Annual Review of 2024

Probably the most eventful year I’ve ever reported, 2024 saw plenty of action. However, I’d like to add a few words of explanation before I go any further. Firstly, everyone’s different and everyone’s circumstances are different. (You know the old saying about how you have to ‘walk a mile in someone’s shoes’ before you understand their experiences and challenges?) I’ve spent far too long on introspection, measuring myself unfavourably against high-achievers. It gets you nowhere, apart from feeling inadequate. You will know what is possible in your own situation; please don’t feel I’ve set myself up as an example. I’ve done it my way.

If you’re on the tenure track hamster wheel elsewhere in the world, you may read this and wonder at how little I’ve achieved. On the other hand, if you’re not employed as an academic, you might be surprised at how much. If you’re fully retired, you may think I’ve lost my marbles, but if you’re semi-retired, you might understand! Similarly, everyone’s personal circumstances at home are different too.

For full disclosure, my research career has been what you’d now call alt-ac (alternative academic); I have had 10½ paid hours a week on research for over a decade, but my main career has been in music librarianship.  (I’ve never been a full-time academic,  and my outputs were achieved in less than one third of my working week.)  As you’ll see, I recently gave a keynote about being ‘alt-ac’, and I’d certainly be open to further bookings of this kind, if your institution or network was interested. (I’m in the UK.)

Highlights

  • I had successful eye surgery in February. 
  • I retired from librarianship at the end of June.
  • I was promoted to part-time postdoctoral research fellow in July (10½ hours a week).
  • I’ve had the opportunity to do some teaching cover.
  • My second monograph was published. (It has a 2025 imprint, but actually came out in autumn 2024.)
  • I was elected a Fellow of IAML (UK & Ireland) in the spring, and of the Royal Conservatoire of Scotland in November.
  • I was keynote speaker for the ECRN Alt-Ac Showcase at the University of Birmingham.
  • I successfully applied for a research fellowship at IASH (the Institute for Advanced Study in the Humanities) at the University of Edinburgh, which I shall be taking up between January and June 2025.
  • I received the Mervyn Heard Award from the Magic Lantern Society in December, for research into Bayley and Ferguson’s service of song  publications.

Four fellowships of various kinds is quite an impressive number, however you look at it, so I must remind myself of this before I start beating myself up about my relatively modest upward progress!

Publications

  • A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880-1951 (Routledge, 2025)
  • Book Review: Gun Sireadh, Gun Irraidh: The Tolmie Collection (Folk Music Journal Vol.12 no.5, pp.127-9; my review of a new edition of the Tolmie Collection, a significant Gaelic song anthology, here re-edited by Kenna Campbell and Ainsley Hamill)
  • [Article withdrawn due to pressures of time, but published on this blog: ‘The Exhilaration and Exasperation of Hybridity: Third-Space Professionalism in the Library’]
  • 2 accepted chapters pending publication.
  • 2 articles recently submitted, pending peer review. [February 2025 update: one got through peer review, has been revised, edited and I’ve approved the proofs. The other got through peer review and now awaits the revisions. Nonetheless, satisfactory progress!]

Speaker

  • Exchange Talk, Royal Conservatoire of Scotland, Jan 2024, ‘From Magic Lantern to Microphone: the Scottish Music Publishers & Pedagogues inspiring Hearts & Minds through Song’
  • NAG (National Acquisitions Group) Talk, April 2024, ‘Redressing the Balance: Getting Historically Under-Represented Composers and Contemporary Environmental Concerns into Library Stock’
  • Print Networks, conference held at University of Newcastle, July 2024, ‘‘Music for All’: the Rise and Fall of Scottish Music Publishing, 1880-1964’
  • Exchange Talk, Royal Conservatoire of Scotland, Nov 2024, ‘The Glory of Scotland’ (it’s the title of a Scottish song book published for the 1951 Festival of Britain)
  • Keynote for ECRN Alt-Ac Showcase at the University of Birmingham, Nov 2024, ‘My Alt-Ac Life’

Other Activities

  • BBC Scotland: ‘Good Morning Scotland’ interview
  • Book launch
  • Fellowships of IAML(UK) and RCS
  • Mervyn Peak Award, Magic Lantern Society
  • New job title: Post Doctoral Research Fellow
  • Peer reviews for AHRC and a scholarly journal
  • Providing teaching cover
  • Successful application: Heritage Collections Research Fellowship, IASH (Institute for Advanced Studies in the Humanities at the University of Edinburgh), for Jan-June 2025.
Edinburgh University Library from The Meadows (Wikipedia image)

Forward Planning

My IASH Fellowship will allow me the opportunity to explore the former Edinburgh publisher, Thomas Nelson’s archives, to find out more about their publishing in the music field. There wasn’t a great amount, but I aim to explore correspondence and find out how it fits into the wider range of their activities. I’ll be spending more of my time on research than I ever have since 1982!

Meanwhile, I’ve been working on an article for a history publication; I want to get that finished in the near future, so that I can turn my attention to another article on a different topic. What I do after that will probably depend on how the IASH Fellowship research goes, and what interesting possibilities reveal themselves to me. There’s bound to be enough for an article. But could I expand it to something book-length? I’ll have to wait and see!

Exchange Talk Given, Book Launched

A quick post to mark a successful and very enjoyable evening. I gave my research exchange talk tonight at RCS. It was about a book of Scottish songs almost certainly published for the Festival of Britain in 1951. I talked about history, book history, music history, Scottish tourism and that all important catch-phrase for the Festival of Britain – ‘A Tonic for the Nation’. And then there was my book launch afterwards.

RCS wasn’t on Renfrew Street in 1951. We were the Royal Scottish Academy of Music at that point, in the old Athenaeum building (Nelson Mandela Place), but we had established a drama department in 1950 – the Glasgow College of Dramatic Art. (More about our history – click here.)

It’s fair to say that the book I talked about tonight – The Glories of Scotland, published by local publisher Mozart Allan – would not have been required repertoire for the talented students passing through our doors in 1951. It wasn’t aimed at high-performing classical artistes. (I doubt the library even had a copy in 1951, but there’s no way of finding out now. Anyway, we have recently acquired it!)

Nonetheless, the songbook does have a place in Glasgow’s history, in its own unique way.

Books relaxing after a night out!

After the exchange talk, we launched my book about amateur music making, Scottish national identity and Scottish music publishing. Professor Stephen Broad introduced it, and said some very kind words about it. There were friends and colleagues there whom I hadn’t seen for a while, so it was very sociable as well as celebratory.

Book launch: my ‘few words’ in response

My thanks go to everyone who contributed to make the evening so successful – Research Exchange colleagues, Library former colleagues, and the box office events team. I’m ‘dead chuffed’, as they say.

RCS autumn graduation 2024

I’m very happy to have been honoured with an honorary Fellowship of the Royal Conservatoire of Scotland, the place where  I’ve worked for 36 years.  It was a memorable and touching evening.

https://www.rcs.ac.uk/news-stories/global-arts-educator-to-be-recognised-alongside-the-class-of-2024-at-the-royal-conservatoire-of-scotlands-autumn-graduation/

Support from my Fellowship sponsor and the colleague who’ll be cataloguing my book!

Loads of official photos were taken; here are a couple!

By RCS’s brilliant official photographer
From the RCS Facebook feed!

Monday 11th November: Exchange Talk & Book Launch

Venue: Royal Conservatoire of Scotland,  Glasgow

Please watch this space!

On Monday 11th November at 6 pm, I’m giving a talk in the well-established and popular RCS Exchange Talk series, where scholars talk about their latest research. I’ll be talking about a song book compiled for the Festival of Britain:-

The Glories of Scotland in Picture and Song: compiling a book with the 1951 Festival of Britain in mind

It’s in the Fyfe lecture theatre. There will be ONLINE BOOKING for this lecture. This will be the link:- https://www.rcs.ac.uk/whats-on/exchange-talk/book/507006/

At 7 pm we’ll have the launch of my new book, in the library. No online booking for the book launch, but if you’re hoping to attend, please do let me know, so we have an idea of numbers.

You can attend both, or either event.

McAulay,  Karen E., A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880-1951 (Routledge, October 2024) 🎶

A book is born

Officially, Post Doctoral Research Fellow

AI generated phoenix from Pixabay

Starting today, that’s my new official title. Prior to my retirement from the Whittaker Library at the Royal Conservatoire of Scotland, I was seconded part-time to Research and Knowledge Exchange. Today, after a brief break, I return as a post doctoral research fellow, since I plainly can’t be seconded from a role I no longer hold.

Reincarnated / ReinKarenated

It’s strange. Today, I sit at my working-from-home desk – same desk, same research work to do, same hours – outwardly, nothing has changed, and yet everything has changed, because I retired from Professional Services and returned to Academic Services. Research is now my sole role, not a small chunk cut out of my 9-5 library existence, and I’m a Research Fellow rather than a Researcher. It’s what I’ve always wanted.

Karen has been reinKarenated, you could say.

What’s in a Name?

‘That’s not how you say my name!’

If I explain the embarrassment of my name, the pun will make more sense. My family pronounces my name ‘Kar’ to rhyme with car, rather than the conventional ‘Kar’ to rhyme with carry. Don’t blame me!

I stopped trying to correct people a very long time ago – it’s not other folks’ fault that my parents decided to pronounce my name distinctively differently. If you’d spent several decades being thought prickly for insisting on an unusual pronunciation, you’d understand why I’ve given up on that!

Call me what you like – I’m a research fellow, and I’d better get on with indexing my monograph ….

36 years today

We sedated the cat, loaded the car, waved the removal van off, and left Tyneside for Glasgow.

From public to academic librarianship. But also in time, to three sons, and a second attempt at a PhD (this time successfully completed).

I know, I said I must stop looking back. But I haven’t forgotten where we started!

May 1988 … Shields Gazette

Meanwhile, back in the Whittaker Library – a Catalogue Entry

One day, when I’ve retired from librarianship, all that will be left to show for my 36 years here will be the books and music on the shelves – and their catalogue records. Naturally, I made sure RCS has a copy of Mozart Allan and Jack Fletcher’s The Glories of Scotland in Picture and Song. Click on the title to see how I’ve catalogued it!

I think you’ll agree I’ve managed to insert enough hints as to why I think it’s significant. There’s a book chapter coming out in an essay collection from the Centre for Printing History and Culture at Birmingham City University, so there will be more to read in due course.

Call it an Encore: The Green Room

The blogpost that I originally wrote for the Cultural Capital Exchange, has also now been posted in a series of postings by the Research Exchange at my own institution, the Royal Conservatoire of Scotland.

Here it is again, then:-

THE GREEN ROOM: DR KAREN MCAULAY (10th June) – Stepping out of the Georgian Era into a Pandemic