.  Does anyone care today, apart from me? I’m interested in what exactly they published; and whether they ever interacted in any way.  But is anyone else interested? (I had these hesitations about my mediaeval music research, decades ago. It was possibly one of the reasons it foundered.)

In any of these topics, I have to place the subjects into their social and cultural context, if I am to demonstrate relevance or significance in the grander scheme of things.  My motivation is to examine what these individuals and firms’ music and activities tell us about the era in which they lived and worked.

But then there’s the question of impact. I don’t have to so much as open my laptop, let alone a book, to start worrying that I haven’t yet come up with a mind-blowing angle that will knock the world’s socks off!   Moreover, there is no conceivable way I can make any of my research relate to climate change; saving the earth’s resources; social good or benefit to health.  

And so I sit, blurrily gazing into the middle distance, reflecting! I have the go-ahead to return to work on Monday. Blurrily!

Image by nateen08650 from Pixabay

Flashbacks no.14, Thomas Nelson and Sons

Picture of book cover

‘Audible’ books are great for someone who is trying to rest their eyes. But the problem starts when the book you want to read isn’t on Audible! Only being able to read a few pages at a time made reading this book a bit more of an endurance test than it needed to be. It wasn’t difficult reading in terms of comprehension – just a bit of an effort for my left eye without the assistance of the right one, which will take a few more weeks to catch up!

Thomas Nelson & Sons: Memories of an Edinburgh Publishing House, ed. Heather Holmes and David Finkelstein (East Linton: Tuckwell Press, 2001) ; Flashbacks series no.14 (Book cover shown above)

In the final pages of the book I’ve recently submitted to my publisher, I have referred to Thomas Nelson and Sons, the Edinburgh publisher. In connection with the research behind that book, I had acquired a copy of the paperback edited by Heather Holmes and David Finkelstein some months ago, but I didn’t read it at the time – because it was clearly not going to inform me about editorial decisions of the sort I was writing about. Nonetheless, I did want to read it at some stage, and I made a start last weekend.

Image from Wikimedia Commons

I learned a lot more about what it was like working in the print works, as recalled by four different individuals who were time-served printers – but I didn’t learn a huge amount more about publishing decisions in general, and there was nothing at all about publishing music. Nonetheless, it was useful; I’ve got a lot more background, and a few more facts and figures. Moreover, it was helpful to read about the demise of Thomas Nelson and Sons in the 1960s, the same decade that saw the decline of Scotland’s music publishing industry.

The ‘Flashbacks’ series is (or was) published by Tuckwell Press in association with SAPPHIRE (the Scottish Archive of Print and Publishing History Records) and The European Ethnological Research Centre. The latter sponsored the series, c/o the Royal Museums of Scotland. I think the National Museums of Scotland publishing page may be out of date, since it says there are six Flashbacks publications to date, yet the book I’ve just read is no.14, and was published in 2001. So far as I can make out, the series ended around 2004, and I think the SAPPHIRE oral history project ended about five years after that. (There are articles by Finkelstein, Sarah Bromage and Alistair McCleery dating from 2002 and 2009.)

As it happens, this was exactly the kind of book that I needed right now. Whilst I’m temporarily out of action, it’s useful to read around a subject without the pressure of needing to take notes. I can do the detailed scholarly work later!